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Credit Line Yale Center for British Art, Paul Mellon Collection

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Genre religious and mythological subject

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Height [cm] 23

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Search Results

John Runciman Mary and Joseph Outside the Inn
John Runciman, 1744–1768
Mary and Joseph Outside the Inn
1763 to 1768
Not on view
William Hogarth George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake Frontispiece, The Ancient of Days (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "Then the Divine hand found the Two Limits..." (Plate 35)
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake "And Rahab Babylon the Great..." (Plate 75)
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
Sir James Thornhill Design for a Ceiling
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
Thomas Trotter Jonathan Shipley, Bishop of St. Asaph
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
Sir Robert Smirke the younger The Convent of St. Nicholas
Sir Robert Smirke the younger, 1781–1867
The Convent of St. Nicholas
1802-1804
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
Isaac Weld After Pinnelli - Group of Peasants Outside a Church
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church
1817
Simon François Ravenet Isaac Watts
Simon François Ravenet, 1706–1774
Isaac Watts
undated
Francesco Bartolozzi Gerolamo Tartarotti
Print made by Francesco Bartolozzi, 1728–1815
Gerolamo Tartarotti
1763
Francesco Bartolozzi Perseus, Having Rescued Andromeda
Francesco Bartolozzi, 1728–1815
Perseus, Having Rescued Andromeda
1788
James Basire II The Sherburne Chapel in Mitton Church
Print made by James Basire II, 1769–1822
The Sherburne Chapel in Mitton Church
1801
James Basire II Stonyhurst
Print made by James Basire II, 1769–1822
Stonyhurst
1801
James Basire II Cloisters of Whalley Abbey
Print made by James Basire II, 1769–1822
Cloisters of Whalley Abbey
1800
John Pye View of Redcliff Church &c. Bristol
Print made by John Pye, 1782–1874
View of Redcliff Church &c. Bristol
1814
Francesco Bartolozzi Love and Fortune
Francesco Bartolozzi, 1728–1815
Love and Fortune
1789
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
Francesco Bartolozzi The Virgin and Child
Print made by Francesco Bartolozzi, 1728–1815
The Virgin and Child
1770
Francesco Bartolozzi The Virgin and Child
Print made by Francesco Bartolozzi, 1728–1815
The Virgin and Child
1770
W. R. Smith Leicester Abbey, Leicestershire
Print made by W. R. Smith, active 1819–1851
Leicester Abbey, Leicestershire
1834
Thomas Abiel Prior The Goddess of Discord
Print made by Thomas Abiel Prior, 1809–1886
The Goddess of Discord
between 1859 and 1861
James Baylis Allen Temple of Jupiter Panhellenius
Print made by James Baylis Allen, 1803–1876
Temple of Jupiter Panhellenius
between 1859 and 1861
Edward P. Brandard Apollo and Daphne in the Vale of Tempe
Print made by Edward P. Brandard, 1819–1898
Apollo and Daphne in the Vale of Tempe
between 1859 and 1861
Robert Brandard The Bay of Baiæ, Apollo and the Sibyl
Print made by Robert Brandard, 1805–1862
The Bay of Baiæ, Apollo and the Sibyl
between 1859 and 1861
Francesco Bartolozzi Hebe
Print made by Francesco Bartolozzi, 1728–1815
Hebe
1782
Francesco Bartolozzi Market of Love
Francesco Bartolozzi, 1728–1815
Market of Love
1793
James Mitan Turin, from the Portico of the Superga Church
Print made by James Mitan, 1776–1822
Turin, from the Portico of the Superga Church
1820
Lucas Vorsterman I Isabella Clara Eugenia
Print made by Lucas Vorsterman I, 1595–1675
Isabella Clara Eugenia
ca. 1635
Sir James Thornhill Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
Peeter Clouwet Carolus Scribanius
Print made by Peeter Clouwet, 1629–1670
Carolus Scribanius
ca. 1635
John Horsburgh Milan
Print made by John Horsburgh, 1791–1869
Milan
1834
James Basire II Distant View of Whalley Abbey
Print made by James Basire II, 1769–1822
Distant View of Whalley Abbey
1800
John Scott Crypt in Kirkstall Abbey, Yorkshire
Print made by John Scott, 1774–1828
Crypt in Kirkstall Abbey, Yorkshire
1814
John Scott Crypt in Kirkstall Abbey, Yorkshire
Print made by John Scott, 1774–1828
Crypt in Kirkstall Abbey, Yorkshire
1814
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
James Mitan Turin, from the Portico of the Superga Church
Print made by James Mitan, 1776–1822
Turin, from the Portico of the Superga Church
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
John Doyle ('H.B.') The Fates
Print made by John Doyle ('H.B.'), 1797–1868
The Fates
1847
William Radclyffe St. Julian's, Tours
Print made by William Radclyffe, 1780–1855
St. Julian's, Tours
1833
Francesco Curti Frontispiece: Hercules Fighting the Hydra
Print made by Francesco Curti, 1610–1690
Frontispiece: Hercules Fighting the Hydra
ca. 1633
Richard Cosway Venus and Mars
Richard Cosway, 1742–1821
Venus and Mars
ca. 1790
John Flaxman The Creation of the Heavens
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
unknown artist Cavorting Putti with Classical Vase and Fountain
unknown artist
Cavorting Putti with Classical Vase and Fountain
undated
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
Charles Robert Cockerell The Temple of Aphaia at Aegina: Structural Details
Charles Robert Cockerell, 1788–1863
The Temple of Aphaia at Aegina: Structural Details
after 1832