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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWork Type drawing
Remove constraint Work Type: drawingSubject Terms men
Remove constraint Subject Terms: menSearch Results
1
- The Ferry
- ca. 1840
2
- The Bayhorse, Tattersall’s
- 1921
3
- Sale at Ward's Repository, No. 2
- ca. 1918
4
- Timber Hauling
- ca. 1917
5
- The Horse Mart (with further sketches in the margin)
- ca. 1918
6
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
7
- Over the Bank, Exmoor
- ca. 1895
8
- Under the Hammer
- between 1912 and 1913
9
- Crocks
- ca. 1924
10
- Ploughing the Hillside
- ca. 1905
11
- Human Figure, Lateral View
- 1795 to 1806
12
- Grotesque Male Head
- undated
13
- Grotesque Male Head
- undated
14
- The First Stage of Cruelty
- ca. 1750
15
- Grotesque Male Head
- undated
16
- Grotesque Male Head
- undated
17
- Grotesque Male Head
- undated
18
- Grotesque Male Head
- undated
19
- Grotesque Male Head
- undated
20
- Grotesque Male Head
- undated
21
- Grotesque Male Head
- undated
22
- Gabriel Hunt
- undated
23
- Teignmouth, Devonshire
- ca. 1813
24
- Rome from Monte Mario
- ca. 1818
25
- Folkestone Harbour and Coast to Dover
- ca. 1829
26
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
27
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
28
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
29
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
30
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
31
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
32
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
33
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
34
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
35
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
36
- 'O treacherous conscience!' (Page 27)
- ca. 1797
37
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
38
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
39
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
40
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
41
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
42
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
43
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
44
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
45
- Laughing Song (Plate 14)
- 1789
46
- The Little Girl Lost (Plate 20)
- 1789
47
- Songs of Experience, Frontispiece (Plate 32)
- 1794
48
- Songs of Experience, Title Page (Plate 33)
- 1794
49
- Nurses Song (Plate 37)
- 1794
50
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
51
- The Divine Image (Plate 24)
- 1789
52
- Introduction (Plate 34)
- 1794
53
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
54
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
55
- A Standard Bearer Fainting in the Routed Battle (Design 87)
- between 1797 and 1798
56
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
57
- "Fear to stop, and shame to fly..." (Design 91)
- between 1797 and 1798
58
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
59
- The Divine Image (Plate 12)
- 1789
60
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
61
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
62
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
63
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
64
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
65
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
66
- The Ecchoing Green (Plate 10)
- 1789
67
- Nurse's Song (Plate 22)
- 1789
68
- Laughing Song (Plate 28)
- 1789
69
- "What have I said? What have I done?..." (Plate 24)
- 1804 to 1820
70
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820
71
- "Turning his back to the Divine Vision..." (Plate 33)
- 1804 to 1820
72
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
73
- "Thus Albion sat, studious of others..." (Plate 42)
- 1804 to 1820
74
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
75
- "Bath, mild Physician of Eternity..." (Plate 46)
- 1804 to 1820
76
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
77
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
78
- "Repose on me till the morning of the Grave..." (Plate 62)
- 1804 to 1820
79
- "Of the Mundane Shell which froze..." (Plate 64)
- 1804 to 1820
80
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
81
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
82
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
83
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
84
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
85
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
86
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
87
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
88
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
89
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
90
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
91
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
92
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
93
- Frontispiece, Europe. A Prophecy
- ca. 1820
94
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
95
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
96
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
97
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
98
- "Was living: panting like a frighted wolf..." (Plate 7)
- 1804 to 1820
99
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
100
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820