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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Period 19th century

Remove constraint Period: 19th century

Height [cm] 23

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John Constable Sketch for "The Hay Wain"
John Constable, 1776–1837
Sketch for "The Hay Wain"
ca. 1820
Not on view
John Constable Rushes by a pool
John Constable, 1776–1837
Rushes by a pool
ca. 1821
Not on view
John Constable Hove Beach
John Constable, 1776–1837
Hove Beach
1824 to 1828
Not on view
John Constable Coastal Scene with Cliffs
John Constable, 1776–1837
Coastal Scene with Cliffs
ca. 1814
Not on view
Henry Thomas Alken Grouse Shooting
Henry Thomas Alken, 1785–1851
Grouse Shooting
ca. 1825
Not on view
Henry Thomas Alken Partridge Shooting
Henry Thomas Alken, 1785–1851
Partridge Shooting
ca. 1825
Not on view
Paul Fordyce Maitland The Lady's Mile, Kensington Gardens
Paul Fordyce Maitland, 1863–1909
The Lady's Mile, Kensington Gardens
ca. 1900
Not on view
Henry Wallis The Death of Chatterton
Henry Wallis, 1830–1916
The Death of Chatterton
ca. 1856
Not on view
John Martin Hyde Park
John Martin, 1789–1854
Hyde Park
ca. 1815
Not on view
John Martin Landscape, Possibly the Isle of Wight or Richmond Hill
John Martin, 1789–1854
Landscape, Possibly the Isle of Wight or Richmond Hill
1815
Not on view
unknown artist Bologna
unknown artist
Bologna
ca. 1826
Not on view
John Frederick Herring Fighting Cocks: a Pale-Breasted Fighting Cock, Facing Right
John Frederick Herring, 1795–1865
Fighting Cocks: a Pale-Breasted Fighting Cock, Facing Right
1829
Not on view
John Linnell Landscape with Figures
John Linnell, 1792–1882
Landscape with Figures
1816
Not on view
Thomas Creswick View from Mr. Southey's House, Keswick
Thomas Creswick, 1811–1869
View from Mr. Southey's House, Keswick
ca. 1838
Not on view
Thomas Creswick The Summer Bower, Derwent Water
Thomas Creswick, 1811–1869
The Summer Bower, Derwent Water
ca. 1838
Not on view
Thomas Creswick St. Michael's Mount, Cornwall
Thomas Creswick, 1811–1869
St. Michael's Mount, Cornwall
ca. 1838
Not on view
Thomas Creswick Dolwyddelan
Thomas Creswick, 1811–1869
Dolwyddelan
ca. 1838
Not on view
John Frederick Herring Fighting Cocks: a Dark-Breasted Fighting Cock, Facing Left
John Frederick Herring, 1795–1865
Fighting Cocks: a Dark-Breasted Fighting Cock, Facing Left
1829
Not on view
Lionel Constable Mountain Landscape, possibly in the Lake District
Lionel Constable, 1828–1887
Mountain Landscape, possibly in the Lake District
between 1849 and 1855
Not on view
Thomas Creswick Waterloo
Thomas Creswick, 1811–1869
Waterloo
ca. 1838
Not on view
Thomas Creswick The Well of St. Keyne
Thomas Creswick, 1811–1869
The Well of St. Keyne
ca. 1838
Not on view
John Linnell Shepherd Boy Playing a Flute
John Linnell, 1792–1882
Shepherd Boy Playing a Flute
1831
Not on view
John Linnell In Dovedale
John Linnell, 1792–1882
In Dovedale
1814 to 1815
Not on view
Staffordshire pottery The Boxer Tom Cribb: in canary breeches
Staffordshire pottery
The Boxer Tom Cribb: in canary breeches
ca. 1800
Not on view
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
John Constable Sky Study with Rainbow
John Constable, 1776–1837
Sky Study with Rainbow
1827
John Constable A Bridge near Salisbury Court, Perhaps Milford Bridge
John Constable, 1776–1837
A Bridge near Salisbury Court, Perhaps Milford Bridge
ca. 1829
John Constable Salisbury Plain from Old Sarum
John Constable, 1776–1837
Salisbury Plain from Old Sarum
1829
John Constable Old Sarum at Noon
John Constable, 1776–1837
Old Sarum at Noon
1829
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Sheep-Washing, Windsor
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner Near Blair Athol, Scotland
Etched by Joseph Mallord William Turner, 1775–1851
Near Blair Athol, Scotland
1811
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner On the Mosell, Near Traben Trarbach
Joseph Mallord William Turner, 1775–1851
On the Mosell, Near Traben Trarbach
ca. 1841
Joseph Mallord William Turner Tell's Chapel, Lake Lucerne
Joseph Mallord William Turner, 1775–1851
Tell's Chapel, Lake Lucerne
1841
Joseph Mallord William Turner Sketch of Two Ships on a Catalogue Page
Joseph Mallord William Turner, 1775–1851
Sketch of Two Ships on a Catalogue Page
ca. 1823
Joseph Mallord William Turner A Paddle-Steamer in a Storm on Lake Lucerne
Joseph Mallord William Turner, 1775–1851
A Paddle-Steamer in a Storm on Lake Lucerne
ca. 1841
Joseph Mallord William Turner Lost to All Hope the Brig
Joseph Mallord William Turner, 1775–1851
Lost to All Hope the Brig
between 1845 and 1850
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake Dante Striking against Bocca Degli Abati (Plate 7)
Print made by William Blake, 1757–1827
Dante Striking against Bocca Degli Abati (Plate 7)
1827
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "Then the Divine hand found the Two Limits..." (Plate 35)
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake "And Rahab Babylon the Great..." (Plate 75)
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake Thomas Hayley the Disciple of John Flaxman, from a Medallion
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion
1800
William Blake Socrates, a Visionary Head
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
James Holland Delft
James Holland, 1799–1870
Delft
1845
James Holland A Street at Night with Figures at a Stall
Attributed to James Holland, 1799–1870
A Street at Night with Figures at a Stall
1849
James Duffield Harding Lyons from Quayside on the Rhone
James Duffield Harding, 1798–1863
Lyons from Quayside on the Rhone
ca. 1824
Lt. Humphrey John Julian Sir William Norris Bungalow, Penang
Lt. Humphrey John Julian, active 1842–1849
Sir William Norris Bungalow, Penang
1844
George Richmond John Linnell
George Richmond, 1809–1896
John Linnell
1828
George Pyne The Quadrangle, All Soul's, Oxford
George Pyne, 1800–1884
The Quadrangle, All Soul's, Oxford
1849
Paul Sandby Munn Pale Melancholy
Paul Sandby Munn, 1773–1845
Pale Melancholy
ca. 1804
William Henry Hunt Young Girl Standing Barefoot
William Henry Hunt, 1790–1864
Young Girl Standing Barefoot
ca. 1820
John Linnell Scene in Kent
John Linnell, 1792–1882
Scene in Kent
undated
Sir Francis Grant A Lady Painting
Sir Francis Grant, 1803–1878
A Lady Painting
1837
unknown artist The Edge of a Pool with Waterlilies
unknown artist
The Edge of a Pool with Waterlilies
undated
Sir George Hayter The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water
Sir George Hayter, 1792–1871
The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water
1835
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
John William Upham The Abbey Barn, Abbotsbury
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
James Knowles Design for Silverton Park, Devon
studio of James Knowles, c. 1806–1884
Design for Silverton Park, Devon
between 1839 and 1845
Joseph Nash The Tower of the Manor House, East Barsham, Norfolk
Joseph Nash, 1808–1878
The Tower of the Manor House, East Barsham, Norfolk
undated