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William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake The Man Sweeping the Interpreter's Parlour
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
Robert Smirke Prospero Conjuring a Masque for Ferdinand and Miranda
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
Robert Smirke Oberon and Puck
Robert Smirke, 1752–1845
Oberon and Puck
1825
unknown artist King Henry VI, Second Part, Act 3, Scene 3
unknown artist
King Henry VI, Second Part, Act 3, Scene 3
1801
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
Edward Goodall St. Anne's Hill, No. I
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. I
1834
William Miller Venice, The Rialto - Moonlight
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
William Miller Loch Lomond
Print made by William Miller, 1796–1882
Loch Lomond
1834
Edward Goodall St. Anne's Hill, No. II
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. II
1834
William Miller A Garden
Print made by William Miller, 1796–1882
A Garden
1834
Robert Wallis Hermitage Castle
Print made by Robert Wallis, 1794–1878
Hermitage Castle
1834
Edward Goodall Smailholm Tower
Print made by Edward Goodall, 1795–1870
Smailholm Tower
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
William Miller Loch Lomond
Print made by William Miller, 1796–1882
Loch Lomond
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
William Miller An Old Manor House
Print made by William Miller, 1796–1882
An Old Manor House
1834
William Miller Venice, The Rialto - Moonlight
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
James Henry Watt St. Cecilia
James Henry Watt, 1799–1867
St. Cecilia
1834
Edward Goodall The Vision of Columbus
Print made by Edward Goodall, 1795–1870
The Vision of Columbus
1834
George Cruikshank Audacity of Jack Sheppard
Print made by George Cruikshank, 1792–1878
Audacity of Jack Sheppard
1839
George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
Print made by George Cruikshank, 1792–1878
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
Edward Goodall Captivity
Print made by Edward Goodall, 1795–1870
Captivity
1834
Edward Francis Finden The Field of Waterloo from Hougoumont
Print made by Edward Francis Finden, 1791–1857
The Field of Waterloo from Hougoumont
1833
Edward Goodall The Gipsy
Print made by Edward Goodall, 1795–1870
The Gipsy
1834
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
Edward Goodall The Landing of Columbus
Print made by Edward Goodall, 1795–1870
The Landing of Columbus
1834
Edward Goodall Cortes and Pizarro
Print made by Edward Goodall, 1795–1870
Cortes and Pizarro
1834
Edward Goodall Datur Hora Quieti
Print made by Edward Goodall, 1795–1870
Datur Hora Quieti
1834
Edward Goodall Greenwich Hospital
Print made by Edward Goodall, 1795–1870
Greenwich Hospital
1834
Edward Goodall Keswick Lake
Print made by Edward Goodall, 1795–1870
Keswick Lake
1834
Robert Wallis Tornaro
Print made by Robert Wallis, 1794–1878
Tornaro
1834
Edward Goodall Traitor's Gate, Tower of London
Print made by Edward Goodall, 1795–1870
Traitor's Gate, Tower of London
1834
Edward Goodall St. Anne's Hill, No. I
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. I
1834
Edward Goodall A Hurricane in the Desert
Print made by Edward Goodall, 1795–1870
A Hurricane in the Desert
1834
Edward Goodall Valombre
Print made by Edward Goodall, 1795–1870
Valombre
1834
Edward Goodall St. Pierre's Cottage
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
Edward Goodall An Old Oak
Print made by Edward Goodall, 1795–1870
An Old Oak
1834
Edward Goodall Captivity
Print made by Edward Goodall, 1795–1870
Captivity
1834
Edward Goodall Shipbuilding (An Old Oak Dead)
Print made by Edward Goodall, 1795–1870
Shipbuilding (An Old Oak Dead)
1833
Edward Goodall A Village – Evening
Print made by Edward Goodall, 1795–1870
A Village – Evening
1834
Edward Goodall Leaving Home
Print made by Edward Goodall, 1795–1870
Leaving Home
1834
Edward Goodall A Village Fair
Print made by Edward Goodall, 1795–1870
A Village Fair
1834
Edward Goodall Bolton Abbey
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
Edward Goodall St. Anne's Hill, No. II
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. II
1834
Edward Goodall The Alps at Daybreak
Print made by Edward Goodall, 1795–1870
The Alps at Daybreak
1834
Edward Goodall Columbus and his Son
Print made by Edward Goodall, 1795–1870
Columbus and his Son
1834
Edward Goodall Columbus Setting Sail
Print made by Edward Goodall, 1795–1870
Columbus Setting Sail
1834
Edward Goodall A Tempest – Voyage of Columbus
Print made by Edward Goodall, 1795–1870
A Tempest – Voyage of Columbus
1834
Edward Goodall Land Discovered by Columbus
Print made by Edward Goodall, 1795–1870
Land Discovered by Columbus
1832-1834
Edward Francis Finden Parnassus and Castalian Spring
Print made by Edward Francis Finden, 1791–1857
Parnassus and Castalian Spring
1833
John Horsburgh Bermerside
John Horsburgh, 1791–1869
Bermerside
1834
J. R. Harris Sketches for Panels Executed at Crowe Hall
J. R. Harris, active 1876
Sketches for Panels Executed at Crowe Hall
1876
J. R. Harris Sketches for Panels Executed at Crowe Hall
J. R. Harris, active 1876
Sketches for Panels Executed at Crowe Hall
1876