Print made by William Blake, 1757–1827, British, "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50), 1804 to 1820
- Title:
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- Part Of:
Collective Title: Jerusalem: The Emanation of The Giant Albion, Copy E
- Date:
- 1804 to 1820
- Materials & Techniques:
- Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
- Dimensions:
- Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm), Plate: 8 7/8 x 6 3/8 inches (22.6 x 16.2 cm)
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1992.8.1(50)
- Classification:
- Prints
- Collection:
- Prints and Drawings
- Subject Terms:
- clouds | crowns | fire | island | lightning | literary theme | men | moon | nudes | rain | religious and mythological subject | sea | sun | text
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:3482
- Export:
- XML
- IIIF Manifest:
- JSON
William Blake (Tate Britain, 2000-11-02 - 2001-02-04) [YCBA Objects in the Exhibition]
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06) [YCBA Objects in the Exhibition] [Exhibition Description]
Denise Gigante, Life, organic form and Romanticism , Yale University Press, New Haven, 2009, between p. 114 and p. 115, p. 124, Pl. III. 7, PR575.L54 G54 2009 (YCBA) [YCBA]
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