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Materials & Techniques black ink

Height [cm] 23

Edward Lear Bavella, Corsica

Edward Lear, 1812–1888

Bavella, Corsica

ca. 1868

William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)

Print made by William Blake, 1757–1827

"Appear to the Americans upon the cloudy night..." (Plate 6)

1793

William Blake Frontispiece, The Ancient of Days (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece, The Ancient of Days (Plate 1)

1794

William Blake "To labours mighty, with vast strength..." (Plate 11)

Print made by William Blake, 1757–1827

"To labours mighty, with vast strength..." (Plate 11)

1804 to 1820

William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Print made by William Blake, 1757–1827

"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

1804 to 1820

William Blake Jerusalem, Tailpiece (Plate 100)

Print made by William Blake, 1757–1827

Jerusalem, Tailpiece (Plate 100)

1804 to 1820

William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

Print made by William Blake, 1757–1827

"The red limb'd Angel siez'd in horror and torment..." (Plate 15)

1794

William Blake "Shot from the heights of Enitharmon..." (Plate 17)

Print made by William Blake, 1757–1827

"Shot from the heights of Enitharmon..." (Plate 17)

1794

William Blake "The shrill winds wake!..." (Plate 6)

Print made by William Blake, 1757–1827

"The shrill winds wake!..." (Plate 6)

1794

William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Print made by William Blake, 1757–1827

Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

1793

William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

Print made by William Blake, 1757–1827

"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

1794

William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

1804 to 1820

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "His face and bosom with petrific hardness..." (Plate 38)

Print made by William Blake, 1757–1827

"His face and bosom with petrific hardness..." (Plate 38)

1804 to 1820

William Blake "Bath, mild Physician of Eternity..." (Plate 46)

Print made by William Blake, 1757–1827

"Bath, mild Physician of Eternity..." (Plate 46)

1804 to 1820

William Blake "And formed into Four precious stones..." (Plate 59)

Print made by William Blake, 1757–1827

"And formed into Four precious stones..." (Plate 59)

1804 to 1820

William Blake "Was living: panting like a frighted wolf..." (Plate 7)

Print made by William Blake, 1757–1827

"Was living: panting like a frighted wolf..." (Plate 7)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake Chapter 4 Frontispiece (Plate 76)

Print made by William Blake, 1757–1827

Chapter 4 Frontispiece (Plate 76)

1804 to 1820

William Blake "Then the Divine hand found the Two Limits..." (Plate 35)

Print made by William Blake, 1757–1827

"Then the Divine hand found the Two Limits..." (Plate 35)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake "Turning his back to the Divine Vision..." (Plate 33)

Print made by William Blake, 1757–1827

"Turning his back to the Divine Vision..." (Plate 33)

1804 to 1820

William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

1804 to 1820

William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

Print made by William Blake, 1757–1827

"These were his last words, and the merciful Saviour in his arms..." (Plate 48)

1804 to 1820

William Blake "The banks of the Thames are clouded..." (Plate 5)

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Print made by William Blake, 1757–1827

"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

1804 to 1820

William Blake "Such are Cathedrons golden Halls..." (Plate 73)

Print made by William Blake, 1757–1827

"Such are Cathedrons golden Halls..." (Plate 73)

1804 to 1820

William Blake "And Rahab Babylon the Great..." (Plate 75)

Print made by William Blake, 1757–1827

"And Rahab Babylon the Great..." (Plate 75)

1804 to 1820

William Blake Chapter 3 Frontispiece (Plate 51)

Print made by William Blake, 1757–1827

Chapter 3 Frontispiece (Plate 51)

1804 to 1820

William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Print made by William Blake, 1757–1827

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

1804 to 1820

William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

Print made by William Blake, 1757–1827

"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "The Four Zoa's clouded rage..." (Plate 74)

Print made by William Blake, 1757–1827

"The Four Zoa's clouded rage..." (Plate 74)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)

Print made by William Blake, 1757–1827

"By Satan's Watch-fiends tho' they search..." (Plate 39)

1804 to 1820

William Blake "Los shudder'd at beholding Albion..." (Plate 40)

Print made by William Blake, 1757–1827

"Los shudder'd at beholding Albion..." (Plate 40)

1804 to 1820

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake "Thus Albion sat, studious of others..." (Plate 42)

Print made by William Blake, 1757–1827

"Thus Albion sat, studious of others..." (Plate 42)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "One hair nor particle of dust..." (Plate 14)

Print made by William Blake, 1757–1827

"One hair nor particle of dust..." (Plate 14)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake "Why wilt thou give to her a Body..." (Plate 12)

Print made by William Blake, 1757–1827

"Why wilt thou give to her a Body..." (Plate 12)

1804 to 1820

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

1804 to 1820

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

John James Barralet Landscape with Ledbury Church Spire

John James Barralet, 1747–1815

Landscape with Ledbury Church Spire

undated

Thomas Hearne Goodrich Castle on the Wye

Thomas Hearne, 1744–1817

Goodrich Castle on the Wye

ca. 1785

Harold Gilman Landscape with a Fence

Harold Gilman, 1876–1919

Landscape with a Fence

undated

Dante Gabriel Rossetti Dante in Meditation Holding a Pomegranate

Dante Gabriel Rossetti, 1828–1882

Dante in Meditation Holding a Pomegranate

ca. 1852

James Bruce Quadrifrontal Arch Tripoli

James Bruce, 1730–1794

Quadrifrontal Arch Tripoli

undated

Sir Robert Smirke the younger Design for London Bridge Approach

Print made by Sir Robert Smirke the younger, 1781–1867

Design for London Bridge Approach

between 1827 and 1835

Paul Sandby Munn Pale Melancholy

Paul Sandby Munn, 1773–1845

Pale Melancholy

ca. 1804

James Ward River Landscape with a Waterfall

James Ward, 1769–1859

River Landscape with a Waterfall

undated

Joseph Clarendon Smith Margate Hoy

Joseph Clarendon Smith, 1778–1810

Margate Hoy

1807

Edward Francis Burney MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

Edward Francis Burney, 1760–1848

MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

undated

Thomas Stothard Sketch of Classical Figures in Action

Thomas Stothard, 1755–1834

Sketch of Classical Figures in Action

undated

Joseph Wilton Design for a Chimneypiece

Joseph Wilton, 1722–1803

Design for a Chimneypiece

undated

Joseph Wilton Design for an Urn

Joseph Wilton, 1722–1803

Design for an Urn

undated

C. John M. Whichelo Part of the Monastery of St. Saviours, Southwark

C. John M. Whichelo, 1784–1865

Part of the Monastery of St. Saviours, Southwark

1809

John Augustus Atkinson Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter

John Augustus Atkinson, 1775–1831

Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter

undated

Edward Francis Burney Pastoral

Edward Francis Burney, 1760–1848

Pastoral

undated

Edward Francis Burney Female Figure carrying Water Jug on her Head

Edward Francis Burney, 1760–1848

Female Figure carrying Water Jug on her Head

undated

Edward Francis Burney Bathampton Mill

Edward Francis Burney, 1760–1848

Bathampton Mill

undated

Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent

Augustus Welby Northmore Pugin, 1812–1852

Window West End, South Aisle, Saint Vincent

undated

Augustus Welby Northmore Pugin Sketch of a Gothic Church and Monastery

Augustus Welby Northmore Pugin, 1812–1852

Sketch of a Gothic Church and Monastery

undated

Charles Tomkins Swakeley House, Middlesex

Charles Tomkins, 1757–1823

Swakeley House, Middlesex

undated

Edward Francis Burney Homage to Nelson

Edward Francis Burney, 1760–1848

Homage to Nelson

undated

John Thomas Serres Plymouth Roads

John Thomas Serres, 1759–1825

Plymouth Roads

undated

Samuel De Wilde Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

Samuel De Wilde, 1748–1832

Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

1802

unknown artist Five Ladies in a Garden

unknown artist

Five Ladies in a Garden

undated

Alexander Cozens A Valley

Alexander Cozens, 1717–1786

A Valley

between 1775 and 1780

unknown artist Portrait of Moses Kean

unknown artist

Portrait of Moses Kean

undated

John Gantz The Basket Maker

John Gantz, 1772–1853

The Basket Maker

1828

Gangaram Chintaman Tambat Man with a Yellow Shawl Sitting Crosslegged

Gangaram Chintaman Tambat, active 1790s

Man with a Yellow Shawl Sitting Crosslegged

undated

Gangaram Chintaman Tambat Devotee in a Green Turban

Gangaram Chintaman Tambat, active 1790s

Devotee in a Green Turban

ca. 1790

John Gantz Air Man, July 10, 1828

John Gantz, 1772–1853

Air Man, July 10, 1828

1828

Gangaram Chintaman Tambat Self-portrait of Gangaram as a Devotee

Attributed to Gangaram Chintaman Tambat, active 1790s

Self-portrait of Gangaram as a Devotee

ca. 1790

James Wales A Nautch or Dance

Attributed to James Wales, ca.1747–1795

A Nautch or Dance

ca. 1792

John Gantz Building and Repairing Masoola Boats

John Gantz, 1772–1853

Building and Repairing Masoola Boats

1828

Robert Mabon Persian Sword Hilt Set with Diamonds

Robert Mabon, died 1798

Persian Sword Hilt Set with Diamonds

undated

James Knowles Design for Silverton Park, Devon

studio of James Knowles, c. 1806–1884

Design for Silverton Park, Devon

between 1839 and 1845

John Maurer The Mansion House

John Maurer, active 1713–1761

The Mansion House

undated

James Malton Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

1802

Mary Harcourt An Arch in the Vault of an Overgrown Ruin

Mary Harcourt, 1750–1833

An Arch in the Vault of an Overgrown Ruin

ca. 1780

Samuel Howitt Horses and Wagon Outside a Cottage

Samuel Howitt, 1756–1822

Horses and Wagon Outside a Cottage

undated

Samuel Howitt The Canada Lynx from the Life

Samuel Howitt, 1756–1822

The Canada Lynx from the Life

ca. 1817

William Swainson Rufous Necked Falcon

William Swainson, 1789–1855

Rufous Necked Falcon

ca. 1837

Dominic Serres Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier

Attributed to Dominic Serres, 1722–1793

Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier

undated

Peter Monamy Landing of William of Orange at Tor Bay

Peter Monamy, 1681–1749

Landing of William of Orange at Tor Bay

1688

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

James Pollard The Meat Market

James Pollard, 1792–1867

The Meat Market

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

James Pollard The Greengrocer

James Pollard, 1792–1867

The Greengrocer

ca. 1819

Giovanni Battista Borra Mausolio d'Haliatte in Faccia a Sardes

Giovanni Battista Borra, 1713–1770

Mausolio d'Haliatte in Faccia a Sardes

ca. 1750

Giovanni Battista Borra Situazione Di Ceramo

Giovanni Battista Borra, 1713–1770

Situazione Di Ceramo

ca. 1750

Giovanni Battista Borra View of the Valley of Laodicea

Giovanni Battista Borra, 1713–1770

View of the Valley of Laodicea

ca. 1750

Sir Robert Smirke the younger The Mad House in the Suburbs of Vienna

Sir Robert Smirke the younger, 1781–1867

The Mad House in the Suburbs of Vienna

1804