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Collection
Prints and Drawings
508
Paintings and Sculpture
7
Rare Books and Manuscripts
7
Creator
Haydon, Benjamin Robert, 1786–1846
110
Blake, William, 1757–1827
103
Smirke the Younger, Robert, Sir, 1781–1867
43
Martin, John, 1789–1854
31
Greig, John, active 1803–1853
21
Unknown artist
20
Smith, John Thomas, 1766–1833
19
Storer, James Sargant, 1771–1853
18
Gillray, James, 1756–1815
11
Whichelo, C. John M., 1784–1865
9
Daniell, William, 1769–1837
8
Pugh, Edward, 1763–1813
8
Nash, Frederick, 1782–1856
7
Sneyd, John Rev., active 1804
7
Turner, William of Oxford, 1789–1862
7
Vollweiler, Georg Jacob, active 1805–1807
7
Fittler, James, 1758–1835
6
Stubbs, George, 1724–1806
6
Turner, J. M. W. (Joseph Mallord William), 1775–1851
6
Green, Amos, 1735–1807
5
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Creator
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Date
1800
1,196
1791
1,172
1802
1,077
1834
731
1745
658
1796
652
1775
643
1795
622
1749
580
1827
566
1793
549
1789
543
1771
540
1825
524
1792
522
1804
[remove]
522
1832
521
1835
517
1790
510
1799
503
1830
503
1826
485
1820
474
1794
457
1797
452
1803
450
1784
441
1836
437
1772
433
1700
428
1770
414
1808
413
1833
403
1782
378
1780
372
1785
371
1823
369
1867
351
1818
347
1807
341
1812
341
1768
339
1801
328
1798
324
1814
315
1821
315
1767
312
1750
311
1788
295
1815
294
1853
293
1813
290
1810
288
1783
287
1805
287
1748
285
1809
285
1811
285
1828
278
1787
275
1764
273
1773
273
1817
273
1839
272
1831
267
1840
267
1752
266
1824
263
1786
255
1837
255
1730
250
1546
248
1819
246
1778
245
1739
242
1755
241
1822
231
1855
230
1816
224
1806
220
1829
213
1765
208
1758
207
1725
204
1781
202
1870
200
1777
198
1838
197
1850
190
1630
189
1738
188
1877
187
1776
186
1762
185
1740
181
1763
180
1760
178
1846
177
1754
175
1779
173
On-site Access
Accessible by appointment in the Study Room
515
Not on view
7
Image Use
Free to Use
[remove]
522
Image Available
Available
506
Unavailable
16
Classification
Prints
266
Drawings & Watercolors
234
Paintings
8
Books
6
Drawing & Watercolors-Architectural
5
Drawings & Watercolors-Miniatures
2
Three-Dimensional Artifacts
1
Creator Gender
male
504
unknown
27
female
10
Collective Title
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
109
Jerusalem: The Emanation of The Giant Albion, Copy E
100
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
43
Iconographie Anglaise par Reynolds et Autres
7
Specimens of Polyautography
7
"Antiquities of Westminster; the Old Palace; St. Stephen's Chapel, (now the House of Commons) &c. &c.", J. T. Smith, 1807.
3
Storer and Greig's 'Select Views of London and its Environs,' 1804-1805
3
The Oxford Almanack
3
The Life, and Posthumous Writings, of William Cowper
2
The Winter's Tale
2
"Select Views of London and its Environs", James Storer, 1804.
1
Antiquities of Westminster; the Old Palace; St. Stephen's Chapel, (now the House of Commons) &c. &c., J. T. Smith, 1807.
1
Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr.
1
The Merchant of Venice
1
Period
19th century
518
18th century-19th century
3
Materials & Techniques
wove paper
290
watercolor
156
graphite
141
black ink
130
relief etching
100
brown ink
93
pen
80
laid paper
70
black chalk
29
brown wash
29
white gouache
17
etching (printing process)
16
line engraving
16
mezzotint
16
gold
14
gouache
13
lithography
8
stipple engraving
8
gray wash
7
oil paint
7
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
271
Unknown
90
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
180
Unknown
90
Work Type
drawing
333
watercolor
184
relief print
100
intaglio print
53
planographic print
8
painting
7
aquatint
4
book prospectuse
1
ephemera
1
etching
1
frontispiece
1
hand coloring
1
miniature
1
pictorial work
1
race card
1
wood blocks (printing blocks)
1
Genre
religious and mythological subject
133
literary theme
114
figure study
70
architectural subject
66
landscape
47
portrait
38
genre subject
23
anatomical study
19
cityscape
11
animal art
9
military art
9
historical subject
5
marine art
4
Subject Terms
religious and mythological subject
131
literary theme
107
text
96
men
73
women
64
nudes
60
trees
34
vines
32
clouds
30
architectural subject
29
sky
29
portrait
26
fire
25
landscape
25
man
24
flames
23
sun
21
wings
21
anatomical study
19
nude
19
more
Subject Terms
»
Subject Period
19th century
2
20th century
1
Associated Places
United Kingdom
32
England
30
Europe
14
London
9
City of Westminster
6
Palace of Westminster
6
Oxford
4
Oxfordshire
4
Thames
4
University of Oxford
3
Devon
2
Hereford and Worcester
2
House of Lords
2
Upton-upon-Severn
2
Windsor
2
Windsor and Maidenhead
2
Worcester College
2
Africa, Southern
1
All Saints Church
1
Asia
1
more
Associated Places
»
Associated People
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
11
Shakespeare, William (1564–1616), playwright and poet
9
Jesus
4
Adam
2
Eve
2
Perdita (character in The Winter's Tale)
2
Peter, the Apostle, St. (ca. 1 BC - ca. 68 AD)
2
Satan
2
The Virgin Mary
2
Abel
1
Addington, Henry, first Viscount Sidmouth (1757–1844), prime minister
1
Ananias
1
Bassiano (character in The Merchant of Venice)
1
Betty, William Henry West (1791–1874), actor
1
Burdett, Sir Francis, fifth baronet (1770–1844), politician
1
Cain
1
Camillo (character in The Winter's Tale)
1
Canning, George (1770–1827), British prime minister and parodist
1
Copley, John Singleton, Baron Lyndhurst (1772 - 1863), Lord Chancellor
1
Cupid
1
more
Associated People
»
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
101
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
100
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
19
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
19
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
17
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
10
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
4
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
4
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
4
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
2
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
2
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
2
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
2
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
459
Yale Center for British Art, Paul Mellon Fund
12
Yale Center for British Art; Yale University Art Gallery Collection
8
Yale Center for British Art
4
Yale Center for British Art, Gift of George and Olga Kenney
4
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.
4
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery
2
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
2
Yale Center for British Art, Yale Art Gallery Collection
2
Yale Center for British Art; Yale University Art Gallery Collection; Gift of George E. Dix, B.A. 1934, M.A. 1942
2
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
1
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
1
Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson
1
Yale Center for British Art, Gift of Dudley Snelgrove, Esq.
1
Yale Center for British Art, Gift of Jules D. Prown, Yale MA (HON.) 1971
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906
1
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Credit Line
»
Language
English
6
No linguistic content
1
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Date
1804
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1
John Constable, 1776–1837
Golding Constable's House, East Bergholt: the Artist's birthplace
ca. 1809
Not on view
2
John Constable, 1776–1837
Captain Richard Gubbins
between 1804 and 1805
Not on view
3
James Northcote, 1746–1831
Master Betty as Hamlet, before a Bust of Shakespeare
between 1804 and 1806
Not on view
4
Henry Bernard Chalon, 1771–1849
The Duchess of York's Spaniel
1804
Not on view
5
Jacques-Laurent Agasse, 1767–1849
A Grey Pony and a Black Charger in a Stable
1804
Not on view
6
Sir Thomas Lawrence, 1769–1830
Lord Granville Leveson-Gower, later first Earl Granville
between 1804 and 1809
Not on view
7
William Mulready, 1786–1863
An Old Gable
ca. 1809
Not on view
8
John Constable, 1776–1837
Ruin of St. Botolph's Priory, Colchester
ca. 1809
9
attributed to John Constable, 1776–1837
Pollarded Willows
undated, after 1804
10
Print made after George Stubbs, 1724–1806
Plate VI, Human Body, Frontal View
1804
11
Print made after George Stubbs, 1724–1806
Plate VII, Human Body, Lateral View
1804
12
Print made after George Stubbs, 1724–1806
Plate X, Fowl Body, Lateral View
1804
13
Print made after George Stubbs, 1724–1806
Plate VIII, Human Body, Posterior View
1804
14
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
15
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
16
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
17
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
18
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
19
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
20
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
21
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
22
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
23
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
24
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
25
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
26
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
27
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
28
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
29
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
30
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
31
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
32
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
33
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
34
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
35
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
36
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
37
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
38
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
39
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
40
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
41
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
42
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
43
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
44
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
45
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
46
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
47
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
48
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
49
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
50
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
51
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
52
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
53
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
54
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
55
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
56
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
57
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
58
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
59
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
60
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
61
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
62
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
63
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
64
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
65
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
66
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
67
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
68
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
69
Print made by William Blake, 1757–1827
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
1804 to 1820
70
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
71
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
72
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
73
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
74
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
75
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
76
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
77
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
78
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
79
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
80
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
81
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
82
Print made by William Blake, 1757–1827
"To the Christians..." (Plate 77)
1804 to 1820
83
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
84
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
85
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
86
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
87
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
88
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
89
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
90
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
91
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
92
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
93
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
94
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
95
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
96
Print made by William Blake, 1757–1827
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
1804 to 1820
97
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
98
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
99
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
100
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
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