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Materials & Techniques watercolor
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Remove constraint Work Type: drawingSubject Terms literary theme
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1
- Oberon and Titania
- 1837
2
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
3
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
4
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
5
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
6
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
7
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
8
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
9
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
10
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
11
- "What have I said? What have I done?..." (Plate 24)
- 1804 to 1820
12
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
13
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
14
- "To the Jews..." (Plate 27)
- 1804 to 1820
15
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
16
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820
17
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
18
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
19
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
20
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
21
- "Elevate into the Region of Brotherhood..." (Plate 34)
- 1804 to 1820
22
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
23
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
24
- "Bath, mild Physician of Eternity..." (Plate 46)
- 1804 to 1820
25
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
26
- "The banks of the Thames are clouded..." (Plate 5)
- 1804 to 1820
27
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
28
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
29
- "Turning his back to the Divine Vision..." (Plate 33)
- 1804 to 1820
30
- "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
- 1804 to 1820
31
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
32
- "And that toward Eden, four..." (Plate 13)
- 1804 to 1820
33
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
34
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
35
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
36
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
37
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
38
- "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
- 1804 to 1820
39
- "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
- 1804 to 1820
40
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
41
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
42
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
43
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
44
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
45
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
46
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
47
- "Los shudder'd at beholding Albion..." (Plate 40)
- 1804 to 1820
48
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
49
- "Thus Albion sat, studious of others..." (Plate 42)
- 1804 to 1820
50
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
51
- "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
- 1804 to 1820
52
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
53
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
54
- "The clouds of Albions Druid Temples..." (Plate 60)
- 1804 to 1820
55
- "Repose on me till the morning of the Grave..." (Plate 62)
- 1804 to 1820
56
- "Jehovah stood among the Druids..." (Plate 63)
- 1804 to 1820
57
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
58
- "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
- 1804 to 1820
59
- "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
- 1804 to 1820
60
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
61
- "When those who disregard all Mortal Things..." (Plate 55)
- 1804 to 1820
62
- "Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
- 1804 to 1820
63
- "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
- 1804 to 1820
64
- "In beauty the Daughters of Albion divide..." (Plate 58)
- 1804 to 1820
65
- "And formed into Four precious stones..." (Plate 59)
- 1804 to 1820
66
- "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
- 1804 to 1820
67
- "Of the Mundane Shell which froze..." (Plate 64)
- 1804 to 1820
68
- "To decide Two Worlds with a great decision..." (Plate 65)
- 1804 to 1820
69
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
70
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
71
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
72
- Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
- 1794
73
- Fettered Urizen Weeping (Plate 3)
- 1794
74
- Title Page, The Book of Thel (Plate 2)
- 1789
75
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
76
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
77
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
78
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
79
- Title Page, The First Book of Urizen (Plate 1)
- 1794
80
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
81
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
82
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
83
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
84
- A Welch Bard (Design 53)
- between 1797 and 1798
85
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
86
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
87
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
88
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
89
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
90
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
91
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
92
- The Ecchoing Green (Plate 10)
- 1789
93
- "Her voice pierc'd Albions clay cold ear..." (Plate 95)
- 1804 to 1820
94
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
95
- Night the Third. Narcissa; Title Page
- ca. 1797
96
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
97
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
98
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
99
- The Christian Triumph; Title Page
- ca. 1797
100
- 'O treacherous conscience!' (Page 27)
- ca. 1797