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Collection
Prints and Drawings
51
Creator
Blake, William, 1757–1827
43
Martin, John, 1789–1854
3
Burney, Edward Francis, 1760–1848
1
Clennell, Luke, 1781–1840
1
Cox, David, 1783–1859
1
Haydon, Benjamin Robert, 1786–1846
1
Nixon, John, ca. 1760–1818
1
Stark, James, 1794–1859
1
Varley, John, 1778–1842
1
Date
1804
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On-site Access
Accessible by appointment in the Study Room
51
Image Use
Free to Use
51
Image Available
Available
51
Classification
Prints
43
Drawings & Watercolors
8
Creator Gender
male
51
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
43
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
1
Period
19th century
49
18th century-19th century
2
Materials & Techniques
wove paper
48
watercolor
45
black ink
44
relief etching
43
graphite
6
gold
5
brown wash
4
brown ink
3
laid paper
3
scratching out
2
black chalk
1
card
1
pens
1
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drawing
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51
watercolor
49
relief print
43
frontispiece
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Genre
literary theme
43
religious and mythological subject
43
landscape
4
genre subject
3
portrait
2
architectural subject
1
Subject Terms
literary theme
43
religious and mythological subject
43
text
40
women
29
nudes
28
men
27
clouds
14
sky
14
fire
11
sun
10
vines
10
flames
8
leaf
8
moon
8
wings
8
stars
6
vegetation
6
smoke
5
snake
5
trees
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Associated Places
United Kingdom
2
All Saints Church
1
Birmingham
1
England
1
Fulham
1
London
1
Thames
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
43
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
43
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
11
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
11
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
8
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
5
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
49
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery
1
Yale Center for British Art, Yale Art Gallery Collection
1
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1
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
2
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
3
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
4
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
5
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
6
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
7
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
8
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
9
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
10
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
11
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
12
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
13
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
14
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
15
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
16
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
17
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
18
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
19
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
20
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
21
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
22
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
23
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
24
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
25
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
26
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
27
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
28
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
29
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
30
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
31
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
32
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
33
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
34
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
35
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
36
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
37
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
38
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
39
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
40
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
41
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
42
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
43
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
44
Edward Francis Burney, 1760–1848
J.B. Cramer
1804
45
Benjamin Robert Haydon, 1786–1846
Study of a Man's Expressive Face
undated
46
John Martin, 1789–1854
Landscape with Tower and Approaching Storm
undated
47
John Martin, 1789–1854
Rocky River Landscape
undated
48
attributed to John Martin, 1789–1854
Mountainous Landscape with Figures and a Rock Above a Lake
undated
49
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
50
David Cox, 1783–1859
Boat Building - Dockyard at Birmingham
mid to late 1800s
51
James Stark, 1794–1859
Fullham Church
June 1804