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Collection
Prints and Drawings
27
Creator
Blake, William, 1757–1827
25
Clennell, Luke, 1781–1840
1
Cox, David, 1783–1859
1
Martin, John, 1789–1854
1
Varley, John, 1778–1842
1
Date
1804
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27
1737
4
1772
4
1876
4
1839
3
1855
3
1680
2
1729
2
1765
2
1767
2
1798
2
1824
2
1825
2
1873
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1893
2
1688
1
1717
1
1725
1
1739
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1745
1
1746
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1755
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1757
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1769
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1
1774
1
1780
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1786
1
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1
1800
1
1802
1
1812
1
1817
1
1819
1
1828
1
1832
1
1835
1
1838
1
1850
1
1901
1
1922
1
1923
1
1940
1
1950
1
On-site Access
Accessible by appointment in the Study Room
27
Image Use
Free to Use
27
Image Available
Available
27
Classification
Prints
25
Drawings & Watercolors
2
Creator Gender
male
27
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
25
Period
19th century
26
18th century-19th century
1
Materials & Techniques
watercolor
26
wove paper
26
black ink
25
relief etching
25
gold
4
graphite
2
brown wash
1
laid paper
1
scratching out
1
Height [cm]
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57
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Current results range from
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34
Work Type
drawing
27
watercolor
27
relief print
25
frontispiece
1
Genre
literary theme
25
religious and mythological subject
25
genre subject
2
landscape
1
Subject Terms
men
[remove]
27
literary theme
25
religious and mythological subject
25
text
22
nudes
21
women
17
fire
9
sun
7
flames
6
moon
6
wings
6
sky
5
stars
5
clouds
4
vines
4
bald
3
beard
3
branches
3
dead
3
fruit
3
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Subject Terms
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Associated Places
Birmingham
1
United Kingdom
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
25
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
25
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
6
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
6
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
5
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
26
Yale Center for British Art, Yale Art Gallery Collection
1
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1
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
2
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
3
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
4
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
5
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
6
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
7
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
8
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
9
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
10
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
11
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
12
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
13
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
14
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
15
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
16
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
17
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
18
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
19
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
20
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
21
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
22
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
23
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
24
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
25
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
26
David Cox, 1783–1859
Boat Building - Dockyard at Birmingham
mid to late 1800s
27
attributed to John Martin, 1789–1854
Mountainous Landscape with Figures and a Rock Above a Lake
undated