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101. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Chapter 3 Frontispiece (Plate 51)

Chapter 3 Frontispiece (Plate 51)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. "Bath, mild Physician of Eternity..." (Plate 46)

"Bath, mild Physician of Eternity..." (Plate 46)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. "Bath, healing City!..." (Plate 45)

"Bath, healing City!..." (Plate 45)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. "The banks of the Thames are clouded..." (Plate 5)

"The banks of the Thames are clouded..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. "And formed into Four precious stones..." (Plate 59)

"And formed into Four precious stones..." (Plate 59)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. "Bath who is Legions..." (Plate 41)

"Bath who is Legions..." (Plate 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. "Los shudder'd at beholding Albion..." (Plate 40)

"Los shudder'd at beholding Albion..." (Plate 40)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. "Thus Albion sat, studious of others..." (Plate 42)

"Thus Albion sat, studious of others..." (Plate 42)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Jerusalem, Tailpiece (Plate 100)

Jerusalem, Tailpiece (Plate 100)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. "To labours mighty, with vast strength..." (Plate 11)

"To labours mighty, with vast strength..." (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. "From every-one of the Four Regions..." (Plate 18)

"From every-one of the Four Regions..." (Plate 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. "But when they saw Albion fall'n..." (Plate 20)

"But when they saw Albion fall'n..." (Plate 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. "What have I said? What have I done?..." (Plate 24)

"What have I said? What have I done?..." (Plate 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. "Was living: panting like a frighted wolf..." (Plate 7)

"Was living: panting like a frighted wolf..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. "The Four Zoa's clouded rage..." (Plate 74)

"The Four Zoa's clouded rage..." (Plate 74)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Chapter 4 Frontispiece (Plate 76)

Chapter 4 Frontispiece (Plate 76)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. "And Rahab Babylon the Great..." (Plate 75)

"And Rahab Babylon the Great..." (Plate 75)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. "Jehovah stood among the Druids..." (Plate 63)

"Jehovah stood among the Druids..." (Plate 63)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. "Such are Cathedrons golden Halls..." (Plate 73)

"Such are Cathedrons golden Halls..." (Plate 73)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. "The shrill winds wake!..." (Plate 6)

"The shrill winds wake!..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. "Appear to the Americans upon the cloudy night..." (Plate 6)

"Appear to the Americans upon the cloudy night..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Thomas Hayley the Disciple of John Flaxman, from a Medallion

Thomas Hayley the Disciple of John Flaxman, from a Medallion
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/16 x 8 11/16 inches (28.7 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Socrates, a Visionary Head

Socrates, a Visionary Head
Creator:
William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Landscape with Ledbury Church Spire

Landscape with Ledbury Church Spire
Creator:
John James Barralet, 1747–1815
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 13 7/8 inches (22.9 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. A London Street Crier

A London Street Crier
Creator:
James Gillray, 1756–1815
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 6 1/8 inches (23.2 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Study of Three Figures for "Adoration of Old Men"

Study of Three Figures for "Adoration of Old Men"
Creator:
Sir Stanley Spencer, 1891–1959
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

137. Delft

Delft
Creator:
James Holland, 1799–1870
Date:
1845
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 5 1/2 inches (23.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. A Street at Night with Figures at a Stall

A Street at Night with Figures at a Stall
Creator:
Attributed to James Holland, 1799–1870
Date:
1849
Materials & Techniques:
Watercolor and pen and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 6 1/2 inches (22.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Lyons from Quayside on the Rhone

Lyons from Quayside on the Rhone
Creator:
James Duffield Harding, 1798–1863
Date:
ca. 1824
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. The Admiral House, Simon's Town, Cape of Good Hope

The Admiral House, Simon's Town, Cape of Good Hope
Creator:
Lt. Humphrey John Julian, active 1842–1849
Date:
1844
Materials & Techniques:
Watercolor, gouache, and graphite, with scraping on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 × 14 inches (22.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Sir William Norris Bungalow, Penang

Sir William Norris Bungalow, Penang
Creator:
Lt. Humphrey John Julian, active 1842–1849
Date:
1844
Materials & Techniques:
Watercolor, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/16 x 14in. (23 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Mount Palatine

Mount Palatine
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1783
Materials & Techniques:
Graphite and gray wash on moderately thick, slightly textured cream laid paper mounted on card
Dimensions:
Sheet: 7 1/8 x 10 3/16 inches (18.1 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Young Girl Standing Barefoot

Young Girl Standing Barefoot
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Brown ink and watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 4 1/2 inches (22.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. The Mansion House

The Mansion House
Creator:
John Maurer, active 1713–1761
Date:
undated
Materials & Techniques:
Pen and black ink, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/16 x 15 1/4in. (23 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Mountainous Landscape with Castle on Hill

Mountainous Landscape with Castle on Hill
Creator:
Pupil of John Malchair, 1730–1812
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 15/16 x 11 9/16in. (22.7 x 29.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Staithes, Yorkshire

Staithes, Yorkshire
Creator:
Francis Nicholson, 1753–1844
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 12 7/16in. (23.2 x 31.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Portrait of John Laporte

Portrait of John Laporte
Creator:
Dr. Thomas Monro, 1759–1833
Date:
undated
Materials & Techniques:
Graphite and stump on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 7 3/16in. (22.9 x 18.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Swakeley House, Middlesex

Swakeley House, Middlesex
Creator:
Charles Tomkins, 1757–1823
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 9 5/8 inches (22.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Two Little Girls

Two Little Girls
Creator:
John Glover, 1767–1849
Date:
ca. 1810
Materials & Techniques:
Gray wash with pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 6 1/2 inches (22.9 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. An Arch in the Vault of an Overgrown Ruin

An Arch in the Vault of an Overgrown Ruin
Creator:
Mary Harcourt, 1750–1833
Date:
ca. 1780
Materials & Techniques:
Black ink and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 11 3/8 inches (22.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Landing Place at Pallanza

Landing Place at Pallanza
Creator:
Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 36 5/8 inches (23 × 93 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. A Young Country Couple

A Young Country Couple
Creator:
Moses Haughton Jr., 1772–1848
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 7 inches (23.2 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Study of a Vampire Bat

Study of a Vampire Bat
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 6 1/2 inches (23.2 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Landscape with a Fence

Landscape with a Fence
Creator:
Harold Gilman, 1876–1919
Date:
undated
Materials & Techniques:
Pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 11 1/2 inches (23.1 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

155. An Album of Original Sketches

An Album of Original Sketches
Creator:
Eugene S. Ince, active 1860
Date:
ca. 1860
Materials & Techniques:
Album of drawings and wood engravings on wove paper
Dimensions:
Spine: 8 7/8 inches (22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

156. Homage to Nelson

Homage to Nelson
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Back from the Wars

Back from the Wars
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Gray ink and gray wash; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 7 7/8 inches (23.2 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Moses and the Brazen Serpent - Design for the chapel at Dunster Castle

Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
Creator:
Sir James Thornhill, 1675–1734
Date:
ca. 1723
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 x 14 1/8 inches (22.9 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
Creator:
Samuel De Wilde, 1748–1832
Date:
1802
Materials & Techniques:
Graphite, red chalk, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 × 13 1/16 inches (23 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. River Landscape with a Waterfall

River Landscape with a Waterfall
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Black ink and gray wash over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 x 14 1/2 inches (22.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. View of the Waterhouse and Old St. Paul's, London

View of the Waterhouse and Old St. Paul's, London
Creator:
Thomas Wyck, 1616–1677
Date:
ca. 1663
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 13 1/2 inches (22.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water

The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water
Creator:
Sir George Hayter, 1792–1871
Date:
1835
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Julian Hayter, the Artist's Daughter

Julian Hayter, the Artist's Daughter
Creator:
John Hayter, 1800–1895
Date:
1836
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 11 1/4 inches (22.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. A Minuet

A Minuet
Creator:
Sir George Hayter, 1792–1871
Date:
1824
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 7/8 × 11 1/4 inches (22.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Goodrich Castle on the Wye

Goodrich Castle on the Wye
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. A Picnic on Richmond Hill

A Picnic on Richmond Hill
Creator:
Joseph Murray Ince, 1806–1859
Date:
undated
Materials & Techniques:
Watercolor, gouache, and gum, with scraping on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 11 7/8 inches (22.9 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Horses and Wagon Outside a Cottage

Horses and Wagon Outside a Cottage
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 3/8 inches (22.5 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. The Canada Lynx from the Life

The Canada Lynx from the Life
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Pen and black ink, pen and brown ink, watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 6 3/4 inches (22.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. A Lady Painting

A Lady Painting
Creator:
Sir Francis Grant, 1803–1878
Date:
1837
Materials & Techniques:
Pen and brown ink on thick, smooth, cream wove paper
Dimensions:
Sheet: 9 3/16 x 4 15/16 inches (23.3 x 12.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. John Keats

John Keats
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1816
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 7 3/8 inches (23.2 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. The Edge of a Pool with Waterlilies

The Edge of a Pool with Waterlilies
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 11 1/4 inches (22.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Bear and Bee-Hives

Bear and Bee-Hives
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Brown wash, graphite, and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 7 3/8 inches (22.9 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Black-backed Jackal

Black-backed Jackal
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 7 inches (22.9 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. North American Lynx

North American Lynx
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Scene in Kent

Scene in Kent
Creator:
John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Black chalk and white chalk on moderately thick, slightly textured, blue-gray wove paper
Dimensions:
Contemporary drawn border: 11 1/2 x 17 1/8 inches (29.2 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Design for Silverton Park, Devon

Design for Silverton Park, Devon
Creator:
studio of James Knowles, c. 1806–1884
Date:
between 1839 and 1845
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 15 inches (23.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. The Tower of the Manor House, East Barsham, Norfolk

The Tower of the Manor House, East Barsham, Norfolk
Creator:
Joseph Nash, 1808–1878
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Ambulatory, Westminster Abbey

Ambulatory, Westminster Abbey
Creator:
Frederick Nash, 1782–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 5/8 inches (23.2 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Jesus Chapel, Norwich Cathedral

Jesus Chapel, Norwich Cathedral
Creator:
Maria Turner
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Malmsbury Abbey, Wiltshire

Malmsbury Abbey, Wiltshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and line engraving; engraver's proof (c) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and line engraving; engraver's proof (d) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/16 × 18 1/8 inches (28.4 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Orfordness

Orfordness
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Line engraving, engraver's proof on thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/8 × 20 9/16 inches (35.9 × 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Dunwich

Dunwich
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching; open etched state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Dunwich

Dunwich
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Line engraving, engraver's proof (late) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/4 × 20 5/8 inches (38.7 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Lake Albano

Lake Albano
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, Early proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. The Basket Maker

The Basket Maker
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 6 1/2 × 9 1/8 inches (16.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Building and Repairing Masoola Boats

Building and Repairing Masoola Boats
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, moderately textured, cream wove paper mounted to card
Dimensions:
Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Persian Sword Hilt Set with Diamonds

Persian Sword Hilt Set with Diamonds
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 6 3/4 inches (22.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Devotee in a Green Turban

Devotee in a Green Turban
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
ca. 1790
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. A Nautch or Dance

A Nautch or Dance
Creator:
Attributed to James Wales, ca.1747–1795
Date:
ca. 1792
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Image: 8 7/8 × 12 1/4 inches (22.5 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Man with a Yellow Shawl Sitting Crosslegged

Man with a Yellow Shawl Sitting Crosslegged
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 6 inches (22.5 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Self-portrait of Gangaram as a Devotee

Self-portrait of Gangaram as a Devotee
Creator:
Attributed to Gangaram Chintaman Tambat, active 1790s
Date:
ca. 1790
Materials & Techniques:
Watercolor, gouache, graphite, pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Carnarvon Castle

Carnarvon Castle
Creator:
Cornelius Varley, 1781–1873
Date:
1802
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 x 12 5/8 inches (23 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

197. Air Man, July 10, 1828

Air Man, July 10, 1828
Creator:
John Gantz, 1772–1853
Date:
1828
Materials & Techniques:
Pen and black ink and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 7 3/8 inches (23.5 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. A Maribhou at Gunmjanm

A Maribhou at Gunmjanm
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 7 1/2 inches (22.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Study of a Tree

Study of a Tree
Creator:
style of Paul Sandby, 1731–1809
Date:
ca. 1780
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 10 3/4 inches (22.9 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Landscape Composition

Landscape Composition
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Black chalk, graphite, and white chalk on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 8 7/8 x 14 1/2 inches (22.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection