The Coast near Scheveningen with Fishing Pinks on the Shore
ca. 1755
Not on view
107
William Collins, 1788–1847
Frost Scene
1827
Not on view
108
Alexander Nasmyth, 1758–1840
Loch Awe, Argyllshire
ca. 1785
Not on view
109
Sir Charles D'Oyly, 1781–1845
East Gateway, Patna
1825
Not on view
110
unknown artist
Brown Horse in a Hilly Landscape
ca. 1785
Not on view
111
Thomas Gainsborough, 1727–1788
Landscape with Milkmaid
between 1754 and 1756
Not on view
112
Harry Hall, 1838–1886
Sir Tatton Sykes Leading in the Horse 'Sir Tatton Sykes' with William Scott Up
1846
Not on view
113
Thomas Hand, died 1804
George Morland on his Hunter
1794
Not on view
114
James Ward, 1769–1859
A Hunter in a Landscape
1810
Not on view
115
John Ferneley, 1782–1860
Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
1827
Not on view
116
John Frederick Herring, 1795–1865
A Clydesdale Stallion
1820
Not on view
117
John Martin, 1789–1854
Landscape with a Castle
between 1815 and 1820
Not on view
118
John Middleton, 1826–1856
A Landscape with a Horseman
ca. 1850
Not on view
119
George Lambert, 1700–1765
Saltwood Castle
1762
Not on view
120
George Henry Laporte, 1799–1873
Grey Arabian mare and foal, with a family
ca. 1835
Not on view
121
unknown artist
House on a Common
between 1770 and 1780
Not on view
122
unknown artist
The Crucifixion
between 1830 and 1840
Not on view
123
George Morland, 1763–1804
Rocky Landscape with Two Men on a Horse
1791
Not on view
124
Thomas Jones, 1742–1803
An Imaginary Coast Scene, with the Temple of Venus at Baiae
1773
Not on view
125
Sir George Howland Beaumont seventh Baronet, 1753–1827
Landscape with Figures in the Foreground
between 1800 and 1810
Not on view
126
William Redmore Bigg, 1755–1828
The Severe Steward, or Unfortunate Tenant
between 1800 and 1801
Not on view
127
Thomas Creswick, 1811–1869
The Well of St. Keyne
ca. 1838
Not on view
128
Jacques-Laurent Agasse, 1767–1849
The Wellesley Grey Arabian Led through the Desert
ca. 1810
Not on view
129
Philippe-Jacques de Loutherbourg, 1740–1812
Landscape with Horse and Oxen Cart
1770 to 1780
Not on view
130
Derby porcelain factory, founded 1756
Dr. Syntax: On a Horse, Jumping a Gate
ca. 1810
Not on view
131
unknown artist
Jockey and Racehorse: he in black cap, blue jacket, pink waistcoat and white breeches; the horse, sponged black with purple saddle cloth (reins missing)
1830
Not on view
132
unknown artist
Scenes of Various Sporting Pursuits: Painted on a Set of Eighteen Victorian Lacquer Buttons, in Two Sized, in Tartan Covered Case
ca. 1850
Not on view
133
John Willis Good, 1845–1879
After the Race
1875
Not on view
134
Attributed to John Ferneley, 1782–1860
Lord Edward Thynne’s Snuff Box, Decorated with Foxhunting Scenes by John Ferneley
1832 or 1833
Not on view
135
Josiah Wedgwood, 1730–1795
Horse Frightened by a Lion (Episode A)
modeled 1780
Not on view
136
Joseph Edgar Boehm, 1834–1890
St. Simon
1885
Not on view
137
Joseph Edgar Boehm, 1834–1890
Girl on Horseback with a Boy and a Dog
1865
Not on view
138
John Willis Good, 1845–1879
Before the Race
1875
Not on view
139
Adrian Jones, 1845–1938
Horse and Stable Lad
ca. 1890
Not on view
140
Adrian Jones, 1845–1938
The Tetrarch
ca. 1913
Not on view
141
Adrian Jones, 1845–1938
"Gone Away"
ca. 1887
Not on view
142
Thomas Thornycroft, 1815–1885
Queen Victoria on Horseback
1853
Not on view
143
Robert Polhill Bevan, 1865–1925
Sale at Ward's Repository, No. 2
ca. 1918
144
Robert Polhill Bevan, 1865–1925
Under the Hammer
between 1912 and 1913
145
Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
ca. 1896
146
Robert Polhill Bevan, 1865–1925
The Bayhorse, Tattersall’s
1921
147
Print made by Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
1898-1899
148
Robert Polhill Bevan, 1865–1925
Sketch of a Horse
undated
149
Samuel Palmer, 1805–1881
Ivy Cottage, Shoreham
undated
150
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
151
Print made by George Stubbs, 1724–1806
Labourers
1789
152
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1777
153
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1788
154
George Stubbs, 1724–1806
A Prancing Horse, Facing Right
ca. 1790
155
George Stubbs, 1724–1806
Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
undated
156
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
157
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
158
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
159
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
160
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
161
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
162
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
163
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
164
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
165
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
166
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
167
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
168
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
169
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
170
George Romney, 1734–1802
Man and Horse
undated
171
George Romney, 1734–1802
Sketches for a Man with a Horse
undated
172
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
173
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
174
George Romney, 1734–1802
A Man with a Horse, Possibly Ward Thomas
undated
175
George Romney, 1734–1802
Unidentified Subject: Woman, Child, Man and Horse
undated
176
George Romney, 1734–1802
The Destruction of Niobe's Children
undated
177
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
178
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
undated
179
George Romney, 1734–1802
Horseman of Montecavallo
between 1773 and 1774
180
Conrad Gessner, 1764–1826
A Horse, Dog and Figures outside a Cottage
undated
181
Thomas Gainsborough, 1727–1788
Hilly Landscape with Figures Approaching a Bridge
ca. 1763
182
George Lothian Hall, 1825–1888
Casemates
1843
183
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
184
Samuel Howitt, 1756–1822
Old Lion Insulted
undated
185
George Morland, 1763–1804
Two Men on a Country Road
1793
186
James Duffield Harding, 1798–1863
Fording the Stream in a Mountain Valley
undated
187
Sir George Hayter, 1792–1871
Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
1827
188
George Hayward, born 1800–active 1834–72
Sketch of Two Wagons
undated
189
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
190
Attributed to John Martin, 1789–1854
The Conversion of Saul
undated
191
Frederick Nash, 1782–1856
Apsley House and Piccadilly ... from Hyde Park Corner