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Prints and Drawings
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493
Creator
Haydon, Benjamin Robert, 1786–1846
110
Blake, William, 1757–1827
103
Smirke the Younger, Robert, Sir, 1781–1867
43
Martin, John, 1789–1854
31
Greig, John, active 1803–1853
21
Smith, John Thomas, 1766–1833
18
Storer, James Sargant, 1771–1853
18
Unknown artist
18
Gillray, James, 1756–1815
9
Whichelo, C. John M., 1784–1865
9
Daniell, William, 1769–1837
8
Pugh, Edward, 1763–1813
8
Nash, Frederick, 1782–1856
7
Sneyd, John Rev., active 1804
7
Turner, William of Oxford, 1789–1862
7
Stubbs, George, 1724–1806
6
Turner, J. M. W. (Joseph Mallord William), 1775–1851
6
Vollweiler, Georg Jacob, active 1805–1807
6
Fittler, James, 1758–1835
5
Green, Amos, 1735–1807
5
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Creator
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Date
1800
1,148
1802
659
1834
645
1796
615
1791
568
1745
566
1749
541
1795
527
1789
510
1771
498
1792
493
1804
[remove]
493
1793
490
1827
483
1775
476
1832
459
1797
434
1790
433
1826
422
1825
416
1835
416
1784
415
1772
411
1794
402
1799
395
0
393
1700
391
1830
385
1836
384
2004
363
1814
359
1833
354
1820
346
1801
332
1803
329
1812
314
1818
312
1780
309
1960
308
1867
307
1785
304
1798
301
1767
293
1808
292
1768
276
1823
268
1807
267
1748
265
1811
257
1788
253
1813
251
1787
248
1764
245
1805
245
1821
245
1783
243
1828
242
1809
240
1817
240
1770
229
1819
219
1782
217
1837
217
1810
215
1831
209
1786
201
1815
201
1755
200
1824
200
1778
198
1839
198
1752
192
1945
189
1816
185
1806
181
1822
177
1765
176
1630
175
1829
173
1781
171
1838
164
1738
160
1758
160
1777
160
1762
156
1850
152
1846
151
1779
148
1763
141
1776
137
1740
135
1855
134
2000
133
1774
132
1893
128
1859
126
1760
120
1773
120
1750
119
1841
118
On-site Access
Accessible by appointment in the Study Room
493
Image Use
Free to Use
492
Under Certain Circumstances
1
Image Available
Available
[remove]
493
Classification
Prints
252
Drawings & Watercolors
234
Drawing & Watercolors-Architectural
5
Drawings & Watercolors-Miniatures
1
Paintings
1
Creator Gender
male
484
unknown
18
female
9
Collective Title
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
109
Jerusalem: The Emanation of The Giant Albion, Copy E
100
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
43
Specimens of Polyautography
6
Iconographie Anglaise par Reynolds et Autres
5
"Antiquities of Westminster; the Old Palace; St. Stephen's Chapel, (now the House of Commons) &c. &c.", J. T. Smith, 1807.
3
Storer and Greig's 'Select Views of London and its Environs,' 1804-1805
3
The Oxford Almanack
3
The Life, and Posthumous Writings, of William Cowper
2
The Winter's Tale
2
"Select Views of London and its Environs", James Storer, 1804.
1
Antiquities of Westminster; the Old Palace; St. Stephen's Chapel, (now the House of Commons) &c. &c., J. T. Smith, 1807.
1
Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr.
1
The Merchant of Venice
1
Period
19th century
489
18th century-19th century
3
Materials & Techniques
wove paper
286
watercolor
154
graphite
141
black ink
130
relief etching
100
brown ink
93
pen
80
laid paper
70
black chalk
29
brown wash
29
white gouache
17
line engraving
16
etching (printing process)
15
gold
14
mezzotint
13
gouache
12
gray wash
7
lithography
7
stipple engraving
7
white chalk
7
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Materials & Techniques
»
Height [cm]
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0
to
128
Unknown
82
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
113
Unknown
82
Work Type
drawing
332
watercolor
183
relief print
100
intaglio print
46
planographic print
7
frontispiece
1
miniature
1
Genre
religious and mythological subject
133
literary theme
111
figure study
70
architectural subject
65
landscape
46
portrait
31
genre subject
22
anatomical study
19
cityscape
11
military art
8
animal art
7
historical subject
5
marine art
4
Subject Terms
religious and mythological subject
131
literary theme
105
text
96
men
72
women
64
nudes
60
trees
33
vines
32
architectural subject
28
clouds
27
sky
27
fire
25
landscape
24
flames
23
portrait
22
man
21
sun
21
wings
21
anatomical study
19
nude
19
more
Subject Terms
»
Associated Places
United Kingdom
31
England
29
Europe
13
London
9
City of Westminster
6
Palace of Westminster
6
Oxford
4
Oxfordshire
4
Thames
4
University of Oxford
3
Devon
2
Hereford and Worcester
2
House of Lords
2
Upton-upon-Severn
2
Windsor
2
Windsor and Maidenhead
2
Worcester College
2
All Saints Church
1
Asia
1
Bedfordshire
1
more
Associated Places
»
Associated People
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
11
Shakespeare, William (1564–1616), playwright and poet
7
Jesus
4
Adam
2
Eve
2
Perdita (character in The Winter's Tale)
2
Peter, the Apostle, St. (ca. 1 BC - ca. 68 AD)
2
Satan
2
The Virgin Mary
2
Abel
1
Ananias
1
Bassiano (character in The Merchant of Venice)
1
Cain
1
Camillo (character in The Winter's Tale)
1
Copley, John Singleton, Baron Lyndhurst (1772 - 1863), Lord Chancellor
1
Cupid
1
Daniel
1
Elijah
1
Florizel (character in The Winter's Tale)
1
George VI (1895–1952), King of England, succeeded on the abdication of Edward VIII
1
more
Associated People
»
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
101
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
100
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
19
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
19
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
10
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
4
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
2
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
2
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
444
Yale Center for British Art, Paul Mellon Fund
11
Yale Center for British Art; Yale University Art Gallery Collection
7
Yale Center for British Art
4
Yale Center for British Art, Gift of George and Olga Kenney
4
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.
4
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery
2
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
2
Yale Center for British Art, Yale Art Gallery Collection
2
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
1
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
1
Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson
1
Yale Center for British Art, Gift of Dudley Snelgrove, Esq.
1
Yale Center for British Art, Gift of Jules D. Prown, Yale MA (HON.) 1971
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906
1
Yale Center for British Art; Gift of Herman W. Liebert
1
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Credit Line
»
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1
John Constable, 1776–1837
Ruin of St. Botolph's Priory, Colchester
ca. 1809
2
attributed to John Constable, 1776–1837
Pollarded Willows
undated, after 1804
3
Print made after George Stubbs, 1724–1806
Plate X, Fowl Body, Lateral View
1804
4
Print made after George Stubbs, 1724–1806
Plate VI, Human Body, Frontal View
1804
5
Print made after George Stubbs, 1724–1806
Plate VIII, Human Body, Posterior View
1804
6
Print made after George Stubbs, 1724–1806
Plate VII, Human Body, Lateral View
1804
7
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
8
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
9
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
10
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
11
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
12
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
13
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
14
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
15
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
16
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
17
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
18
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
19
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
20
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
21
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
22
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
23
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
24
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
25
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
26
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
27
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
28
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
29
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
30
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
31
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
32
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
33
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
34
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
35
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
36
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
37
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
38
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
39
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
40
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
41
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
42
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
43
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
44
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
45
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
46
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
47
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
48
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
49
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
50
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
51
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
52
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
53
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
54
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
55
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
56
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
57
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
58
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
59
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
60
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
61
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
62
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
63
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
64
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
65
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
66
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
67
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
68
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
69
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
70
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
71
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
72
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
73
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
74
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
75
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
76
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
77
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
78
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
79
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
80
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
81
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
82
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
83
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
84
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
85
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
86
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
87
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
88
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
89
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
90
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
91
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
92
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
93
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
94
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
95
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
96
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
97
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
98
Print made by William Blake, 1757–1827
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
1804 to 1820
99
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
100
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
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