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1
- The Horse
- ca. 1805
- Not on view
2
- Oberon and Titania
- 1837
3
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
4
- "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
- between 1797 and 1798
5
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
6
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
7
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
8
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
9
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
10
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
11
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
12
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
13
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
14
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
15
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
16
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
17
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
18
- The Divine Image (Plate 12)
- 1789
19
- Night (Plate 16)
- 1789
20
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
21
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
22
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
23
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
24
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
25
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
26
- Frontispiece (Plate 1)
- 1793
27
- "What have I said? What have I done?..." (Plate 24)
- 1804 to 1820
28
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
29
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
30
- "To the Jews..." (Plate 27)
- 1804 to 1820
31
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
32
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
33
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
34
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
35
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
36
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
37
- "In beauty the Daughters of Albion divide..." (Plate 58)
- 1804 to 1820
38
- "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
- 1804 to 1820
39
- "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
- 1804 to 1820
40
- "Such are Cathedrons golden Halls..." (Plate 73)
- 1804 to 1820
41
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
42
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
43
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
44
- "I see thy Form O lovely mild Jerusalem..." (Plate 86)
- 1804 to 1820
45
- "Repelling weeping Enion blind & age-bent..." (Plate 87)
- 1804 to 1820
46
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
47
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
48
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
49
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
50
- The Author Writing (Design 105)
- between 1797 and 1798
51
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
52
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
53
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
54
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
55
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
56
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
57
- "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
- between 1797 and 1798
58
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
59
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
60
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
61
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
62
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
63
- A Welch Bard (Design 53)
- between 1797 and 1798
64
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
65
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
66
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
67
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
68
- "And that toward Eden, four..." (Plate 13)
- 1804 to 1820
69
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
70
- "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
- 1804 to 1820
71
- "Thus Albion sat, studious of others..." (Plate 42)
- 1804 to 1820
72
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
73
- "Bath, mild Physician of Eternity..." (Plate 46)
- 1804 to 1820
74
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
75
- "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
- 1804 to 1820
76
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
77
- "The banks of the Thames are clouded..." (Plate 5)
- 1804 to 1820
78
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
79
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
80
- "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
- 1804 to 1820
81
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
82
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
83
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
84
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820
85
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
86
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
87
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
88
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
89
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
90
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
91
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
92
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
93
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
94
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
95
- A Circular Dance (Design 23)
- between 1797 and 1798
96
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
97
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
98
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
99
- "Midst the tide, Two angel forms were seen to glide..." (Design 7)
- between 1797 and 1798
100
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798