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John Constable Fire in London, Seen from Hampstead
Attributed to John Constable, 1776–1837
Fire in London, Seen from Hampstead
ca. 1826
Not on view
Joseph Mallord William Turner Newark Abbey
Joseph Mallord William Turner, 1775–1851
Newark Abbey
ca. 1807
Not on view
Benjamin West The Cave of Despair
Benjamin West, 1738–1820
The Cave of Despair
1772
Not on view
John Martin The Last Judgement (study)
John Martin, 1789–1854
The Last Judgement (study)
between 1851 and 1853
Not on view
unknown artist The Burning of the Houses of Parliament
unknown artist
The Burning of the Houses of Parliament
ca. 1834
Not on view
Benjamin West The Battle of La Hogue
Benjamin West, 1738–1820
The Battle of La Hogue
1778, retouched 1806
Not on view
Charles Brooking Ship on Fire at Night
Charles Brooking, 1723–1759
Ship on Fire at Night
ca. 1756
Not on view
James Ward Landscape near Swansea, South Wales
James Ward, 1769–1859
Landscape near Swansea, South Wales
ca. 1805
Not on view
George Cruikshank Herne's Oak from 'The Merry Wives of Windsor,' V, v
George Cruikshank, 1792–1878
Herne's Oak from 'The Merry Wives of Windsor,' V, v
ca. 1857
Not on view
Robert Smirke The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Frank Holl Peeling Potatoes
Frank Holl, 1845–1888
Peeling Potatoes
ca. 1880
Not on view
Charles Brooking A Two-Decker on Fire at Night off a Fort
Charles Brooking, 1723–1759
A Two-Decker on Fire at Night off a Fort
ca. 1740
Not on view
Samuel Collings Frost on the Thames
Samuel Collings, active 1784–1795
Frost on the Thames
1788 to 1789
Not on view
unknown artist The Great Fire of London, with Ludgate and Old St. Paul's
unknown artist
The Great Fire of London, with Ludgate and Old St. Paul's
ca. 1670
Not on view
Philippe-Jacques de Loutherbourg The Great Fire of London
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
Samuel Scott Action off the Cape of Good Hope
Samuel Scott, 1701/2–1772
Action off the Cape of Good Hope
ca. 1757
Not on view
Samuel Scott Action off the Cape of Good Hope
Samuel Scott, 1701/2–1772
Action off the Cape of Good Hope
ca. 1757
Not on view
Joseph Wright of Derby Cottage on Fire at Night
Joseph Wright of Derby, 1734–1797
Cottage on Fire at Night
between 1785 and 1793
Not on view
Samuel Scott Vice Admiral Sir George Anson's Victory off Cape Finisterre
Samuel Scott, 1701/2–1772
Vice Admiral Sir George Anson's Victory off Cape Finisterre
1749
Not on view
Johan Joseph Zoffany David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"
Johan Joseph Zoffany, 1733–1810
David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"
ca. 1762
Not on view
unknown artist Aeneas and the Sibyl
unknown artist
Aeneas and the Sibyl
ca. 1800
Not on view
James Lambert of Lewes Figures with a Donkey and Dog Crossing a Weir
James Lambert of Lewes, 1725–1788
Figures with a Donkey and Dog Crossing a Weir
1767
Not on view
Gaspar van der Hagen Sacrifice to Hercules
Gaspar van der Hagen, active 1747–died 1769
Sacrifice to Hercules
ca. 1766
Not on view
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
William Blake The First Book of Urizen, Plate 4 (Bentley 24)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1826
William Blake "In living creations appear'd..." (Plate 8)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 9)
1794
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "Then the Divine hand found the Two Limits..." (Plate 35)
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
1794
William Blake Chapter V, "The globe of life blood trembled..." (Plate 17)
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 17)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
1794
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "Los howld in a dismal stupor..." (Plate 10)
Print made by William Blake, 1757–1827
"Los howld in a dismal stupor..." (Plate 10)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
William Blake Fettered Urizen Weeping (Plate 3)
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 3)
1794
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
William Blake "In living creations appear'd..." (Plate 6)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
William Blake Urizen (Plate 22)
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
William Blake London (Plate 39)
Print made by William Blake, 1757–1827
London (Plate 39)
1794
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 7)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
William Blake Fettered Urizen Weeping (Plate 12)
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
William Blake A Little Boy Lost (Plate 43)
Print made by William Blake, 1757–1827
A Little Boy Lost (Plate 43)
1794
William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
Print made by William Blake, 1757–1827
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
1804 to 1820
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
John Linnell Job's Sacrifice
circle of John Linnell, 1792–1882
Job's Sacrifice
undated
John Linnell The Destruction of Job's Sons
circle of John Linnell, 1792–1882
The Destruction of Job's Sons
undated
John William Edy View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
John William Edy, 1760–1820
View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
1797
Robert Barnes By the Heath
Print made by Robert Barnes, 1840–1895
By the Heath
undated
James Gillray The Valley of the Shadow of Death
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
John Franklin Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London
Print made by John Franklin, c.1800–1868
Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London
ca. 1825