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Materials & Techniques black ink

Work Type drawing

Height [cm] 23

Edward Lear Bavella, Corsica

Edward Lear, 1812–1888

Bavella, Corsica

ca. 1868

William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Print made by William Blake, 1757–1827

Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

1793

William Blake Frontispiece, The Ancient of Days (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece, The Ancient of Days (Plate 1)

1794

William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

Print made by William Blake, 1757–1827

"The red limb'd Angel siez'd in horror and torment..." (Plate 15)

1794

William Blake "Shot from the heights of Enitharmon..." (Plate 17)

Print made by William Blake, 1757–1827

"Shot from the heights of Enitharmon..." (Plate 17)

1794

William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Print made by William Blake, 1757–1827

"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

1804 to 1820

William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

1804 to 1820

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "Then the Divine hand found the Two Limits..." (Plate 35)

Print made by William Blake, 1757–1827

"Then the Divine hand found the Two Limits..." (Plate 35)

1804 to 1820

William Blake "Why wilt thou give to her a Body..." (Plate 12)

Print made by William Blake, 1757–1827

"Why wilt thou give to her a Body..." (Plate 12)

1804 to 1820

William Blake "One hair nor particle of dust..." (Plate 14)

Print made by William Blake, 1757–1827

"One hair nor particle of dust..." (Plate 14)

1804 to 1820

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "Turning his back to the Divine Vision..." (Plate 33)

Print made by William Blake, 1757–1827

"Turning his back to the Divine Vision..." (Plate 33)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "His face and bosom with petrific hardness..." (Plate 38)

Print made by William Blake, 1757–1827

"His face and bosom with petrific hardness..." (Plate 38)

1804 to 1820

William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)

Print made by William Blake, 1757–1827

"By Satan's Watch-fiends tho' they search..." (Plate 39)

1804 to 1820

William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

1804 to 1820

William Blake Chapter 3 Frontispiece (Plate 51)

Print made by William Blake, 1757–1827

Chapter 3 Frontispiece (Plate 51)

1804 to 1820

William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Print made by William Blake, 1757–1827

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

1804 to 1820

William Blake "Bath, mild Physician of Eternity..." (Plate 46)

Print made by William Blake, 1757–1827

"Bath, mild Physician of Eternity..." (Plate 46)

1804 to 1820

William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

Print made by William Blake, 1757–1827

"These were his last words, and the merciful Saviour in his arms..." (Plate 48)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "The banks of the Thames are clouded..." (Plate 5)

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Print made by William Blake, 1757–1827

"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

1804 to 1820

William Blake "And formed into Four precious stones..." (Plate 59)

Print made by William Blake, 1757–1827

"And formed into Four precious stones..." (Plate 59)

1804 to 1820

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake "Los shudder'd at beholding Albion..." (Plate 40)

Print made by William Blake, 1757–1827

"Los shudder'd at beholding Albion..." (Plate 40)

1804 to 1820

William Blake "Thus Albion sat, studious of others..." (Plate 42)

Print made by William Blake, 1757–1827

"Thus Albion sat, studious of others..." (Plate 42)

1804 to 1820

William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

Print made by William Blake, 1757–1827

"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

1804 to 1820

William Blake Jerusalem, Tailpiece (Plate 100)

Print made by William Blake, 1757–1827

Jerusalem, Tailpiece (Plate 100)

1804 to 1820

William Blake "To labours mighty, with vast strength..." (Plate 11)

Print made by William Blake, 1757–1827

"To labours mighty, with vast strength..." (Plate 11)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

1804 to 1820

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake "Was living: panting like a frighted wolf..." (Plate 7)

Print made by William Blake, 1757–1827

"Was living: panting like a frighted wolf..." (Plate 7)

1804 to 1820

William Blake "The Four Zoa's clouded rage..." (Plate 74)

Print made by William Blake, 1757–1827

"The Four Zoa's clouded rage..." (Plate 74)

1804 to 1820

William Blake Chapter 4 Frontispiece (Plate 76)

Print made by William Blake, 1757–1827

Chapter 4 Frontispiece (Plate 76)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake "And Rahab Babylon the Great..." (Plate 75)

Print made by William Blake, 1757–1827

"And Rahab Babylon the Great..." (Plate 75)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "Such are Cathedrons golden Halls..." (Plate 73)

Print made by William Blake, 1757–1827

"Such are Cathedrons golden Halls..." (Plate 73)

1804 to 1820

William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

Print made by William Blake, 1757–1827

"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

1794

William Blake "The shrill winds wake!..." (Plate 6)

Print made by William Blake, 1757–1827

"The shrill winds wake!..." (Plate 6)

1794

William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)

Print made by William Blake, 1757–1827

"Appear to the Americans upon the cloudy night..." (Plate 6)

1793

John James Barralet Landscape with Ledbury Church Spire

John James Barralet, 1747–1815

Landscape with Ledbury Church Spire

undated

John Maurer The Mansion House

John Maurer, active 1713–1761

The Mansion House

undated

Charles Tomkins Swakeley House, Middlesex

Charles Tomkins, 1757–1823

Swakeley House, Middlesex

undated

Mary Harcourt An Arch in the Vault of an Overgrown Ruin

Mary Harcourt, 1750–1833

An Arch in the Vault of an Overgrown Ruin

ca. 1780

Harold Gilman Landscape with a Fence

Harold Gilman, 1876–1919

Landscape with a Fence

undated

Edward Francis Burney Homage to Nelson

Edward Francis Burney, 1760–1848

Homage to Nelson

undated

Samuel De Wilde Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

Samuel De Wilde, 1748–1832

Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

1802

James Ward River Landscape with a Waterfall

James Ward, 1769–1859

River Landscape with a Waterfall

undated

Samuel Howitt The Canada Lynx from the Life

Samuel Howitt, 1756–1822

The Canada Lynx from the Life

ca. 1817

John Gantz The Basket Maker

John Gantz, 1772–1853

The Basket Maker

1828

John Gantz Building and Repairing Masoola Boats

John Gantz, 1772–1853

Building and Repairing Masoola Boats

1828

Robert Mabon Persian Sword Hilt Set with Diamonds

Robert Mabon, died 1798

Persian Sword Hilt Set with Diamonds

undated

Gangaram Chintaman Tambat Devotee in a Green Turban

Gangaram Chintaman Tambat, active 1790s

Devotee in a Green Turban

ca. 1790

James Wales A Nautch or Dance

Attributed to James Wales, ca.1747–1795

A Nautch or Dance

ca. 1792

Gangaram Chintaman Tambat Man with a Yellow Shawl Sitting Crosslegged

Gangaram Chintaman Tambat, active 1790s

Man with a Yellow Shawl Sitting Crosslegged

undated

Gangaram Chintaman Tambat Self-portrait of Gangaram as a Devotee

Attributed to Gangaram Chintaman Tambat, active 1790s

Self-portrait of Gangaram as a Devotee

ca. 1790

John Gantz Air Man, July 10, 1828

John Gantz, 1772–1853

Air Man, July 10, 1828

1828

Dante Gabriel Rossetti Dante in Meditation Holding a Pomegranate

Dante Gabriel Rossetti, 1828–1882

Dante in Meditation Holding a Pomegranate

ca. 1852

Edward Francis Burney MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

Edward Francis Burney, 1760–1848

MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

undated

James Pollard The Meat Market

James Pollard, 1792–1867

The Meat Market

undated

James Pollard The Greengrocer

James Pollard, 1792–1867

The Greengrocer

ca. 1819

Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent

Augustus Welby Northmore Pugin, 1812–1852

Window West End, South Aisle, Saint Vincent

undated

Edward Francis Burney Female Figure carrying Water Jug on her Head

Edward Francis Burney, 1760–1848

Female Figure carrying Water Jug on her Head

undated

Edward Francis Burney Pastoral

Edward Francis Burney, 1760–1848

Pastoral

undated

Edward Francis Burney Bathampton Mill

Edward Francis Burney, 1760–1848

Bathampton Mill

undated

Augustus Welby Northmore Pugin Sketch of a Gothic Church and Monastery

Augustus Welby Northmore Pugin, 1812–1852

Sketch of a Gothic Church and Monastery

undated

Giovanni Battista Borra View of the Valley of Hierapolis (now Pamukkale)

Giovanni Battista Borra, 1713–1770

View of the Valley of Hierapolis (now Pamukkale)

ca. 1750

Giovanni Battista Borra Mausolio d'Haliatte in Faccia a Sardes

Giovanni Battista Borra, 1713–1770

Mausolio d'Haliatte in Faccia a Sardes

ca. 1750

Giovanni Battista Borra View of the Valley of Laodicea

Giovanni Battista Borra, 1713–1770

View of the Valley of Laodicea

ca. 1750

Giovanni Battista Borra Is'Tmo di Cizico unito al Continente

Giovanni Battista Borra, 1713–1770

Is'Tmo di Cizico unito al Continente

ca. 1750

Samuel Hieronymus Grimm The Horse Guard's Parade, Whitehall

Samuel Hieronymus Grimm, 1733–1794

The Horse Guard's Parade, Whitehall

undated

Henri Gaudier-Brzeska Dancing Figure

Henri Gaudier-Brzeska, 1891–1915

Dancing Figure

between 1910 and 1915

Henri Gaudier-Brzeska Seven Dancing Figures, in Three Registers

Henri Gaudier-Brzeska, 1891–1915

Seven Dancing Figures, in Three Registers

between 1910 and 1915

James Gwin Premiere Position pour tirer L'Epée

James Gwin, 1700–1769

Premiere Position pour tirer L'Epée

1763

James Gwin Position de la Garde de Tierce et le Coup de Seconde

James Gwin, 1700–1769

Position de la Garde de Tierce et le Coup de Seconde

1763

James Gwin Position pour le Garde en Tierce et le Coup de Tierce

James Gwin, 1700–1769

Position pour le Garde en Tierce et le Coup de Tierce

1763

James Gwin Position pour la Garde en Tierce

James Gwin, 1700–1769

Position pour la Garde en Tierce

1763

James Gwin Position pour la Garde en Quarte et le Coup de Quarte

James Gwin, 1700–1769

Position pour la Garde en Quarte et le Coup de Quarte

1763

James Gwin Quatrieme Position du Salut

James Gwin, 1700–1769

Quatrieme Position du Salut

1763

James Gwin De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

James Gwin, 1700–1769

De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

1763

James Gwin De la Parade de Tierce, sur le Coup de Tierce

James Gwin, 1700–1769

De la Parade de Tierce, sur le Coup de Tierce

1763

James Gwin De la Parade du Cavé sur le Coup de Flanconnade

James Gwin, 1700–1769

De la Parade du Cavé sur le Coup de Flanconnade

1763

James Gwin De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

James Gwin, 1700–1769

De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

1763

James Gwin De la Risposte en Quinte de Pied forme sur le Coup de Seconde

James Gwin, 1700–1769

De la Risposte en Quinte de Pied forme sur le Coup de Seconde

1763

James Gwin De la Risposte de Quarte apres la Parade de Quarte

James Gwin, 1700–1769

De la Risposte de Quarte apres la Parade de Quarte

1763

James Gwin Risposte Aprés Avoir Trompé la Parade du Poignard

James Gwin, 1700–1769

Risposte Aprés Avoir Trompé la Parade du Poignard

1763

Henry Thomas Alken Grouse Shooting: The Wrong Sort

Henry Thomas Alken, 1785–1851

Grouse Shooting: The Wrong Sort

undated

Henry Thomas Alken The Leicestershire Hunt - A Struggle for the Start

Possibly Henry Thomas Alken, 1785–1851

The Leicestershire Hunt - A Struggle for the Start

undated

Henry Thomas Alken The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

Possibly Henry Thomas Alken, 1785–1851

The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

undated

Henry Thomas Alken The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Possibly Henry Thomas Alken, 1785–1851

The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

undated

Henry Thomas Alken Foxhunting: The Death

Henry Thomas Alken, 1785–1851

Foxhunting: The Death

undated

Henry Thomas Alken Foxhunting: The Toast

Henry Thomas Alken, 1785–1851

Foxhunting: The Toast

undated