Materials & Techniques: watercolor / Height [cm]: 23 - YCBA Collections Search Search Results

1. Farmhouse with Children

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Graphite and watercolor on thin, smooth gray wove paper mounted on board
Dimensions:: Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

2. Sky Study with Rainbow

Creator:: John Constable, 1776–1837
Date:: 1827
Materials & Techniques:: Watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Christ Church Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1793 to 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Tell's Chapel, Lake Lucerne

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1841
Materials & Techniques:: Watercolor, gouache and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 11 1/4 inches (22.5 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Lost to All Hope the Brig

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1845 and 1850
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A Paddle-Steamer in a Storm on Lake Lucerne

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1841
Materials & Techniques:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 11 3/8 inches (23.2 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Angler

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 6 1/8 inches (22.9 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. On the Mosell, Near Traben Trarbach

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1841
Materials & Techniques:: Watercolor, graphite and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 11 3/8 inches (23.2 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Mqabba, Qrendi

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 9 1/16 x 12 11/16 inches (23 x 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

10. On the Road, Two Hours from Tepelene, 19 April 1857

Creator:: Edward Lear, 1812–1888
Date:: 1857
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 8 7/8 x 12 7/16 inches (22.5 x 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. Greek Woodcutter, June 13 /56

Creator:: Edward Lear, 1812–1888
Date:: 1856
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/16 x 6 1/8 inches (23 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

12. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Frontispiece, The Ancient of Days (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "Shot from the heights of Enitharmon..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. "To the Public. After my three years slumber..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. "Then the Divine hand found the Two Limits..." (Plate 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "Why wilt thou give to her a Body..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "One hair nor particle of dust..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "His Children exil'd from his breast..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "Turning his back to the Divine Vision..." (Plate 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. "And One stood forth from the Divine Family..." (Plate 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. "His face and bosom with petrific hardness..." (Plate 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "By Satan's Watch-fiends tho' they search..." (Plate 39)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Chapter 3 Frontispiece (Plate 51)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "Bath, mild Physician of Eternity..." (Plate 46)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "Bath, healing City!..." (Plate 45)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. "The banks of the Thames are clouded..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. "And formed into Four precious stones..." (Plate 59)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. "Bath who is Legions..." (Plate 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. "Los shudder'd at beholding Albion..." (Plate 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. "Thus Albion sat, studious of others..." (Plate 42)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Jerusalem, Tailpiece (Plate 100)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. "To labours mighty, with vast strength..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. "From every-one of the Four Regions..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. "But when they saw Albion fall'n..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. "What have I said? What have I done?..." (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. "Was living: panting like a frighted wolf..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. "The Four Zoa's clouded rage..." (Plate 74)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Chapter 4 Frontispiece (Plate 76)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. "And Rahab Babylon the Great..." (Plate 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. "Jehovah stood among the Druids..." (Plate 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. "Such are Cathedrons golden Halls..." (Plate 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "The shrill winds wake!..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. "Appear to the Americans upon the cloudy night..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. A London Street Crier

Creator:: James Gillray, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 6 1/8 inches (23.2 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Delft

Creator:: James Holland, 1799–1870
Date:: 1845
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 5 1/2 inches (23.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A Street at Night with Figures at a Stall

Creator:: Attributed to James Holland, 1799–1870
Date:: 1849
Materials & Techniques:: Watercolor and pen and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 6 1/2 inches (22.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Lyons from Quayside on the Rhone

Creator:: James Duffield Harding, 1798–1863
Date:: ca. 1824
Materials & Techniques:: Watercolor, pen and brown ink, pen and red ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Admiral House, Simon's Town, Cape of Good Hope

Creator:: Lt. Humphrey John Julian, active 1842–1849
Date:: 1844
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 × 14 inches (22.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Sir William Norris Bungalow, Penang

Creator:: Lt. Humphrey John Julian, active 1842–1849
Date:: 1844
Materials & Techniques:: Watercolor, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/16 x 14in. (23 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Young Girl Standing Barefoot

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Brown ink and watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 4 1/2 inches (22.9 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Mountainous Landscape with Castle on Hill

Creator:: Pupil of John Malchair, 1730–1812
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 15/16 x 11 9/16in. (22.7 x 29.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Staithes, Yorkshire

Creator:: Francis Nicholson, 1753–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 12 7/16in. (23.2 x 31.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Swakeley House, Middlesex

Creator:: Charles Tomkins, 1757–1823
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 9 5/8 inches (22.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Landing Place at Pallanza

Creator:: Charles Gore, 1729–1807
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/16 × 36 5/8 inches (23 × 93 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Study of a Vampire Bat

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 6 1/2 inches (23.2 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Homage to Nelson

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water

Creator:: Sir George Hayter, 1792–1871
Date:: 1835
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Julian Hayter, the Artist's Daughter

Creator:: John Hayter, 1800–1895
Date:: 1836
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 1/4 inches (22.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Goodrich Castle on the Wye

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Picnic on Richmond Hill

Creator:: Joseph Murray Ince, 1806–1859
Date:: undated
Materials & Techniques:: Watercolor, gouache, and gum, with scraping on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 × 11 7/8 inches (22.9 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Horses and Wagon Outside a Cottage

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 3/8 inches (22.5 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Canada Lynx from the Life

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Pen and black ink, pen and brown ink, watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 6 3/4 inches (22.5 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Edge of a Pool with Waterlilies

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 × 11 1/4 inches (22.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Black-backed Jackal

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 7 inches (22.9 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. North American Lynx

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Design for Silverton Park, Devon

Creator:: studio of James Knowles, c. 1806–1884
Date:: between 1839 and 1845
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 15 inches (23.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Ambulatory, Westminster Abbey

Creator:: Frederick Nash, 1782–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 5/8 inches (23.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Jesus Chapel, Norwich Cathedral

Creator:: Maria Turner
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Basket Maker

Creator:: John Gantz, 1772–1853
Date:: 1828
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 6 1/2 × 9 1/8 inches (16.5 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Building and Repairing Masoola Boats

Creator:: John Gantz, 1772–1853
Date:: 1828
Materials & Techniques:: Pen and black ink and watercolor on medium, moderately textured, cream wove paper mounted to card
Dimensions:: Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Persian Sword Hilt Set with Diamonds

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 6 3/4 inches (22.5 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Devotee in a Green Turban

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: ca. 1790
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A Nautch or Dance

Creator:: Attributed to James Wales, ca.1747–1795
Date:: ca. 1792
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Image: 8 7/8 × 12 1/4 inches (22.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Man with a Yellow Shawl Sitting Crosslegged

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 6 inches (22.5 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Self-portrait of Gangaram as a Devotee

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: ca. 1790
Materials & Techniques:: Watercolor, gouache, graphite, pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Air Man, July 10, 1828

Creator:: John Gantz, 1772–1853
Date:: 1828
Materials & Techniques:: Pen and black ink and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 7 3/8 inches (23.5 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A Maribhou at Gunmjanm

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 7 1/2 inches (22.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Study of a Tree

Creator:: style of Paul Sandby, 1731–1809
Date:: ca. 1780
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 10 3/4 inches (22.9 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Landscape with Lake and Figures on a Rocky Road

Creator:: unknown artist
Date:: 1777
Materials & Techniques:: Watercolor, pen, brown ink, gray ink, and white gouache on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Matlock High Tor

Creator:: John Warwick Smith, 1749–1831
Date:: 1784
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 12 inches (23.2 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on thin, smooth, brown wove paper
Dimensions:: Sheet: 9 × 9 inches (22.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. The Meat Market

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 10 3/4 inches (22.9 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Greengrocer

Creator:: James Pollard, 1792–1867
Date:: ca. 1819
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 10 7/8 inches (22.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Poultry Market

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 10 3/4 inches (23.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Window West End, South Aisle, Saint Vincent

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques watercolor

Height [cm] 23

Search Results

1. Farmhouse with Children

2. Sky Study with Rainbow

3. Christ Church Gate, Canterbury

4. Tell's Chapel, Lake Lucerne

5. Lost to All Hope the Brig

6. A Paddle-Steamer in a Storm on Lake Lucerne

7. The Angler

8. On the Mosell, Near Traben Trarbach

9. Mqabba, Qrendi

10. On the Road, Two Hours from Tepelene, 19 April 1857

11. Greek Woodcutter, June 13 /56

12. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

13. Frontispiece, The Ancient of Days (Plate 1)

14. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

15. "Shot from the heights of Enitharmon..." (Plate 17)

16. "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

17. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

18. "To the Public. After my three years slumber..." (Plate 3)

19. "Then the Divine hand found the Two Limits..." (Plate 35)

20. "Why wilt thou give to her a Body..." (Plate 12)

21. "One hair nor particle of dust..." (Plate 14)

22. "His Children exil'd from his breast..." (Plate 19)

23. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

24. "Turning his back to the Divine Vision..." (Plate 33)

25. "And One stood forth from the Divine Family..." (Plate 37)

26. "His face and bosom with petrific hardness..." (Plate 38)

27. "By Satan's Watch-fiends tho' they search..." (Plate 39)

28. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

29. Chapter 3 Frontispiece (Plate 51)

30. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

31. "Bath, mild Physician of Eternity..." (Plate 46)

32. "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

33. "Bath, healing City!..." (Plate 45)

34. "The banks of the Thames are clouded..." (Plate 5)

35. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

36. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

37. "And formed into Four precious stones..." (Plate 59)

38. "Bath who is Legions..." (Plate 41)

39. "Los shudder'd at beholding Albion..." (Plate 40)

40. "Thus Albion sat, studious of others..." (Plate 42)

41. "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

42. Jerusalem, Tailpiece (Plate 100)

43. "To labours mighty, with vast strength..." (Plate 11)

44. "From every-one of the Four Regions..." (Plate 18)

45. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

46. "But when they saw Albion fall'n..." (Plate 20)

47. "What have I said? What have I done?..." (Plate 24)

48. "Was living: panting like a frighted wolf..." (Plate 7)

49. "The Four Zoa's clouded rage..." (Plate 74)

50. Chapter 4 Frontispiece (Plate 76)

51. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

52. "And Rahab Babylon the Great..." (Plate 75)

53. "Jehovah stood among the Druids..." (Plate 63)

54. "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

55. "Such are Cathedrons golden Halls..." (Plate 73)

56. "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

57. "The shrill winds wake!..." (Plate 6)

58. "Appear to the Americans upon the cloudy night..." (Plate 6)

59. A London Street Crier

60. Delft

61. A Street at Night with Figures at a Stall

62. Lyons from Quayside on the Rhone

63. The Admiral House, Simon's Town, Cape of Good Hope

64. Sir William Norris Bungalow, Penang

65. Young Girl Standing Barefoot

66. Mountainous Landscape with Castle on Hill

67. Staithes, Yorkshire

68. Swakeley House, Middlesex

69. Landing Place at Pallanza

70. Study of a Vampire Bat

71. Homage to Nelson

72. The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water

73. Julian Hayter, the Artist's Daughter

74. Goodrich Castle on the Wye