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Collection
Prints and Drawings
67
Creator
Blake, William, 1757–1827
40
Smirke the Younger, Robert, Sir, 1781–1867
20
Burney, Edward Francis, 1760–1848
1
Gessner, Conrad, 1764–1826
1
Greig, John, active 1803–1853
1
Haydon, Benjamin Robert, 1786–1846
1
Martin, John, 1789–1854
1
Pugh, Edward, 1763–1813
1
Swainson, William, 1789–1855
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Unknown artist
1
Vernor, & Hood, active 1795–1807
1
Vollweiler, Georg Jacob, active 1805–1807
1
Date
1802
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1804
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1803
62
1630
49
1794
49
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45
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44
1832
40
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40
1825
39
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38
1813
35
1960
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29
1788
25
1792
25
1795
24
1833
24
1763
23
1642
22
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21
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21
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21
1748
20
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1827
20
1628
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1768
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1808
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1764
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1772
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1791
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1839
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1775
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1784
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13
1984
13
1667
12
1715
12
1760
12
1771
12
1787
12
1789
12
1816
12
1752
11
1797
11
1817
11
1690
10
1806
10
1807
10
1815
10
1855
10
1983
10
1738
9
1746
9
1796
9
1811
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1823
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0
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1782
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1822
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6
1830
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6
1873
6
1890
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1906
6
On-site Access
Accessible by appointment in the Study Room
67
Image Use
Free to Use
67
Image Available
Available
67
Classification
Prints
43
Drawings & Watercolors
24
Creator Gender
male
67
unknown
1
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
40
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
20
Specimens of Polyautography
1
Storer and Greig's 'Select Views of London and its Environs,' 1804-1805
1
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
1
Period
19th century
65
18th century-19th century
1
Materials & Techniques
wove paper
64
black ink
41
relief etching
40
watercolor
40
graphite
22
gold
8
brown wash
4
brown ink
2
laid paper
2
line engraving
2
pen
2
charcoal
1
gouache
1
gray wash
1
lithography
1
pens
1
Height [cm]
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Current results range from
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34
Width [cm]
Width [cm] range begin
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Current results range from
13
to
45
Work Type
drawing
64
watercolor
45
relief print
40
intaglio print
2
planographic print
1
Genre
literary theme
40
religious and mythological subject
40
landscape
16
architectural subject
11
animal art
1
cityscape
1
figure study
1
genre subject
1
portrait
1
Subject Terms
literary theme
40
religious and mythological subject
40
text
37
women
27
men
26
nudes
26
wings
14
fire
12
sky
12
flames
10
moon
10
sun
10
clouds
7
snake
7
vines
7
serpent
6
vegetation
6
stars
5
trees
5
angels
4
more
Subject Terms
»
Associated People
Satan
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
40
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
40
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
9
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
9
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
8
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
3
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
65
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery
1
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1
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
2
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
3
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
4
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
5
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
6
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
7
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
8
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
9
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
10
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
11
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
12
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
13
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
14
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
15
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
16
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
17
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
18
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
19
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
20
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
21
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
22
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
23
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
24
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
25
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
26
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
27
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
28
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
29
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
30
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
31
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
32
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
33
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
34
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
35
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
36
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
37
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
38
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
39
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
40
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
41
Edward Francis Burney, 1760–1848
J.B. Cramer
1804
42
William Swainson, 1789–1855
A Bird
undated
43
Sir Robert Smirke the younger, 1781–1867
Roman Sphinx in the Gardens of the Villa Albani
1804
44
Sir Robert Smirke the younger, 1781–1867
The Lake of Thrasimene
1804
45
Sir Robert Smirke the younger, 1781–1867
The Plains Where Flaminius Was Defeated by Hannibal, at the Lake of Thrasimene
1804
46
Sir Robert Smirke the younger, 1781–1867
Florence From the Road Towards Perugia, 5 Mile Distant
1804
47
Sir Robert Smirke the younger, 1781–1867
Serravalle in the Appenines
1804
48
Sir Robert Smirke the younger, 1781–1867
Perugia to the North
1804
49
Sir Robert Smirke the younger, 1781–1867
The Lake of Thrasimene
1804
50
Sir Robert Smirke the younger, 1781–1867
Bridge Over the Arno at Levane, 30 Miles from Florence
1804
51
Sir Robert Smirke the younger, 1781–1867
The Cathedral of Arezzo
1804
52
Benjamin Robert Haydon, 1786–1846
Study of a Young Man
undated
53
Sir Robert Smirke the younger, 1781–1867
The Falls of the Velino From Below
1804
54
Sir Robert Smirke the younger, 1781–1867
Village in Italy, Between Terni and Spoleto
1804
55
Sir Robert Smirke the younger, 1781–1867
Grotta Ferrata (Near Rome and This is the Abbey)
1804
56
Sir Robert Smirke the younger, 1781–1867
Aqueduct at Spoleto
1804
57
Sir Robert Smirke the younger, 1781–1867
A Village on the Road from Terni to the Falls of the Velino
1804
58
Sir Robert Smirke the younger, 1781–1867
The First Fall of the Velino Near Terni
1804
59
Sir Robert Smirke the younger, 1781–1867
The Lake of Thrasimene
1804
60
Sir Robert Smirke the younger, 1781–1867
Perugia to the North
1804
61
Sir Robert Smirke the younger, 1781–1867
The Lake of Thrasimene
1804
62
Sir Robert Smirke the younger, 1781–1867
Ancient Gateway in Perugia
1804
63
Sir Robert Smirke the younger, 1781–1867
The Mad House in the Suburbs of Vienna
1804
64
Print made by Conrad Gessner, 1764–1826
Horses at Cottages Door
1804, published 1806
65
unknown artist
The Rotunda in the Bank of England
1804
66
John Martin, 1789–1854
Building on a Hill
undated
67
Print made by John Greig, active 1803–1853
Windsor from the Forest, Berks
1804