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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsWork Type drawing
Remove constraint Work Type: drawingSubject Terms religious and mythological subject
Remove constraint Subject Terms: religious and mythological subjectSearch Results
1
- Study for "The Golden Age"
- 1827
2
- Hymen
- ca. 1748
3
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
4
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
5
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
6
- Frontispiece, Europe. A Prophecy
- ca. 1820
7
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
8
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
9
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
10
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
11
- "Los shudder'd at beholding Albion..." (Plate 40)
- 1804 to 1820
12
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
13
- "Thus Albion sat, studious of others..." (Plate 42)
- 1804 to 1820
14
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
15
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
16
- "Bath, mild Physician of Eternity..." (Plate 46)
- 1804 to 1820
17
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
18
- "The banks of the Thames are clouded..." (Plate 5)
- 1804 to 1820
19
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
20
- "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
- 1804 to 1820
21
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
22
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
23
- "Turning his back to the Divine Vision..." (Plate 33)
- 1804 to 1820
24
- "Elevate into the Region of Brotherhood..." (Plate 34)
- 1804 to 1820
25
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
26
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
27
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
28
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
29
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
30
- "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
- 1804 to 1820
31
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
32
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
33
- "And that toward Eden, four..." (Plate 13)
- 1804 to 1820
34
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
35
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
36
- "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
- 1804 to 1820
37
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
38
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
39
- "What have I said? What have I done?..." (Plate 24)
- 1804 to 1820
40
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
41
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
42
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
43
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820
44
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
45
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
46
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
47
- A Welch Bard (Design 53)
- between 1797 and 1798
48
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
49
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
50
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
51
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
52
- "Midst the tide, Two angel forms were seen to glide..." (Design 7)
- between 1797 and 1798
53
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
54
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
55
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
56
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
57
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
58
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
59
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
60
- "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
- 1793
61
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
62
- Title Page. America, A Prophecy (Plate 2)
- 1793
63
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
64
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
65
- Title Page, The Book of Thel (Plate 2)
- 1789
66
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
67
- Frontispiece. Albion's Angel (Plate 1)
- 1793
68
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
69
- Thel's Motto (Plate 1)
- 1789
70
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
71
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
72
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
73
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
74
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
75
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
76
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
77
- Fame (Design 93)
- between 1797 and 1798
78
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
79
- Title Page, The First Book of Urizen (Plate 1)
- 1794
80
- Fettered Urizen Weeping (Plate 3)
- 1794
81
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
82
- "Arise 'O Rintrah eldest born..." (Plate 9)
- 1794
83
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
84
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
85
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
86
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
87
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
88
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
89
- The Divine Image (Plate 12)
- 1789
90
- Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
- 1794
91
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
92
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
93
- "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
- 1804 to 1820
94
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
95
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
96
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
97
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
98
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
99
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
100
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820