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Genre literary theme
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1
- Oberon and Titania
- 1837
2
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
3
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
4
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
5
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
6
- "I see thy Form O lovely mild Jerusalem..." (Plate 86)
- 1804 to 1820
7
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
8
- "The Feminine separates from the Masculine..." (Plate 90)
- 1804 to 1820
9
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
10
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
11
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
12
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
13
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
14
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
15
- "Then each an Arrow flaming from his Quiver..." (Plate 98)
- 1804 to 1820
16
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
17
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
18
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
19
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
20
- The Author Writing (Design 105)
- between 1797 and 1798
21
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
22
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
23
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
24
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
25
- A Widower and Children (Design 35)
- between 1797 and 1798
26
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
27
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
28
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
29
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
30
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
31
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
32
- "Repelling weeping Enion blind & age-bent..." (Plate 87)
- 1804 to 1820
33
- "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
- 1804 to 1820
34
- "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
- 1804 to 1820
35
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
36
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
37
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
38
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
39
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
40
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
41
- A Circular Dance (Design 23)
- between 1797 and 1798
42
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
43
- "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
- between 1797 and 1798
44
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
45
- "To the Christians..." (Plate 77)
- 1804 to 1820
46
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
47
- "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
- 1804 to 1820
48
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
49
- "Encompass'd by the frozen Net..." (Plate 80)
- 1804 to 1820
50
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
51
- "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
- between 1797 and 1798
52
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
53
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
54
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
55
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
56
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
57
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
58
- "Such are Cathedrons golden Halls..." (Plate 73)
- 1804 to 1820
59
- "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
- 1804 to 1820
60
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
61
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
62
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
63
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
64
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
65
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
66
- A Welch Bard (Design 53)
- between 1797 and 1798
67
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
68
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
69
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
70
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
71
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
72
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
73
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
74
- "Elevate into the Region of Brotherhood..." (Plate 34)
- 1804 to 1820
75
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
76
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
77
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
78
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
79
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
80
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
81
- "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
- 1804 to 1820
82
- "The banks of the Thames are clouded..." (Plate 5)
- 1804 to 1820
83
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
84
- "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
- 1804 to 1820
85
- "When those who disregard all Mortal Things..." (Plate 55)
- 1804 to 1820
86
- "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
- 1804 to 1820
87
- "And formed into Four precious stones..." (Plate 59)
- 1804 to 1820
88
- "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
- 1804 to 1820
89
- "Repose on me till the morning of the Grave..." (Plate 62)
- 1804 to 1820
90
- "Jehovah stood among the Druids..." (Plate 63)
- 1804 to 1820
91
- "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
- 1804 to 1820
92
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
93
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
94
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
95
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
96
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
97
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
98
- "To the Jews..." (Plate 27)
- 1804 to 1820
99
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
100
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820