John Thomas Smith, 1766–1833, British, The Reconcilation, 1817
- Title:
- The Reconcilation
- Part Of:
- Date:
- 1817
- Materials & Techniques:
- Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
- Dimensions:
- Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm), Image: 8 × 5 5/16 inches (20.3 × 13.5 cm)
- Inscription(s)/Marks/Lettering:
Inscribed in graphite, verso, center: "No 10 | The reconsiliation"
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1975.3.798
- Classification:
- Drawings & Watercolors
- Collection:
- Prints and Drawings
- Subject Terms:
- canvas | costume | depiction | dog (animal) | genre subject | interior | men | women
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:12519
- Export:
- XML
- IIIF Manifest:
- JSON
Karen Junod, Writing the lives of painters, biography and artistic identity in Britain 1760-1810 , Oxford University Press, Oxford, 2011, pp. 127,131..., fig.15, CT21 J85 2011 (YCBA) [YCBA]
Tessa Violet Murdoch, A glimpse of the apprentice William Hogarth engraving his master's shop-bill : the sign of the angel, Silver Studies, vol. 31, 2015, pp. 63-65, V 2571 (YCBA) [YCBA]
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