Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow
1830
Not on view
10
Frederick W. Watts, 1800–1862
Rocky Hillside
ca. 1830
Not on view
11
William Bell Scott, 1811–1890
Ailsa Craig
1860
Not on view
12
George Chambers, 1803–1840
Port on a Stormy Day
1835
Not on view
13
Henry Scott Tuke, 1858–1929
Portrait of Nicola Luciani
between 1913 and 1914
Not on view
14
John Linnell, 1792–1882
William Collins, R.A
1831
Not on view
15
Samuel Palmer, 1805–1881
Tintern Abbey at Sunset
1861
16
Print made by Samuel Palmer, 1805–1881
The Vine
1852
17
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
18
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
19
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
20
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
21
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
22
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
23
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
24
John Thomas Smith, 1766–1833
The Smock Exposed
1817
25
John Thomas Smith, 1766–1833
The Reconcilation
1817
26
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
27
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
28
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
29
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
30
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
31
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
32
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
33
unknown artist
Copy of a Study for a Ceiling Decoration
undated
34
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
35
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
36
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
37
Walter Goodall, 1830–1889
Glencoe: A Shepherd Boy Crossing a Burn
1857
38
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
39
John James Chalon, 1778–1854
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
undated
40
Sir David Wilkie, 1785–1841
Garden of Gethsemane
1841
41
William Simpson, 1823–1899
Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855
1855
42
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
43
unknown artist
Vale of Newlands, Cumberland
undated
44
Print made by George Cooke, 1781–1834
Brighton
1814 to 1826
45
Print made by William Miller, 1796–1882
New Abbey, near Dumfries
1834
46
Print made by Edward Goodall, 1795–1870
Mount Edgecomb, Devonshire
1814 to 1826
47
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
48
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
49
Print made by Edward Goodall, 1795–1870
Cologne on the Rhine
1824
50
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
51
Print made by Henry Le Keux, 1787–1868
High Street, Edinburgh
1819
52
Print made by Thomas Higham, 1796–1844
Wilton House
1825
53
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
54
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
55
Print made by Edward Goodall, 1795–1870
Land Discovered by Columbus
1834
56
Print made by Robert Wallis, 1794–1878
Buckfastleigh Abbey, Devonshire
1827-1838
57
Dr. William Crotch, 1775–1847
St. George's Chapel, Windsor, West End, July 19, 1832, 10 am
1832
58
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
1823
59
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
1823
60
Joshua Cristall, 1768–1847
A Groom, Berkshire
ca. 1816
61
Edward Allen Everitt, 1824–1882
Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box
undated
62
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
63
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
64
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers in Prison (The Pardon)
undated
65
Auguste François Laby, 1784–1860
Freetown, Sierra Leone
ca. 1850
66
Print made by William Miller, 1796–1882
Vincennes
1834-1836
67
John Buckler FSA, 1770–1851
North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton
1812
68
Print made by William Daniell, 1769–1837
Paul Sandby
1809
69
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
70
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
71
Richard Gilson Reeve, 1803–1889
One Mile from Gretna, Our Governor in Sight, --with a screw loose!
1836
72
Maddocks, active 1825
Hungerford Market
1825
73
Print made by George H. Phillips, active 1819–1825
Miss Murray
1839
74
B. Pym, active 1793–1805
Henry James Pye, Esq
1801
75
unknown artist
The Thames Tunnel
1830
76
Thomas Sutherland, ca. 1785–1838
View of Blackfriars Bridge and St. Paul's
1803
77
Bartholomew Howlett, 1767–1827
A General View of the Remains of Bermondsey Abbey, Surrey
1820
78
unknown artist
Lord Henry Brougham, 1st Baron Brougham and Vaux
ca. 1830
79
unknown artist
The Hall, Bermondsey Abby
1820
80
Bartholomew Howlett, 1767–1827
Clerks-Well
1822
81
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
82
Edward Duncan, 1803–1882
H.M.S. Warspite 50 Guns
83
Print made by Charles Turner, 1774–1857
Norham Castle, on the River Tweed
1824
84
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
85
unknown artist
A Ground Plan of Bermondsey Abbey
1822
86
unknown artist
Bermondsey Abby
1820
87
Edward William Cooke, 1811–1880
London Bridge--- Demolition
1832
88
Edward William Cooke, 1811–1880
The Old and New London Bridge
1830
89
Edward William Cooke, 1811–1880
The Southwark End of Old London Bridge
1831
90
Edward William Cooke, 1811–1880
Demolition of Old London Bridge
1832
91
unknown artist
John Bull and His Favourite Statue of Bronze!!
1802
92
Bradford Rudge, 1805–1885
"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin
undated
93
Thomas Harland, active early 19th century
Charles Barry
undated
94
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
95
Thomas Girtin, 1775–1802
Ouse Bridge, York
1800
96
James McNeill Whistler, 1834–1903
The Open Book
1861
97
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
98
Frederick Rosenberg, active 1816–1832
Opposition Coaches at Speed
1832
99
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
1823
100
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was