Search Constraints
You searched for:
Work Type watercolor
Remove constraint Work Type: watercolorSubject Terms religious and mythological subject
Remove constraint Subject Terms: religious and mythological subjectSearch Results
1
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
2
- Fame (Design 93)
- between 1797 and 1798
3
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
4
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
5
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
6
- Infant Joy (Plate 14)
- 1789
7
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
8
- "In living creations appear'd..." (Plate 8)
- 1794
9
- Chapter III, "As the stars are apart from the earth..." (Plate 9)
- 1794
10
- "Then each an Arrow flaming from his Quiver..." (Plate 98)
- 1804 to 1820
11
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
12
- Night the First. On Life, Death and Immortality; Title Page
- 1797
13
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
14
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
15
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
16
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
17
- Night the Third. Narcissa; Title Page
- 1797
18
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
19
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
20
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
21
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
22
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
23
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
24
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
25
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
26
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
27
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
28
- A Welch Bard (Design 53)
- between 1797 and 1798
29
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
30
- Spring (Plate 26)
- 1789
31
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
32
- Frontispiece, Europe. A Prophecy
- ca. 1820
33
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
34
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
35
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
36
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
37
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
38
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
39
- "Turning his back to the Divine Vision..." (Plate 33)
- 1804 to 1820
40
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
41
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
42
- "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
- 1804 to 1820
43
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
44
- "The banks of the Thames are clouded..." (Plate 5)
- 1804 to 1820
45
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
46
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
47
- "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
- 1804 to 1820
48
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
49
- "When those who disregard all Mortal Things..." (Plate 55)
- 1804 to 1820
50
- "And formed into Four precious stones..." (Plate 59)
- 1804 to 1820
51
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
52
- "Repose on me till the morning of the Grave..." (Plate 62)
- 1804 to 1820
53
- "To decide Two Worlds with a great decision..." (Plate 65)
- 1804 to 1820
54
- "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
- 1804 to 1820
55
- "By those who drink their blood & the blood of their Covenant..." (Plate 67)
- 1804 to 1820
56
- "Such are Cathedrons golden Halls..." (Plate 73)
- 1804 to 1820
57
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
58
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
59
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
60
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
61
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
62
- "To the Christians..." (Plate 77)
- 1804 to 1820
63
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
64
- "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
- 1804 to 1820
65
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
66
- "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
- 1804 to 1820
67
- "I see thy Form O lovely mild Jerusalem..." (Plate 86)
- 1804 to 1820
68
- "The Feminine separates from the Masculine..." (Plate 90)
- 1804 to 1820
69
- "Encompass'd by the frozen Net..." (Plate 80)
- 1804 to 1820
70
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
71
- "Midst the tide, Two angel forms were seen to glide..." (Design 7)
- between 1797 and 1798
72
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
73
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
74
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
75
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
76
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
77
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
78
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
79
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
80
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
81
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
82
- Frontispiece. Albion's Angel (Plate 1)
- 1793
83
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
84
- "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
- 1793
85
- Title Page. America, A Prophecy (Plate 2)
- 1793
86
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
87
- Title Page, The Book of Thel (Plate 2)
- 1789
88
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
89
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
90
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
91
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
92
- Frontispiece, The Ancient of Days (Plate 1)
- 1794
93
- Title Page, Europe a Prophecy (Plate 2)
- 1794
94
- Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
- 1794
95
- "Enitharmon slept. ..." (Plate 10)
- 1794
96
- "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
- 1794
97
- The Little Boy Lost (Plate 20)
- 1789
98
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
99
- 'We censure nature for a span too short' (Page 23)
- 1797
100
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797