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Francis Danby The Avon Gorge at Sunset
Francis Danby, 1793–1861
The Avon Gorge at Sunset
ca. 1850
Not on view
John Constable East Bergholt Church
John Constable, 1776–1837
East Bergholt Church
1809
Not on view
Daniel Turner A View of London Bridge
Daniel Turner, active 1782–1805
A View of London Bridge
early 19th century
Not on view
Daniel Turner A View of Westminster Bridge
Daniel Turner, active 1782–1805
A View of Westminster Bridge
early 19th century
Not on view
John Dalby Foxhunting: Clearing a Bank
John Dalby, active 1826–1853
Foxhunting: Clearing a Bank
ca. 1840
Not on view
unknown artist Sir Thomas Lawrence, P.R.A., (1769-1830)
unknown artist
Sir Thomas Lawrence, P.R.A., (1769-1830)
ca. 1830
Not on view
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
Samuel Palmer Streets of the Tombs, Pompeii
Samuel Palmer, 1805–1881
Streets of the Tombs, Pompeii
undated
William Hogarth Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
William Hogarth, 1697–1764
Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
1718
Joseph Mallord William Turner The Channel Sketchbook
Joseph Mallord William Turner, 1775–1851
The Channel Sketchbook
ca. 1845
Joseph Mallord William Turner The Angler
Joseph Mallord William Turner, 1775–1851
The Angler
1794
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear El Areesh
Edward Lear, 1812–1888
El Areesh
1867
Edward Lear Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)
Edward Lear, 1812–1888
Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)
1867
Edward Lear Thebes
Edward Lear, 1812–1888
Thebes
1854
Edward Lear Greek Woodcutter, June 13 /56
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
Edward Lear Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)
Edward Lear, 1812–1888
Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)
1867
Edward Lear Gebelein
Edward Lear, 1812–1888
Gebelein
1854
Edward Lear El Kab
Edward Lear, 1812–1888
El Kab
1854
Edward Lear Dhoura Island
Edward Lear, 1812–1888
Dhoura Island
1854
Edward Lear El Ousta
Edward Lear, 1812–1888
El Ousta
1854
Edward Lear Dendera
Edward Lear, 1812–1888
Dendera
1867
Edward Lear Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)
Edward Lear, 1812–1888
Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)
1867
Edward Lear Gebel Sheikh Eredi, before sunrise
Edward Lear, 1812–1888
Gebel Sheikh Eredi, before sunrise
1867
Edward Lear Belbeis
Edward Lear, 1812–1888
Belbeis
1867
Edward Lear Salahiyeh
Edward Lear, 1812–1888
Salahiyeh
1867
Edward Lear Negadeh
Edward Lear, 1812–1888
Negadeh
1867
Edward Lear Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
Edward Lear Pettenasco, Lago d'Orta
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake Thomas Hayley, the Disciple of John Flaxman, from a Medallion
Print made by William Blake, 1757–1827
Thomas Hayley, the Disciple of John Flaxman, from a Medallion
1800
William Blake The Man Sweeping the Interpreter's Parlour
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
George Romney Figure Composition Study 17
George Romney, 1734–1802
Figure Composition Study 17
undated
George Romney Figure Composition Study 13
George Romney, 1734–1802
Figure Composition Study 13
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney Seated Woman: Three Studies
George Romney, 1734–1802
Seated Woman: Three Studies
undated
George Romney Studies for Portraits of a Man and of a Woman
George Romney, 1734–1802
Studies for Portraits of a Man and of a Woman
undated
George Romney Seated Woman, Two Studies
George Romney, 1734–1802
Seated Woman, Two Studies
undated
George Romney Two Figures: Probably for the Bath of Diana
George Romney, 1734–1802
Two Figures: Probably for the Bath of Diana
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Old Age
George Romney, 1734–1802
Old Age
undated
George Romney Seated and Half-Kneeling Woman
George Romney, 1734–1802
Seated and Half-Kneeling Woman
undated
George Romney Seated Woman: Three Poses
George Romney, 1734–1802
Seated Woman: Three Poses
undated
George Romney Seated Man and Seated Woman
George Romney, 1734–1802
Seated Man and Seated Woman
undated
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Two Sketches of a Half-Kneeling Figure
George Romney, 1734–1802
Two Sketches of a Half-Kneeling Figure
undated
George Romney "Lear in the Storm," King Lear, Act III, Scene II
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
George Romney Loosely Described Figures
George Romney, 1734–1802
Loosely Described Figures
undated
George Romney Aerial Group: The Tempest
George Romney, 1734–1802
Aerial Group: The Tempest
undated
George Romney Richard Cumberland Frontispiece
George Romney, 1734–1802
Richard Cumberland Frontispiece
undated
George Romney Head of a Woman
George Romney, 1734–1802
Head of a Woman
undated
George Romney Execution of Mary Stuart
George Romney, 1734–1802
Execution of Mary Stuart
undated