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Collection Prints and Drawings

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Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
Joseph Mallord William Turner The Angler
Joseph Mallord William Turner, 1775–1851
The Angler
1794
Joseph Mallord William Turner The Channel Sketchbook
Joseph Mallord William Turner, 1775–1851
The Channel Sketchbook
ca. 1845
Edward Lear Dhoura Island
Edward Lear, 1812–1888
Dhoura Island
1854
Edward Lear Negadeh
Edward Lear, 1812–1888
Negadeh
1867
Edward Lear Gebel Sheikh Eredi, before sunrise
Edward Lear, 1812–1888
Gebel Sheikh Eredi, before sunrise
1867
Edward Lear Belbeis
Edward Lear, 1812–1888
Belbeis
1867
Edward Lear Salahiyeh
Edward Lear, 1812–1888
Salahiyeh
1867
Edward Lear El Areesh
Edward Lear, 1812–1888
El Areesh
1867
Edward Lear Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
Edward Lear Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)
Edward Lear, 1812–1888
Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)
1867
Edward Lear Gebelein
Edward Lear, 1812–1888
Gebelein
1854
Edward Lear El Ousta
Edward Lear, 1812–1888
El Ousta
1854
Edward Lear El Kab
Edward Lear, 1812–1888
El Kab
1854
Edward Lear Dendera
Edward Lear, 1812–1888
Dendera
1867
Edward Lear Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)
Edward Lear, 1812–1888
Gebel Sheikh Abu Fodde, 8:00 am, 4 March 1867 (588)
1867
Edward Lear Pettenasco, Lago d'Orta
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
Edward Lear Greek Woodcutter, June 13 /56
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
Edward Lear Thebes
Edward Lear, 1812–1888
Thebes
1854
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)
Edward Lear, 1812–1888
Near Negadeh; 8:00 A.M., 25 Feb. 1867 (549)
1867
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
Adelaide Claxton The Decision
Adelaide Claxton, 1858–1905
The Decision
undated
Robert Barnes Elderly Couple on a Park Bench, with Two Men Beyond
Print made by Robert Barnes, 1840–1895
Elderly Couple on a Park Bench, with Two Men Beyond
undated
Robert Barnes Three Men and Two Boys Sitting on a Pier
Print made by Robert Barnes, 1840–1895
Three Men and Two Boys Sitting on a Pier
undated
Charles Hamilton Smith Asinus Hippagrus The Yo-To-Tze
Charles Hamilton Smith, 1776–1859
Asinus Hippagrus The Yo-To-Tze
ca. 1837
Charles Hamilton Smith Colt Third Issue of Brood Mare and Second by the Black Arab
Charles Hamilton Smith, 1776–1859
Colt Third Issue of Brood Mare and Second by the Black Arab
ca. 1837
Charles Hamilton Smith The Zebra
Charles Hamilton Smith, 1776–1859
The Zebra
ca. 1837
Charles Hamilton Smith The Tarpan. Wild Horse. Native to Russia
Charles Hamilton Smith, 1776–1859
The Tarpan. Wild Horse. Native to Russia
ca. 1837
Charles Hamilton Smith The Bornou Race
Charles Hamilton Smith, 1776–1859
The Bornou Race
ca. 1837
Charles Hamilton Smith The Koomrah Horse
Charles Hamilton Smith, 1776–1859
The Koomrah Horse
ca. 1837
Charles Hamilton Smith The English Race-Horse
Charles Hamilton Smith, 1776–1859
The English Race-Horse
ca. 1837
Charles Hamilton Smith Filley Bearing Marks of Quagga
Charles Hamilton Smith, 1776–1859
Filley Bearing Marks of Quagga
ca. 1837
Charles Hamilton Smith The Hlymar, or Hamur, Persian Wild Ass
Charles Hamilton Smith, 1776–1859
The Hlymar, or Hamur, Persian Wild Ass
ca. 1837
Charles Hamilton Smith Crisp-Haired Horse, Primeval Black Stock
Charles Hamilton Smith, 1776–1859
Crisp-Haired Horse, Primeval Black Stock
ca. 1837
Charles Hamilton Smith Hippotigris Quacha
Charles Hamilton Smith, 1776–1859
Hippotigris Quacha
ca. 1837
Charles Hamilton Smith The Hinny
Charles Hamilton Smith, 1776–1859
The Hinny
ca. 1837
Charles Hamilton Smith Villous Horse, Primeval White Stock
Charles Hamilton Smith, 1776–1859
Villous Horse, Primeval White Stock
ca. 1837
Charles Hamilton Smith Peruvian Paso
Charles Hamilton Smith, 1776–1859
Peruvian Paso
ca. 1837
Charles Hamilton Smith Marengo, Bonaparte's Arab
Charles Hamilton Smith, 1776–1859
Marengo, Bonaparte's Arab
ca. 1837
Charles Hamilton Smith English Draught Horse
Charles Hamilton Smith, 1776–1859
English Draught Horse
ca. 1837
Charles Hamilton Smith Dongola Horse
Charles Hamilton Smith, 1776–1859
Dongola Horse
ca. 1837
Charles Hamilton Smith New Holland Dingo
Charles Hamilton Smith, 1776–1859
New Holland Dingo
ca. 1837
Charles Hamilton Smith The Capybara
Charles Hamilton Smith, 1776–1859
The Capybara
ca. 1837
James Miller Figure Study of a Lady (back view)
James Miller, active 1773–1814
Figure Study of a Lady (back view)
undated
James Miller Figure Study of a Lady
James Miller, active 1773–1814
Figure Study of a Lady
undated
Bernard Lens III Portrait of a Young Man
Attributed to Bernard Lens III, 1682–1740
Portrait of a Young Man
undated
unknown artist The Pottery Shop
unknown artist
The Pottery Shop
undated
Samuel Howitt A Woodcock
Samuel Howitt, 1756–1822
A Woodcock
undated
James Seymour Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
Francis Towne Ambleside
Francis Towne, 1740–1816
Ambleside
1786
Thomas Rowlandson New Shoes
Thomas Rowlandson, 1756–1827
New Shoes
undated
Thomas Rowlandson Reflections, or the Music Lesson
Thomas Rowlandson, 1756–1827
Reflections, or the Music Lesson
undated
unknown artist Lord Salisbury
unknown artist
Lord Salisbury
undated
unknown artist A Midsummer Night's Dream: Three Figures
unknown artist
A Midsummer Night's Dream: Three Figures
undated
unknown artist Turkish Dress or Contemplation
unknown artist
Turkish Dress or Contemplation
undated