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Genre literary theme

Classification Prints

Vanessa Bell An Unwritten Novel

Print made by Vanessa Bell, 1879–1961

An Unwritten Novel

1921

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

1880-1883

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881

The Sepulchre

between 1880 and 1883

George Stubbs The Farmer's Wife and the Raven

George Stubbs, 1724–1806

The Farmer's Wife and the Raven

1788

William Hogarth Hudibras Vanquished by Trulla

William Hogarth, 1697–1764

Hudibras Vanquished by Trulla

William Hogarth Mr. Garrick in the Character of Richard III

William Hogarth, 1697–1764

Mr. Garrick in the Character of Richard III

1746

William Hogarth Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

William Hogarth, 1697–1764

Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

1746

Joseph Mallord William Turner The Deluge

Print made by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Joseph Mallord William Turner From Spenser's Fairy Queen

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Joseph Mallord William Turner Procris and Cephalus

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Joseph Mallord William Turner The Fifth Plague of Egypt

Etched by Joseph Mallord William Turner, 1775–1851

The Fifth Plague of Egypt

1808

Joseph Mallord William Turner Aesacus and Hesperie

Print made by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Aeneas Relating His Adventures to Dido

after Joseph Mallord William Turner, 1775–1851

Aeneas Relating His Adventures to Dido

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Aesacus and Hesperie

Print made by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Joseph Mallord William Turner From Spenser's Fairy Queen

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

William Blake Romeo and Juliet, Act IV, Scene V

Print made by William Blake, 1757–1827

Romeo and Juliet, Act IV, Scene V

1799

William Blake "Her voice pierc'd Albions clay cold ear..." (Plate 95)

Print made by William Blake, 1757–1827

"Her voice pierc'd Albions clay cold ear..." (Plate 95)

1804 to 1820

William Blake The Life, and Posthumous Writings, of William Cowper (volume 3)

Prints made by William Blake, 1757–1827

The Life, and Posthumous Writings, of William Cowper (volume 3)

1803-1804

William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Print made by William Blake, 1757–1827

"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

1804 to 1820

William Blake Jerusalem, Tailpiece (Plate 100)

Print made by William Blake, 1757–1827

Jerusalem, Tailpiece (Plate 100)

1804 to 1820

William Blake Jerusalem, Plate 28 Proof Impression

Print made by William Blake, 1757–1827

Jerusalem, Plate 28 Proof Impression

ca. 1820

William Blake "To labours mighty, with vast strength..." (Plate 11)

Print made by William Blake, 1757–1827

"To labours mighty, with vast strength..." (Plate 11)

1804 to 1820

William Blake "One hair nor particle of dust..." (Plate 14)

Print made by William Blake, 1757–1827

"One hair nor particle of dust..." (Plate 14)

1804 to 1820

William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

Print made by William Blake, 1757–1827

"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

1804 to 1820

William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Print made by William Blake, 1757–1827

"His Spectre divides & Los in fury compells it to divide..." (Plate 17)

1804 to 1820

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "Albion thy fear has made me tremble..." (Plate 22)

Print made by William Blake, 1757–1827

"Albion thy fear has made me tremble..." (Plate 22)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

1804 to 1820

William Blake "Los shudder'd at beholding Albion..." (Plate 40)

Print made by William Blake, 1757–1827

"Los shudder'd at beholding Albion..." (Plate 40)

1804 to 1820

William Blake "Thus Albion sat, studious of others..." (Plate 42)

Print made by William Blake, 1757–1827

"Thus Albion sat, studious of others..." (Plate 42)

1804 to 1820

William Blake "The banks of the Thames are clouded..." (Plate 5)

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

William Blake "And that toward Eden, four..." (Plate 13)

Print made by William Blake, 1757–1827

"And that toward Eden, four..." (Plate 13)

1804 to 1820

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Print made by William Blake, 1757–1827

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

1804 to 1820

William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Print made by William Blake, 1757–1827

"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

1804 to 1820

William Blake "To the Jews..." (Plate 27)

Print made by William Blake, 1757–1827

"To the Jews..." (Plate 27)

1804 to 1820

William Blake "And the Two that escaped..." (Plate 30)

Print made by William Blake, 1757–1827

"And the Two that escaped..." (Plate 30)

1804 to 1820

William Blake "Turning his back to the Divine Vision..." (Plate 33)

Print made by William Blake, 1757–1827

"Turning his back to the Divine Vision..." (Plate 33)

1804 to 1820

William Blake "Elevate into the Region of Brotherhood..." (Plate 34)

Print made by William Blake, 1757–1827

"Elevate into the Region of Brotherhood..." (Plate 34)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "Why wilt thou give to her a Body..." (Plate 12)

Print made by William Blake, 1757–1827

"Why wilt thou give to her a Body..." (Plate 12)

1804 to 1820

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "Bath, mild Physician of Eternity..." (Plate 46)

Print made by William Blake, 1757–1827

"Bath, mild Physician of Eternity..." (Plate 46)

1804 to 1820

William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

1804 to 1820

William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

Print made by William Blake, 1757–1827

"These were his last words, and the merciful Saviour in his arms..." (Plate 48)

1804 to 1820

William Blake Chapter 3 Frontispiece (Plate 51)

Print made by William Blake, 1757–1827

Chapter 3 Frontispiece (Plate 51)

1804 to 1820

William Blake "Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)

Print made by William Blake, 1757–1827

"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake Night the Second. On Time, Death and Friendship; Title Page

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

1794

William Blake Urizen (Plate 8)

Print made by William Blake, 1757–1827

Urizen (Plate 8)

1794

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

1794

William Blake Fettered Urizen Weeping (Plate 12)

Print made by William Blake, 1757–1827

Fettered Urizen Weeping (Plate 12)

1794

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

1794

William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

1794

William Blake Urizen (Plate 22)

Print made by William Blake, 1757–1827

Urizen (Plate 22)

1794

William Blake My Son! My Son! (Plate 10)

Print made by William Blake, 1757–1827

My Son! My Son! (Plate 10)

1793

William Blake Songs of Innocence, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Songs of Innocence, Frontispiece (Plate 1)

1789

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

Print made by William Blake, 1757–1827

Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

1794