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Width [cm] 16

Classification Prints

Vanessa Bell Woman in an Armchair

Vanessa Bell, 1879–1961

Woman in an Armchair

ca. 1921

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer The Willow

Print made by Samuel Palmer, 1805–1881

The Willow

1850

William Hogarth Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

William Hogarth, 1697–1764

Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

1718

William Blake Jerusalem, Plate 28 Proof Impression

Print made by William Blake, 1757–1827

Jerusalem, Plate 28 Proof Impression

ca. 1820

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

1804 to 1820

William Blake "Los shudder'd at beholding Albion..." (Plate 40)

Print made by William Blake, 1757–1827

"Los shudder'd at beholding Albion..." (Plate 40)

1804 to 1820

William Blake "Thus Albion sat, studious of others..." (Plate 42)

Print made by William Blake, 1757–1827

"Thus Albion sat, studious of others..." (Plate 42)

1804 to 1820

William Blake "The banks of the Thames are clouded..." (Plate 5)

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

William Blake "And that toward Eden, four..." (Plate 13)

Print made by William Blake, 1757–1827

"And that toward Eden, four..." (Plate 13)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Print made by William Blake, 1757–1827

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

1804 to 1820

William Blake "To the Jews..." (Plate 27)

Print made by William Blake, 1757–1827

"To the Jews..." (Plate 27)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "Bath, mild Physician of Eternity..." (Plate 46)

Print made by William Blake, 1757–1827

"Bath, mild Physician of Eternity..." (Plate 46)

1804 to 1820

William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

1804 to 1820

William Blake Chapter 3 Frontispiece (Plate 51)

Print made by William Blake, 1757–1827

Chapter 3 Frontispiece (Plate 51)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake "And this the form of mighty Hand..." (Plate 70)

Print made by William Blake, 1757–1827

"And this the form of mighty Hand..." (Plate 70)

1804 to 1820

William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Print made by William Blake, 1757–1827

Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

1804 to 1820

William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

Print made by William Blake, 1757–1827

"My tents are fall'n! my pillars are in ruins!..." (Plate 79)

1804 to 1820

William Blake "Rose up against me thundering..." (Plate 8)

Print made by William Blake, 1757–1827

"Rose up against me thundering..." (Plate 8)

1804 to 1820

William Blake "Encompass'd by the frozen Net..." (Plate 80)

Print made by William Blake, 1757–1827

"Encompass'd by the frozen Net..." (Plate 80)

1804 to 1820

William Blake "I have heard Jerusalems groans..." (Plate 82)

Print made by William Blake, 1757–1827

"I have heard Jerusalems groans..." (Plate 82)

1804 to 1820

William Blake "Corruptability appears upon thy limbs..." (Plate 83)

Print made by William Blake, 1757–1827

"Corruptability appears upon thy limbs..." (Plate 83)

1804 to 1820

William Blake Jerusalem, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Jerusalem, Frontispiece (Plate 1)

1804 to 1820

William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

1804 to 1820

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

1804 to 1820

William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)

Print made by William Blake, 1757–1827

"Then the Divine Vision like a silent Sun..." (Plate 29)

1804 to 1820

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "His western heaven with rocky clouds..." (Plate 31)

Print made by William Blake, 1757–1827

"His western heaven with rocky clouds..." (Plate 31)

1804 to 1820

William Blake "Leaning against the pillars..." (Plate 32)

Print made by William Blake, 1757–1827

"Leaning against the pillars..." (Plate 32)

1804 to 1820

William Blake "His face and bosom with petrific hardness..." (Plate 38)

Print made by William Blake, 1757–1827

"His face and bosom with petrific hardness..." (Plate 38)

1804 to 1820

William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)

Print made by William Blake, 1757–1827

"By Satan's Watch-fiends tho' they search..." (Plate 39)

1804 to 1820

William Blake "They saw their Wheels rising up poisonous..." (Plate 43)

Print made by William Blake, 1757–1827

"They saw their Wheels rising up poisonous..." (Plate 43)

1804 to 1820

William Blake Thomas Hayley, the Disciple of John Flaxman, from a Medallion

Print made by William Blake, 1757–1827

Thomas Hayley, the Disciple of John Flaxman, from a Medallion

1800

William Blake "Condens'd his Emanations..." (Plate 9)

Print made by William Blake, 1757–1827

"Condens'd his Emanations..." (Plate 9)

1804 to 1820

William Blake Chapter 4 Frontispiece (Plate 76)

Print made by William Blake, 1757–1827

Chapter 4 Frontispiece (Plate 76)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake "Was living: panting like a frighted wolf..." (Plate 7)

Print made by William Blake, 1757–1827

"Was living: panting like a frighted wolf..." (Plate 7)

1804 to 1820

William Blake "To decide Two Worlds with a great decision..." (Plate 65)

Print made by William Blake, 1757–1827

"To decide Two Worlds with a great decision..." (Plate 65)

1804 to 1820

William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Print made by William Blake, 1757–1827

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

1804 to 1820

William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Print made by William Blake, 1757–1827

"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

1804 to 1820

William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Print made by William Blake, 1757–1827

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

1804 to 1820

William Blake The Man Sweeping the Interpreter's Parlour

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

Thomas Medland Ruins of St. Paul Covent Garden

Print made by Thomas Medland, 1755–1823

Ruins of St. Paul Covent Garden

1795

George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

Sparrow Herstmonceux Castle, Sussex Pl. IV

Sparrow, active 1773–1787

Herstmonceux Castle, Sussex Pl. IV

undated

John Greig Herstmonceux Castle, Sussex

John Greig, active 1803–1853

Herstmonceux Castle, Sussex

1815

James S. Storer Chepstow

Print made by James S. Storer, 1771–1853

Chepstow

1794

George Murray Neath

Print made by George Murray, died 1822

Neath

1795

Thomas Tagg Northampton

Print made by Thomas Tagg, died 1809

Northampton

1796

John Pye Ehrenbreitstein, During the Demolition of the Fortress in 1817

Print made by John Pye, 1782–1874

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1828

James Tibbits Willmore The Sea! The Sea!

Print made by James Tibbits Willmore, 1800–1863

The Sea! The Sea!

1836

Edward Goodall Smailholm Tower

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

William Miller An Old Manor House

Print made by William Miller, 1796–1882

An Old Manor House

1834

Robert Wallis Hermitage Castle

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1834

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Edward Goodall St. Anne's Hill, No. I

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

William Miller Venice, The Rialto - Moonlight

Print made by William Miller, 1796–1882

Venice, The Rialto - Moonlight

1834

Edward Goodall St. Anne's Hill, No. II

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. II

1834

Edward Goodall The Boy of Egremond

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

William Miller Loch Lomond

Print made by William Miller, 1796–1882

Loch Lomond

1834

William Miller A Garden

Print made by William Miller, 1796–1882

A Garden

1834

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Edward Francis Finden The Castellated Rhine

Print made by Edward Francis Finden, 1791–1857

The Castellated Rhine

1832-1834

Richard Bernard Godfrey Edgar's Tower, Worcester

Richard Bernard Godfrey, 1728–op.1794

Edgar's Tower, Worcester

1786

Samuel Ireland New Inn

Samuel Ireland, 1744–1800

New Inn

1800

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

Samuel Ireland Furnival's Inn

Samuel Ireland, 1744–1800

Furnival's Inn

1800

George Cruikshank Audacity of Jack Sheppard

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

Samuel Ireland Rolls Chapel

Samuel Ireland, 1744–1800

Rolls Chapel

1800

Samuel Ireland Westminster Hall

Samuel Ireland, 1744–1800

Westminster Hall

1800

James Baylis Allen Havre

Print made by James Baylis Allen, 1803–1876

Havre

1834

James Tibbits Willmore Pont de l'Arche

Print made by James Tibbits Willmore, 1800–1863

Pont de l'Arche

1835

John Horsburgh Bemerside

Print made by John Horsburgh, 1791–1869

Bemerside

1834

Alexander Bannerman George Lambert

Alexander Bannerman, ca. 1730–1780

George Lambert

undated

Pierre Audouin Angelica Kauffman

Print made by Pierre Audouin, 1768–1822

Angelica Kauffman

undated

George Baxter Funeral of the Late Duke of Wellington

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1893

Ethel Leontine Gabain Madame X

Print made by Ethel Leontine Gabain, 1883–1950

Madame X

1918

Tom Phillips Res Quae Fluunt

Tom Phillips, born 1937

Res Quae Fluunt

1970

Edward Goodall The Vision of Columbus

Print made by Edward Goodall, 1795–1870

The Vision of Columbus

1834

Tom Phillips A Humument Fragment: Paul Veronese

Tom Phillips, born 1937

A Humument Fragment: Paul Veronese

1970

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Edward Goodall Captivity

Print made by Edward Goodall, 1795–1870

Captivity

1834

Peter Pasquin One of a set of 6 (2): A Day's Journal of a Sponge

Peter Pasquin, active 1824–1826

One of a set of 6 (2): A Day's Journal of a Sponge

1824

Peltro W. Tomkins Mrs. Siddons

Print made by Peltro W. Tomkins, 1760–1840

Mrs. Siddons

undated

Richard Sawyer The Lively Portraiture of John Felton who Most Miserably Kild [sic] the Right Hon. George Villiers of Buckingham. August ye 23, 1628. 1830

after Richard Sawyer, active 1820–1830

The Lively Portraiture of John Felton who Most Miserably Kild [sic] the Right Hon. George Villiers of Buckingham. August ye 23, 1628. 1830

1830

unknown artist William, Earl of Craven

unknown artist

William, Earl of Craven

1791

unknown artist Craven House, Craven Building, Drury Lane

unknown artist

Craven House, Craven Building, Drury Lane

1800

unknown artist The Rotunda in the Bank of England

unknown artist

The Rotunda in the Bank of England

1804

unknown artist The Bank of England and Threadneedle Street, circa 1780

unknown artist

The Bank of England and Threadneedle Street, circa 1780

ca. 1780

Thomas Prattent Newcastle House, Clerkenwell Close

Thomas Prattent, active 1780–1810

Newcastle House, Clerkenwell Close

1791

unknown artist The Marine Society

unknown artist

The Marine Society

undated

Thomas Mann Baynes Clapham Church Looking East

Thomas Mann Baynes, 1794–1854

Clapham Church Looking East