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Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
William Hogarth Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
William Hogarth, 1697–1764
Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
1718
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Print made by William Blake, 1757–1827
"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake Thomas Hayley, the Disciple of John Flaxman, from a Medallion
Print made by William Blake, 1757–1827
Thomas Hayley, the Disciple of John Flaxman, from a Medallion
1800
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake The Man Sweeping the Interpreter's Parlour
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
John Pye Ehrenbreitstein, During the Demolition of the Fortress in 1817
Print made by John Pye, 1782–1874
Ehrenbreitstein, During the Demolition of the Fortress in 1817
1828
James Tibbits Willmore The Sea! The Sea!
Print made by James Tibbits Willmore, 1800–1863
The Sea! The Sea!
1836
Edward Goodall St. Anne's Hill, No. II
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. II
1834
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
William Miller Loch Lomond
Print made by William Miller, 1796–1882
Loch Lomond
1834
William Miller A Garden
Print made by William Miller, 1796–1882
A Garden
1834
William Miller Loch Lomond
Print made by William Miller, 1796–1882
Loch Lomond
1834
Edward Goodall Smailholm Tower
Print made by Edward Goodall, 1795–1870
Smailholm Tower
1834
William Bernard Cooke The Vale of Ashburnham, Replication of Right Half
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham, Replication of Right Half
1817
William Miller Venice, The Rialto - Moonlight
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
Edward Francis Finden The Castellated Rhine
Print made by Edward Francis Finden, 1791–1857
The Castellated Rhine
1832-1834
Robert Wallis Hermitage Castle
Print made by Robert Wallis, 1794–1878
Hermitage Castle
1834
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
unknown artist A Large Christmas Card
Print made by unknown artist
A Large Christmas Card
1895
Arthur Burgess Venus, after Masters of Tarrochi
Print made by Arthur Burgess, 1844–1886
Venus, after Masters of Tarrochi
undated
George Murray Neath
Print made by George Murray, died 1822
Neath
1795
Thomas Medland Ruins of St. Paul Covent Garden
Print made by Thomas Medland, 1755–1823
Ruins of St. Paul Covent Garden
1795
John Greig Herstmonceux Castle, Sussex
John Greig, active 1803–1853
Herstmonceux Castle, Sussex
1815
Edward Goodall St. Anne's Hill, No. I
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. I
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
William Miller An Old Manor House
Print made by William Miller, 1796–1882
An Old Manor House
1834
William Miller Venice, The Rialto - Moonlight
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
James Henry Watt St. Cecilia
James Henry Watt, 1799–1867
St. Cecilia
1834
James S. Storer Chepstow
Print made by James S. Storer, 1771–1853
Chepstow
1794
Thomas Tagg Northampton
Print made by Thomas Tagg, died 1809
Northampton
1796
Sparrow Herstmonceux Castle, Sussex Pl. IV
Sparrow, active 1773–1787
Herstmonceux Castle, Sussex Pl. IV
undated
S. Porter Durham Cathedral
Print made by S. Porter, active 1802
Durham Cathedral
1802
James S. Storer Hampton Court, Herefordshire
Print made by James S. Storer, 1771–1853
Hampton Court, Herefordshire
1801
Samuel Cousins The Countess of Blessington
Print made by Samuel Cousins, 1801–1887
The Countess of Blessington
1837
Theodore Casper von Furstenberg Head of Christ, Crowned with Thorns
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Head of Christ, Crowned with Thorns
between 1656 and 1675
Samuel Cousins The Visionary
Print made by Samuel Cousins, 1801–1887
The Visionary
1833
Abraham Blooteling Virgin and Child
Print made by Abraham Blooteling, 1640–1690
Virgin and Child
between 1670 and 1690
Caroline Watson Lady Elizabeth Foster
Print made by Caroline Watson, 1760–1814
Lady Elizabeth Foster
1788
Thomas Watson Mrs. Wilbraham
Print made by Thomas Watson, 1743–1781
Mrs. Wilbraham
1780
Jacob Gole April
Print made by Jacob Gole, 1660–1737
April
undated
Charles Turner Mrs. Apollonia Wodehouse
Print made by Charles Turner, 1774–1857
Mrs. Apollonia Wodehouse
1823
Prince Rupert The Magdalen
Print made by Prince Rupert, 1619–1682
The Magdalen
1659
Prince Rupert The Magdalen
Print made by Prince Rupert, 1619–1682
The Magdalen
1659
Prince Rupert Head of a Young Woman
Print made by Prince Rupert, 1619–1682
Head of a Young Woman
1658
George H. Phillips Lady Wallscourt
Print made by George H. Phillips, active 1819–1825
Lady Wallscourt
1839
Peltro W. Tomkins Mrs. Siddons
Print made by Peltro W. Tomkins, 1760–1840
Mrs. Siddons
undated
Johan Danckerts Fille de Qualite en Deshabille d'Hiver
Print made by Johan Danckerts, 1615–ca. 1687
Fille de Qualite en Deshabille d'Hiver
undated
Jan Thomas of Ypres St. Charles Borromeo
Print made by Jan Thomas of Ypres, 1617–1678
St. Charles Borromeo
between 1650 and 1660
Samuel Cousins The Orphan
Print made by Samuel Cousins, 1801–1887
The Orphan
1834
Paulus Pontius Caspar Ravestyn
Print made by Paulus Pontius, 1603–1658
Caspar Ravestyn
ca. 1635
Paulus Pontius Ioannes van Ravesteyn
Print made by Paulus Pontius, 1603–1658
Ioannes van Ravesteyn
ca. 1635
Paulus Pontius Theodorus Rombouts
Print made by Paulus Pontius, 1603–1658
Theodorus Rombouts
ca. 1635
Paulus Pontius Simon de Vos
Print made by Paulus Pontius, 1603–1658
Simon de Vos
ca. 1635
Lucas Vorsterman I Theodorus Galle
Print made by Lucas Vorsterman I, 1595–1675
Theodorus Galle
ca. 1635