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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms sun
Remove constraint Subject Terms: sunSearch Results
1
- Cloud Study
- ca. 1821
- Not on view
2
- A Church in the Trees
- ca. 1800
- Not on view
3
- A Cloud Study, Sunset
- ca. 1821
- Not on view
4
- Hampstead Heath looking towards Harrow
- 1821 to 1822
- Not on view
5
- Stormy Sea Breaking on a Shore
- between 1840 and 1845
- Not on view
6
- Cattle at a Pool at Sunrise
- 1827
- Not on view
7
- Landscape, Possibly the Isle of Wight or Richmond Hill
- 1815
- Not on view
8
- Jacob's Dream
- 1705
- Not on view
9
- Classical Landscape: Evening
- between 1740 and 1745
- Not on view
10
- The Deluge
- 1834
- Not on view
11
- A View of the Tiber with Rome in the Distance
- ca. 1775
- Not on view
12
- The Death of Chatterton
- ca. 1856
- Not on view
13
- St. Michael's Mount, Cornwall
- ca. 1838
- Not on view
14
- Italian Landscape (Morning)
- between 1760 and 1765
- Not on view
15
- Found!
- 1898-1899
16
- The Bellman
- 1879
17
- The Bellman
- 1879
18
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
19
- The Morning of Life
- 1860-1861
20
- The Herdsman's Cottage
- 1850
21
- The Herdsman's Cottage
- 1850
22
- Glaucus and Scylla
- 1813 to 1823
23
- Basle
- 1807
24
- Glaucus and Scylla
- between 1813 and 1823
25
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
26
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
27
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
28
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
29
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
30
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
31
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
32
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
33
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
34
- "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
- 1804 to 1820
35
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
36
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
37
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
38
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
39
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
40
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
41
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
42
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
43
- Aged Ignorance (Plate 13)
- 1826
44
- "To The Accuser who is The God of This World..." (Plate 19)
- 1826
45
- For the Sexes: The Gates of Paradise, Title Page (Plate 1)
- 1826
46
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
47
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
48
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
49
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
50
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
51
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
52
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
53
- "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
- 1804 to 1820
54
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
55
- "Jehovah stood among the Druids..." (Plate 63)
- 1804 to 1820
56
- "Of the Mundane Shell which froze..." (Plate 64)
- 1804 to 1820
57
- Aged Ignorance (Plate 13)
- 1793
58
- Frontispiece (Plate 1)
- 1793
59
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
60
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
61
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
62
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
63
- Frontispiece, The Ancient of Days (Plate 1)
- 1794
64
- Illustrations of Imitation of Eclogue I, Page 14
- 1821
65
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
66
- Landscape with Sheep
- undated
67
- Joshua Commanding the Sun to Stand Still
- 1818
68
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
69
- Noon
- undated
70
- Noon
- 1745
71
- Morning
- 1745
72
- Joshua Commanding the Sun to Stand Still
- 1827
73
- The Barfleur a Second Rate, carrying 90 Guns, and 680 Men, with a View of the Squadron Commanded by Lord Torrington in the Mediterranean
74
- The Farmer's Boy
- undated
75
- The Eclipse of the Sun as it Will Appear at London on July 14, 1748
- 1748
76
- Mercury and Argus
- 1841
77
- The Shepherd
- between 1827 and 1836
78
- The Eclipse at an End - and Political Tilting Discovered
- ca. 1788
79
- Mercury and Argus
- 1841
80
- Mercury and Argus
- 1841
81
- Death's Door
- 1808, published 1813
82
- Ten Needle-Box Prints
- undated
83
- Pharaoh and Moses
- 1813
84
- Ideal Pastoral Life
- 1829
85
- The Ploughman
- 1827
86
- The Sheep of His Pasture
- ca. 1828
87
- The Cyder Feast
- 1828
88
- Ideal Pastoral Life
- 1829
89
- Sky Study, No. 8
- undated
90
- An Eclipse in Harvest Time
- undated
91
- Mercury and Argus
- 1841
92
- Morning
- ca. 1797
93
- Evening
- ca. 1797
94
- Evening
- ca. 1797
95
- Sun Under a Cloud
- 1745
96
- A Scene on Mount Olympus
- undated
97
- Monument to Shakespeare
- ca. 1763
98
- Erne River, Ireland
- undated
99
- The Morning of Life
- 1860-1861
100
- Bacchus and Ariadne
- 1855