- Title:
- Chapter 3 Frontispiece (Plate 51)
- Part Of:
Collective Title: Jerusalem: The Emanation of The Giant Albion, Copy E
- Date:
- 1804 to 1820
- Materials & Techniques:
- Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
- Dimensions:
- Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm), Plate: 8 7/8 x 6 3/8 inches (22.5 x 16.2 cm)
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1992.8.1(51)
- Classification:
- Prints
- Collection:
- Prints and Drawings
- Subject Terms:
- bald | cave | cavern | chained | chains | fire | flames | literary theme | men | nudes | religious and mythological subject | robe | sceptre | shackles | sitting
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:3483
- Export:
- XML
- IIIF Manifest:
- JSON
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13) [YCBA Objects in the Exhibition]
William Blake (Tate Britain, 2000-11-02 - 2001-02-04) [YCBA Objects in the Exhibition]
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition] [Exhibition Description]
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06) [YCBA Objects in the Exhibition]
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14) [YCBA Objects in the Exhibition]
Robert Hoozee, British vision : observation and imagination in British art, 1750-1950, , Mercatorfonds Museum voor Schone Kunsten, Brussels , Ghent, 2007, pp. 350-51, no. 241, fig. 241, N6767 B78 2007 + OVERSIZE (YCBA) [YCBA]