<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Search Results

Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
Joseph Mallord William Turner The Channel Sketchbook
Joseph Mallord William Turner, 1775–1851
The Channel Sketchbook
ca. 1845
Joseph Mallord William Turner The Angler
Joseph Mallord William Turner, 1775–1851
The Angler
1794
Edward Lear Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)
Edward Lear, 1812–1888
Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)
1867
Edward Lear Gebelein
Edward Lear, 1812–1888
Gebelein
1854
Edward Lear El Ousta
Edward Lear, 1812–1888
El Ousta
1854
Edward Lear Dhoura Island
Edward Lear, 1812–1888
Dhoura Island
1854
Edward Lear Thebes
Edward Lear, 1812–1888
Thebes
1854
Edward Lear Greek Woodcutter, June 13 /56
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
Edward Lear Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)
Edward Lear, 1812–1888
Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)
1867
Edward Lear El Kab
Edward Lear, 1812–1888
El Kab
1854
Edward Lear Dendera
Edward Lear, 1812–1888
Dendera
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Negadeh
Edward Lear, 1812–1888
Negadeh
1867
Edward Lear Belbeis
Edward Lear, 1812–1888
Belbeis
1867
Edward Lear Pettenasco, Lago d'Orta
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
Edward Lear Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
Edward Lear Salahiyeh
Edward Lear, 1812–1888
Salahiyeh
1867
Edward Lear El Areesh
Edward Lear, 1812–1888
El Areesh
1867
Edward Lear Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)
Edward Lear, 1812–1888
Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)
1867
Edward Lear Gebel Sheikh Eredi, before sunrise
Edward Lear, 1812–1888
Gebel Sheikh Eredi, before sunrise
1867
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
James Gillray A London Street Crier
James Gillray, 1756–1815
A London Street Crier
undated
James Holland Margate
James Holland, 1799–1870
Margate
1861
James Holland Beach Scene with Figures by a Breakwater
James Holland, 1799–1870
Beach Scene with Figures by a Breakwater
1861
Thomas Lindsay Sky Study, No. 7
Attributed to Thomas Lindsay, 1793–1861
Sky Study, No. 7
undated
Thomas Lindsay Sky Study, No. 1
Attributed to Thomas Lindsay, 1793–1861
Sky Study, No. 1
undated
George Francis Lyon A Tuarez of Ghraat (Ghat?) Fezzan (Libya)
George Francis Lyon, 1795–1832
A Tuarez of Ghraat (Ghat?) Fezzan (Libya)
1819
Benjamin West Page Boy Asleep
Benjamin West, 1738–1820
Page Boy Asleep
undated
Sir James Thornhill Design for a Mythological Scene, with Jupiter and Juno
Sir James Thornhill, 1675–1734
Design for a Mythological Scene, with Jupiter and Juno
undated
George Edmund Street Design for Polychromatic Decoration of a Church
George Edmund Street, 1824–1881
Design for Polychromatic Decoration of a Church
undated
John Nixon At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
Francis Wheatley Adelaide
Francis Wheatley, 1747–1801
Adelaide
between 1785 and 1786
Peter Tillemans From Hampstead
Peter Tillemans, 1684–1734
From Hampstead
1730
George Shepheard Shepheard, Field and Haughton (fighting)
George Shepheard, ca. 1770–1842
Shepheard, Field and Haughton (fighting)
undated
unknown artist The Beach at Culbone, Somerset
unknown artist
The Beach at Culbone, Somerset
1826
John Martin Mountainous Landscape with Figures and a Rock Above a Lake
attributed to John Martin, 1789–1854
Mountainous Landscape with Figures and a Rock Above a Lake
undated
Robert Streatfeild Llanerchydol Hall, Wales
Robert Streatfeild, 1786–1852
Llanerchydol Hall, Wales
undated
Adelaide Claxton Indecision
Adelaide Claxton, 1858–1905
Indecision
undated
Luigi Balugani Locust
Luigi Balugani, 1737–1770
Locust
undated
Sir Robert Smirke the younger Near Genoa
Sir Robert Smirke the younger, 1781–1867
Near Genoa
1802-1804
Sir Robert Smirke the younger Study of a Stone Mausoleum
Sir Robert Smirke the younger, 1781–1867
Study of a Stone Mausoleum
1802-1804
Sawrey Gilpin Garden View from the Side of a House
Sawrey Gilpin, 1733–1807
Garden View from the Side of a House
ca. 1760
Rev. William Gilpin Landscape with House at the Riverbank
Rev. William Gilpin, 1724–1804
Landscape with House at the Riverbank
between 1762 and 1783
Isaac Weld View of Niagara Falls with Two Figures on Rock in Right Foreground
Isaac Weld, 1774–1856
View of Niagara Falls with Two Figures on Rock in Right Foreground
between 1795 and 1797
James Miller Figure Study of a Lady
James Miller, active 1773–1814
Figure Study of a Lady
undated
James Miller Figure Study of a Seated Lady
James Miller, active 1773–1814
Figure Study of a Seated Lady
undated
James Miller Loose Sheet of Various Sketches
James Miller, active 1773–1814
Loose Sheet of Various Sketches
James Miller Figure Study of a Lady
James Miller, active 1773–1814
Figure Study of a Lady
undated
James Miller Figure Study of a Lady (back view)
James Miller, active 1773–1814
Figure Study of a Lady (back view)
undated
Adelaide Claxton The Decision
Adelaide Claxton, 1858–1905
The Decision
undated
Robert Smirke Scene from Don Quixote
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
Benjamin West St. Michael and Lucifer
Benjamin West, 1738–1820
St. Michael and Lucifer
undated
James Bruce Dik-dik
James Bruce, 1730–1794
Dik-dik
ca. 1768
James Miller Floating Barrel in a Stream
James Miller, active 1773–1814
Floating Barrel in a Stream
undated