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Period 19th century

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Francis Danby The Avon Gorge at Sunset
Francis Danby, 1793–1861
The Avon Gorge at Sunset
ca. 1850
Not on view
John Constable East Bergholt Church
John Constable, 1776–1837
East Bergholt Church
1809
Not on view
John Dalby Foxhunting: Clearing a Bank
John Dalby, active 1826–1853
Foxhunting: Clearing a Bank
ca. 1840
Not on view
Daniel Turner A View of London Bridge
Daniel Turner, active 1782–1805
A View of London Bridge
early 19th century
Not on view
Daniel Turner A View of Westminster Bridge
Daniel Turner, active 1782–1805
A View of Westminster Bridge
early 19th century
Not on view
unknown artist Sir Thomas Lawrence, P.R.A., (1769-1830)
unknown artist
Sir Thomas Lawrence, P.R.A., (1769-1830)
ca. 1830
Not on view
Samuel Palmer Streets of the Tombs, Pompeii
Samuel Palmer, 1805–1881
Streets of the Tombs, Pompeii
undated
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
William Hogarth Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
William Hogarth, 1697–1764
Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
1718
Joseph Mallord William Turner The Channel Sketchbook
Joseph Mallord William Turner, 1775–1851
The Channel Sketchbook
ca. 1845
Edward Lear Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)
Edward Lear, 1812–1888
Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)
1867
Edward Lear Negadeh
Edward Lear, 1812–1888
Negadeh
1867
Edward Lear Gebel Sheikh Eredi, before sunrise
Edward Lear, 1812–1888
Gebel Sheikh Eredi, before sunrise
1867
Edward Lear Salahiyeh
Edward Lear, 1812–1888
Salahiyeh
1867
Edward Lear El Areesh
Edward Lear, 1812–1888
El Areesh
1867
Edward Lear Pettenasco, Lago d'Orta
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
Edward Lear Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear El Kab
Edward Lear, 1812–1888
El Kab
1854
Edward Lear Gebelein
Edward Lear, 1812–1888
Gebelein
1854
Edward Lear El Ousta
Edward Lear, 1812–1888
El Ousta
1854
Edward Lear Greek Woodcutter, June 13 /56
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
Edward Lear Thebes
Edward Lear, 1812–1888
Thebes
1854
Edward Lear Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)
Edward Lear, 1812–1888
Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)
1867
Edward Lear Dhoura Island
Edward Lear, 1812–1888
Dhoura Island
1854
Edward Lear Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)
Edward Lear, 1812–1888
Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)
1867
Edward Lear Belbeis
Edward Lear, 1812–1888
Belbeis
1867
Edward Lear Dendera
Edward Lear, 1812–1888
Dendera
1867
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake Thomas Hayley, the Disciple of John Flaxman, from a Medallion
Print made by William Blake, 1757–1827
Thomas Hayley, the Disciple of John Flaxman, from a Medallion
1800
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake The Man Sweeping the Interpreter's Parlour
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
unknown artist Landscape with Figures
unknown artist
Landscape with Figures
undated
James Holland Margate
James Holland, 1799–1870
Margate
1861
James Holland Beach Scene with Figures by a Breakwater
James Holland, 1799–1870
Beach Scene with Figures by a Breakwater
1861
George Jones Study of J.M.W. Turner Sketching
George Jones, 1786–1869
Study of J.M.W. Turner Sketching
undated
Thomas Lindsay Sky Study, No. 7
Attributed to Thomas Lindsay, 1793–1861
Sky Study, No. 7
undated
John Wilson Carmichael A Fireworks Display
John Wilson Carmichael, 1799–1868
A Fireworks Display
undated
George Richmond John Linnell
George Richmond, 1809–1896
John Linnell
1828
unknown artist Copy of Constable's Painting, Dedham Lock and Mill
unknown artist
Copy of Constable's Painting, Dedham Lock and Mill
undated
Benjamin Robert Haydon Study for the Head of Christ and an Apostle
Benjamin Robert Haydon, 1786–1846
Study for the Head of Christ and an Apostle
undated
M. A. Gliddon Font in St. John's Church, Hackney
M. A. Gliddon, active 1840
Font in St. John's Church, Hackney
John Linnell A Scene in the Edgware Road, London
John Linnell, 1792–1882
A Scene in the Edgware Road, London
1806
F. F. Walker Plate 12, The Industrious 'Prentice Lord-Mayor of London
Print made by F. F. Walker, active 1805–1836
Plate 12, The Industrious 'Prentice Lord-Mayor of London
1833
Charles Turner Mrs. Apollonia Wodehouse
Print made by Charles Turner, 1774–1857
Mrs. Apollonia Wodehouse
1823
Joseph Cartwright Revolutionaire Oct 7 1821
Joseph Cartwright, c.1789–1829
Revolutionaire Oct 7 1821
1821
Peter Pasquin One of a set of 6: A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6: A Day's Journal of a Sponge
1824
Peter Pasquin One of a set of 6 (3): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (3): A Day's Journal of a Sponge
1824
Peter Pasquin One of a set of 6 (2): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (2): A Day's Journal of a Sponge
1824
Peter Pasquin One of a set of 6 (6): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (6): A Day's Journal of a Sponge
1824
Peter Pasquin One of a set of 6 (5): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (5): A Day's Journal of a Sponge
1824
Peter Pasquin One of a set of 6 (4): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (4): A Day's Journal of a Sponge
1824
George H. Phillips Lady Wallscourt
Print made by George H. Phillips, active 1819–1825
Lady Wallscourt
1839
Samuel Cousins The Countess of Blessington
Print made by Samuel Cousins, 1801–1887
The Countess of Blessington
1837
Augustus Welby Northmore Pugin Designs for Town Hall Mons [sic]
Augustus Welby Northmore Pugin, 1812–1852
Designs for Town Hall Mons [sic]
1851