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Materials & Techniques watercolor
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Remove constraint On-site Access: Accessible in the Study RoomSubject Terms literary theme
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1
- Oberon and Titania
- 1837
2
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
3
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
4
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793
5
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
6
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
7
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
8
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
9
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
10
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
11
- The Little Girl Found (Plate 6)
- 1789
12
- A Dream (Plate 4)
- 1789
13
- The Lamb (Plate 8)
- 1789
14
- Introduction (Plate 3)
- 1789
15
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
16
- Infant Joy (Plate 14)
- 1789
17
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
18
- The Ecchoing Green (Plate 10)
- 1789
19
- The Divine Image (Plate 12)
- 1789
20
- Night (Plate 16)
- 1789
21
- The Little Boy Lost (Plate 20)
- 1789
22
- Spring (Plate 26)
- 1789
23
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
24
- "To decide Two Worlds with a great decision..." (Plate 65)
- 1804 to 1820
25
- "O Skofield why art thou cruel?..." (Plate 68)
- 1804 to 1820
26
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
27
- "Was living: panting like a frighted wolf..." (Plate 7)
- 1804 to 1820
28
- "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
- 1804 to 1820
29
- "By those who drink their blood & the blood of their Covenant..." (Plate 67)
- 1804 to 1820
30
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
31
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
32
- "To the Christians..." (Plate 77)
- 1804 to 1820
33
- "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
- 1804 to 1820
34
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
35
- "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
- 1804 to 1820
36
- "Such are Cathedrons golden Halls..." (Plate 73)
- 1804 to 1820
37
- "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
- 1804 to 1820
38
- "When those who disregard all Mortal Things..." (Plate 55)
- 1804 to 1820
39
- "Repose on me till the morning of the Grave..." (Plate 62)
- 1804 to 1820
40
- "Jehovah stood among the Druids..." (Plate 63)
- 1804 to 1820
41
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
42
- "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
- 1804 to 1820
43
- "And formed into Four precious stones..." (Plate 59)
- 1804 to 1820
44
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
45
- "The clouds of Albions Druid Temples..." (Plate 60)
- 1804 to 1820
46
- "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
- 1804 to 1820
47
- "Of the Mundane Shell which froze..." (Plate 64)
- 1804 to 1820
48
- "Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
- 1804 to 1820
49
- "In beauty the Daughters of Albion divide..." (Plate 58)
- 1804 to 1820
50
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
51
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
52
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
53
- "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
- 1804 to 1820
54
- "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
- 1804 to 1820
55
- "The banks of the Thames are clouded..." (Plate 5)
- 1804 to 1820
56
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
57
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
58
- The Bard, A Pindaric Ode; Title Page
- between 1797 and 1798
59
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
60
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
61
- A Cradle Song (Plate 18)
- 1789
62
- Songs of Innocence, Title Page (Plate 2)
- 1789
63
- On Anothers Sorrow (Plate 24)
- 1789
64
- Nurse's Song (Plate 22)
- 1789
65
- Laughing Song (Plate 28)
- 1789
66
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
67
- "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
- 1804 to 1820
68
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
69
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
70
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
71
- "And that toward Eden, four..." (Plate 13)
- 1804 to 1820
72
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
73
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
74
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
75
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
76
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
77
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
78
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
79
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
80
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
81
- Ode on a Distant Prospect of Eton College; Title Page
- between 1797 and 1798
82
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
83
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
84
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
85
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
86
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
87
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
88
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
89
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
90
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
91
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
92
- Ode on the Spring; Title Page
- between 1797 and 1798
93
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
94
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
95
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
96
- Ode to Adversity; Title Page
- between 1797 and 1798
97
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
98
- Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
99
- "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
- 1804 to 1820
100
- "Encompass'd by the frozen Net..." (Plate 80)
- 1804 to 1820