- Title:
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- Additional Title(s):
Verso: For them no more the blazing hearth shall burn... No children run to lisp their sire's return..." (Design 108)
Elegy Written in a Country Church-Yard- Part Of:
- Date:
- between 1797 and 1798
- Materials & Techniques:
- Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
- Dimensions:
- Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
- Inscription(s)/Marks/Lettering:
Inscribed in black ink upper right: "3"; in graphite center: "x"; on verso in black ink upper left: "4"; in graphite center: "x"
Lettered on inlaid page: "ELEGY | Written in a | COUNTRY CHURCH-YARD. | THE Curfew tolls the knell of parting day, | The lowing herd wind slowly o'er the lea, | The plowmen homeward plods his weary way, | And leaves the world to darkness, and to me. | Now fades the glimmering landscape on the sight, | And all the air a solemn stillness holds, | Save where the beetle wheels his droning flight, | And drowsy tinklings lull the distant folds; | Save"; Lettered on verso, on inlaid page: "150 ELEGY WRITTEN IN A | Save that from yonder ivy-mantled tower, | The moping owl does to the moon complain | Of such, as wand'ring near her secret bower, | Molest her ancient solitary reign. | Beneath those rugged elms, that yew-tree's shade, | Where heaves the turf in many a mouldring heap, | Each in his narrow cell for ever laid, | The rude Forefathers of the hamlet sleep. | The breezy call of incense breathing Morn, | The swallow twitt'ring from the straw-built shed, | The cock's shrill clarion, or the echoing horn, | No more shall rouse them from their lowly bed. | For them no more the blazing hearth shall burn, | Or busy housewife ply her evening-care; | No children run to lisp their sire's return, | Or climb his knees the envied kiss to share. | Oft"
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1992.8.11(54)
- Classification:
- Drawings & Watercolors
- Collection:
- Prints and Drawings
- Subject Terms:
- angel | book | children | church | dirt | grave | horse (animal) | keg | literary theme | men | mourning | plow (agricultural equipment) | reading | religious and mythological subject | road | shawl | shawls | shovel | shroud | spires | stone | text | trees | women
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:3587
- Export:
- XML
- IIIF Manifest:
- JSON
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20) [YCBA Objects in the Exhibition]
Colin Cross, Blake revealed, William Blake : Discovery of a Masterwork , Observer, vol. 12, November 21, 1971, pp. 19-23, V 1245 Detached from Observer colour magazine [ORBIS]
Arnold Fawcus, Unknown Watercolours by William Blake, Illustrated London News, vol. 259, No. 6881, December 25, 1971, pp. 45-46, 49-51, Illustrated London News Historical Archive [ORBIS]
William Blake, Tate Publishing, London, p. 109, cat. 84, NJ18.B57 M97 2019 (LC) Oversize (YCBA) [YCBA]