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William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty

Print made by William Hogarth, 1697–1764

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851

Rispah: 2nd Book of Samuel, Chap. 21

1812

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851

Rispah: 2nd Book of Samuel, Chap. 21

1812

William Blake The First Book of Urizen, Plate 4 (Bentley 24)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 4 (Bentley 24)

1794

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1826

William Blake "In living creations appear'd..." (Plate 8)

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 8)

1794

William Blake Chapter III, "As the stars are apart from the earth..." (Plate 9)

Print made by William Blake, 1757–1827

Chapter III, "As the stars are apart from the earth..." (Plate 9)

1794

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

William Blake, 1757–1827

"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

between 1797 and 1798

William Blake Frontispiece, Europe. A Prophecy

Print made by William Blake, 1757–1827

Frontispiece, Europe. A Prophecy

ca. 1820

William Blake "And the Two that escaped..." (Plate 30)

Print made by William Blake, 1757–1827

"And the Two that escaped..." (Plate 30)

1804 to 1820

William Blake "Then the Divine hand found the Two Limits..." (Plate 35)

Print made by William Blake, 1757–1827

"Then the Divine hand found the Two Limits..." (Plate 35)

1804 to 1820

William Blake "Reuben return'd to his place, in vain..." (Plate 36)

Print made by William Blake, 1757–1827

"Reuben return'd to his place, in vain..." (Plate 36)

1804 to 1820

William Blake "The banks of the Thames are clouded..." (Plate 5)

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake Chapter 3 Frontispiece (Plate 51)

Print made by William Blake, 1757–1827

Chapter 3 Frontispiece (Plate 51)

1804 to 1820

William Blake "And formed into Four precious stones..." (Plate 59)

Print made by William Blake, 1757–1827

"And formed into Four precious stones..." (Plate 59)

1804 to 1820

William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Print made by William Blake, 1757–1827

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

1804 to 1820

William Blake "Repose on me till the morning of the Grave..." (Plate 62)

Print made by William Blake, 1757–1827

"Repose on me till the morning of the Grave..." (Plate 62)

1804 to 1820

William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Print made by William Blake, 1757–1827

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

1804 to 1820

William Blake "Such are Cathedrons golden Halls..." (Plate 73)

Print made by William Blake, 1757–1827

"Such are Cathedrons golden Halls..." (Plate 73)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "Encompass'd by the frozen Net..." (Plate 80)

Print made by William Blake, 1757–1827

"Encompass'd by the frozen Net..." (Plate 80)

1804 to 1820

William Blake "Him the dog of darkness spied..." (Design 79)

William Blake, 1757–1827

"Him the dog of darkness spied..." (Design 79)

between 1797 and 1798

William Blake The Prophetess Rising from Her Grave (Design 81)

William Blake, 1757–1827

The Prophetess Rising from Her Grave (Design 81)

between 1797 and 1798

William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

Print made by William Blake, 1757–1827

"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

1793

William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

Print made by William Blake, 1757–1827

"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

1793

William Blake "Shot from the heights of Enitharmon..." (Plate 17)

Print made by William Blake, 1757–1827

"Shot from the heights of Enitharmon..." (Plate 17)

1794

William Blake "The shrill winds wake!..." (Plate 6)

Print made by William Blake, 1757–1827

"The shrill winds wake!..." (Plate 6)

1794

William Blake Famine (Plate 8)

Print made by William Blake, 1757–1827

Famine (Plate 8)

1794

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

1794

William Blake Chapter V, "The globe of life blood trembled..." (Plate 17)

Print made by William Blake, 1757–1827

Chapter V, "The globe of life blood trembled..." (Plate 17)

1794

William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

1794

William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Print made by William Blake, 1757–1827

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

1793

William Blake "Los howld in a dismal stupor..." (Plate 10)

Print made by William Blake, 1757–1827

"Los howld in a dismal stupor..." (Plate 10)

1794

William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

Print made by William Blake, 1757–1827

Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

1794

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

1794

William Blake Fettered Urizen Weeping (Plate 3)

Print made by William Blake, 1757–1827

Fettered Urizen Weeping (Plate 3)

1794

William Blake "Hie thee hence, and boast at home..." (Design 85)

William Blake, 1757–1827

"Hie thee hence, and boast at home..." (Design 85)

between 1797 and 1798

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

1794

William Blake "In living creations appear'd..." (Plate 6)

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 6)

1794

William Blake Urizen (Plate 22)

Print made by William Blake, 1757–1827

Urizen (Plate 22)

1794

William Blake London (Plate 39)

Print made by William Blake, 1757–1827

London (Plate 39)

1794

William Blake Chapter III, "As the stars are apart from the earth..." (Plate 7)

Print made by William Blake, 1757–1827

Chapter III, "As the stars are apart from the earth..." (Plate 7)

1794

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

1794

William Blake Fettered Urizen Weeping (Plate 12)

Print made by William Blake, 1757–1827

Fettered Urizen Weeping (Plate 12)

1794

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1793

William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)

Print made by William Blake, 1757–1827

Chapter V, "The globe of life blood trembled..." (Plate 15)

1794

William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

Print made by William Blake, 1757–1827

Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

1794

William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

1794

William Blake A Little Boy Lost (Plate 43)

Print made by William Blake, 1757–1827

A Little Boy Lost (Plate 43)

1794

William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

William Blake, 1757–1827

"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

between 1797 and 1798

William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)

William Blake, 1757–1827

"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)

between 1797 and 1798

William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)

Print made by William Blake, 1757–1827

"Then the Divine Vision like a silent Sun..." (Plate 29)

1804 to 1820

William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)

Print made by William Blake, 1757–1827

"By Satan's Watch-fiends tho' they search..." (Plate 39)

1804 to 1820

William Blake "Albion thy fear has made me tremble..." (Plate 22)

Print made by William Blake, 1757–1827

"Albion thy fear has made me tremble..." (Plate 22)

1804 to 1820

William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Print made by William Blake, 1757–1827

"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

Print made by William Blake, 1757–1827

"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

1804 to 1820

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake "Cytherea's Day..." (Design 45)

William Blake, 1757–1827

"Cytherea's Day..." (Design 45)

between 1797 and 1798

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "Bath, mild Physician of Eternity..." (Plate 46)

Print made by William Blake, 1757–1827

"Bath, mild Physician of Eternity..." (Plate 46)

1804 to 1820

William Blake "In beauty the Daughters of Albion divide..." (Plate 58)

Print made by William Blake, 1757–1827

"In beauty the Daughters of Albion divide..." (Plate 58)

1804 to 1820

John Linnell Job's Sacrifice

circle of John Linnell, 1792–1882

Job's Sacrifice

undated

John Linnell The Destruction of Job's Sons

circle of John Linnell, 1792–1882

The Destruction of Job's Sons

undated

John William Edy View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

John William Edy, 1760–1820

View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

1797

James Gillray The Valley of the Shadow of Death

James Gillray, 1756–1815

The Valley of the Shadow of Death

1808

John Franklin Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

Print made by John Franklin, c.1800–1868

Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

ca. 1825

Samuel David Colkett The Gipsy Encampment

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1822

Ebenezer Challis The Baron's Hall

Print made by Ebenezer Challis, active 1837–1859

The Baron's Hall

1844

James Gillray Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

James Gillray, 1756–1815

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

1798

Thomas Rowlandson A Maiden Aunt Smelling Fire

Thomas Rowlandson, 1756–1827

A Maiden Aunt Smelling Fire

1804

David Allan Glaud and Peggy

Print made by David Allan, 1744–1796

Glaud and Peggy

1808

Thomas Rowlandson Gypsies Cooking on an Open Fire

Thomas Rowlandson, 1756–1827

Gypsies Cooking on an Open Fire

undated

George Cruikshank Davy Jones

Print made by George Cruikshank, 1792–1878

Davy Jones

undated

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Louis Haghe View of the City of Bristol

Louis Haghe, 1806–1885

View of the City of Bristol

ca. 1831

Anker Smith The Burning of Archbishop Cranmer

Print made by Anker Smith, 1759–1819

The Burning of Archbishop Cranmer

1811

James Gillray Presages of the Millenium

James Gillray, 1756–1815

Presages of the Millenium

1795

Thomas Daniell Boats at Sea

Thomas Daniell, 1749–1840

Boats at Sea

undated

David Roberts The Destruction of Pompeii

David Roberts, 1796–1864

The Destruction of Pompeii

undated

Robert Spence George Fox Comes to London After the Great Fire

Print made by Robert Spence, 1871–1964

George Fox Comes to London After the Great Fire

between 1890 and 1911

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

unknown artist The First Relief of Lucknow

Print made by unknown artist

The First Relief of Lucknow

1888

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

John Burnet Buckingham House, St. James' Park

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

James Pattison Cockburn Cuirassiers

James Pattison Cockburn, 1779–1847

Cuirassiers

ca. 1832

James Pattison Cockburn Calvary Resting

James Pattison Cockburn, 1779–1847

Calvary Resting

undated

Dennis Flanders The House of Common Under Fire

Dennis Flanders, 1915–1994

The House of Common Under Fire

1942

Joseph Farington Shakespearean Scene (?): A Pilgrim

Joseph Farington, 1747–1821

Shakespearean Scene (?): A Pilgrim

1796

Mary Hoare The Apparition of the Armed Head: Macbeth

Mary Hoare, 1744–1820

The Apparition of the Armed Head: Macbeth

ca. 1781

Mary Hoare The Three Witches from Macbeth: Double, Double, Toil and Trouble

Mary Hoare, 1744–1820

The Three Witches from Macbeth: Double, Double, Toil and Trouble

1781

Joshua Cristall Country Folk Gathered Around a Cooking Pot

Joshua Cristall, 1768–1847

Country Folk Gathered Around a Cooking Pot

undated

Henry Pierce Bone Incantation Scene

Henry Pierce Bone, 1779–1855

Incantation Scene

undated

Bernard Lens II The Four Elements

Print made by Bernard Lens II, 1659–1725

The Four Elements

undated