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Collection
Prints and Drawings
493
Rare Books and Manuscripts
8
Paintings and Sculpture
7
Creator
Haydon, Benjamin Robert, 1786–1846
110
Blake, William, 1757–1827
103
Smirke the Younger, Robert, Sir, 1781–1867
43
Martin, John, 1789–1854
31
Greig, John, active 1803–1853
21
Smith, John Thomas, 1766–1833
18
Storer, James Sargant, 1771–1853
18
Unknown artist
18
Gillray, James, 1756–1815
9
Whichelo, C. John M., 1784–1865
9
Daniell, William, 1769–1837
8
Pugh, Edward, 1763–1813
8
Nash, Frederick, 1782–1856
7
Sneyd, John Rev., active 1804
7
Turner, William of Oxford, 1789–1862
7
Fittler, James, 1758–1835
6
Stubbs, George, 1724–1806
6
Turner, J. M. W. (Joseph Mallord William), 1775–1851
6
Vollweiler, Georg Jacob, active 1805–1807
6
Green, Amos, 1735–1807
5
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Creator
»
Date
1800
1,363
1900
685
1802
676
1834
662
1796
633
1775
618
1745
604
1791
574
1795
567
1749
554
1825
547
1771
523
1789
518
1792
513
1804
[remove]
508
1827
507
1793
502
1832
476
1835
470
1790
464
1830
464
1700
459
1797
446
1826
446
1784
431
1820
425
1772
419
1794
418
1799
413
1836
402
1770
396
0
394
1833
389
1814
379
2004
368
1801
345
1803
342
1785
336
1818
334
1812
333
1780
328
1798
327
1960
320
1767
314
1867
314
1808
312
1768
304
1807
296
1823
289
1750
280
1805
278
1821
275
1748
274
1788
273
1811
271
1813
270
1817
270
1809
262
1828
262
1787
260
1783
259
1810
257
1764
255
1815
248
1837
240
1819
239
1850
236
1824
233
1831
232
1782
225
1786
225
1755
217
1778
212
1839
210
1822
209
1816
205
1752
204
1730
203
1765
200
1945
197
1806
196
1829
194
1838
185
1630
181
1781
180
1725
176
1840
176
1762
172
1777
172
1740
171
1846
169
1738
168
1758
167
1855
160
1763
159
1779
155
1776
152
1774
145
1773
143
2000
143
On-site Access
Accessible by appointment in the Study Room
501
Not on view
7
Image Use
Free to Use
506
Under Certain Circumstances
2
Image Available
Available
[remove]
508
Classification
Prints
252
Drawings & Watercolors
234
Paintings
8
Books
6
Drawing & Watercolors-Architectural
5
Three-Dimensional Artifacts
2
Drawings & Watercolors-Miniatures
1
Creator Gender
male
491
unknown
26
female
9
Collective Title
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
109
Jerusalem: The Emanation of The Giant Albion, Copy E
100
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
43
Specimens of Polyautography
6
Iconographie Anglaise par Reynolds et Autres
5
"Antiquities of Westminster; the Old Palace; St. Stephen's Chapel, (now the House of Commons) &c. &c.", J. T. Smith, 1807.
3
Storer and Greig's 'Select Views of London and its Environs,' 1804-1805
3
The Oxford Almanack
3
The Life, and Posthumous Writings, of William Cowper
2
The Winter's Tale
2
"Select Views of London and its Environs", James Storer, 1804.
1
Antiquities of Westminster; the Old Palace; St. Stephen's Chapel, (now the House of Commons) &c. &c., J. T. Smith, 1807.
1
Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr.
1
The Merchant of Venice
1
Period
19th century
504
18th century-19th century
3
Materials & Techniques
wove paper
286
watercolor
154
graphite
141
black ink
130
relief etching
100
brown ink
93
pen
80
laid paper
70
black chalk
29
brown wash
29
white gouache
17
line engraving
16
etching (printing process)
15
gold
14
mezzotint
13
gouache
12
gray wash
7
lithography
7
oil paint
7
painting (technique)
7
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
271
Unknown
90
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
180
Unknown
90
Work Type
drawing
332
watercolor
183
relief print
100
intaglio print
46
painting
7
planographic print
7
aquatint
4
board game
1
book prospectuse
1
engraving
1
ephemera
1
etching
1
frontispiece
1
game
1
hand coloring
1
miniature
1
pictorial work
1
race card
1
recreation
1
wood blocks (printing blocks)
1
Genre
religious and mythological subject
133
literary theme
112
figure study
70
architectural subject
66
landscape
47
portrait
33
genre subject
22
anatomical study
19
cityscape
11
animal art
9
military art
9
historical subject
5
marine art
4
Subject Terms
religious and mythological subject
131
literary theme
106
text
96
men
73
women
64
nudes
60
trees
34
vines
32
clouds
30
architectural subject
29
sky
29
fire
25
landscape
25
man
24
portrait
24
flames
23
sun
21
wings
21
anatomical study
19
nude
19
more
Subject Terms
»
Subject Period
19th century
3
20th century
1
Associated Places
United Kingdom
32
England
30
Europe
14
London
9
City of Westminster
6
Palace of Westminster
6
Oxford
4
Oxfordshire
4
Thames
4
University of Oxford
3
Devon
2
Great Britain
2
Hereford and Worcester
2
House of Lords
2
Upton-upon-Severn
2
Windsor
2
Windsor and Maidenhead
2
Worcester College
2
Africa, Southern
1
All Saints Church
1
more
Associated Places
»
Associated People
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
11
Shakespeare, William (1564–1616), playwright and poet
8
Jesus
4
Adam
2
Eve
2
Perdita (character in The Winter's Tale)
2
Peter, the Apostle, St. (ca. 1 BC - ca. 68 AD)
2
Satan
2
The Virgin Mary
2
Abel
1
Ananias
1
Bassiano (character in The Merchant of Venice)
1
Betty, William Henry West (1791–1874), actor
1
Cain
1
Camillo (character in The Winter's Tale)
1
Copley, John Singleton, Baron Lyndhurst (1772 - 1863), Lord Chancellor
1
Cupid
1
Daniel
1
Elijah
1
Florizel (character in The Winter's Tale)
1
more
Associated People
»
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
101
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
100
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
19
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
19
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
17
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
10
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
4
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
4
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
4
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
2
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
2
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
2
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
450
Yale Center for British Art, Paul Mellon Fund
12
Yale Center for British Art; Yale University Art Gallery Collection
7
Yale Center for British Art
4
Yale Center for British Art, Gift of George and Olga Kenney
4
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.
4
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery
2
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
2
Yale Center for British Art, Yale Art Gallery Collection
2
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
1
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
1
Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson
1
Yale Center for British Art, Gift of Dudley Snelgrove, Esq.
1
Yale Center for British Art, Gift of Ellen and Arthur Liman, Yale JD 1957
1
Yale Center for British Art, Gift of Jules D. Prown, Yale MA (HON.) 1971
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906
1
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Credit Line
»
Language
English
7
No linguistic content
1
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Search Results
1
John Constable, 1776–1837
Golding Constable's House, East Bergholt: the Artist's birthplace
ca. 1809
Not on view
2
John Constable, 1776–1837
Captain Richard Gubbins
between 1804 and 1805
Not on view
3
James Northcote, 1746–1831
Master Betty as Hamlet, before a Bust of Shakespeare
between 1804 and 1806
Not on view
4
Jacques-Laurent Agasse, 1767–1849
A Grey Pony and a Black Charger in a Stable
1804
Not on view
5
Sir Thomas Lawrence, 1769–1830
Lord Granville Leveson-Gower, later first Earl Granville
between 1804 and 1809
Not on view
6
Henry Bernard Chalon, 1771–1849
The Duchess of York's Spaniel
1804
Not on view
7
William Mulready, 1786–1863
An Old Gable
ca. 1809
Not on view
8
John Constable, 1776–1837
Ruin of St. Botolph's Priory, Colchester
ca. 1809
9
attributed to John Constable, 1776–1837
Pollarded Willows
undated, after 1804
10
Print made after George Stubbs, 1724–1806
Plate VI, Human Body, Frontal View
1804
11
Print made after George Stubbs, 1724–1806
Plate X, Fowl Body, Lateral View
1804
12
Print made after George Stubbs, 1724–1806
Plate VIII, Human Body, Posterior View
1804
13
Print made after George Stubbs, 1724–1806
Plate VII, Human Body, Lateral View
1804
14
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
15
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
16
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
17
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
18
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
19
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
20
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
21
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
22
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
23
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
24
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
25
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
26
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
27
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
28
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
29
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
30
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
31
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
32
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
33
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
34
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
35
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
36
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
37
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
38
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
39
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
40
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
41
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
42
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
43
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
44
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
45
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
46
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
47
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
48
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
49
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
50
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
51
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
52
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
53
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
54
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
55
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
56
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
57
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
58
Print made by William Blake, 1757–1827
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
1804 to 1820
59
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
60
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
61
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
62
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
63
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
64
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
65
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
66
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
67
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
68
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
69
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
70
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
71
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
72
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
73
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
74
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
75
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
76
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
77
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
78
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
79
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
80
Print made by William Blake, 1757–1827
"To the Christians..." (Plate 77)
1804 to 1820
81
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
82
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
83
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
84
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
85
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
86
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
87
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
88
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
89
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
90
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
91
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
92
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
93
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
94
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
95
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
96
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
97
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
98
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
99
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
100
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
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