Art Technological Source Research (Study group). Symposium (2nd : 2006 : Museo Nacional Centro de Arte Reina Sofía), Art technology , 2008
- Title(s):
- Art technology : sources and methods : proceedings of the second Symposium of the Art Technological Source Research working group / edited by Stefanos Kroustallis ... [et al.].
- Additional Title(s):
Proceedings of the Second Symposium of the Art Technological Source Research working group
Subtitle on cover: Proceedings of the Second Symposium of the Art Technological Source Research study group- Published/Created:
- London : Archetype Publications, 2008.
- Physical Description:
- xiv, 183 pages : illustrations (some color), portraits ; 30 cm
- Holdings:
- Reference LibraryN7430 .A6975 2008 (LC) OversizeAccessible in the Reference Library [Hours]
Note: Please contact the Reference Library to schedule an appointment [Email ycba.reference@yale.edu] - Full Orbis Record:
- http://hdl.handle.net/10079/bibid/8475474
- Classification:
- Books
- Notes:
- Symposium held at Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain, 5-6 October 2006.
Proceedings dedicated to Agnès Gräfen Ballestrem (1935-2007).
Includes bibliographical references. - Subject Terms:
- Art -- Technique -- Congresses.Art and technology -- Congresses.
- Export:
- XML
- Materials for art technological source research: theoretical issues
- Towards a new discipline?
- Asymptotically approaching the past: historiography and critical use of sources in art technological source research
- Reading the past: methodological considerations for future research in art technology
- Las dificultades especificas de la terminologia: a propósito de la traduccion comentada al alemán de lost capítulos sobre las técnicas pictóricas de tres tratados barrocos españoles
- Los recetarios medievales de tecnología artistíca
- Llaves y secretos para el estudio de los materiales del color
- La revista como fuente de información para la tecnología artística: Carlos de Haes y su artículo 'Dibujo al carbón (aplicado al paisaje)'
- La obtención de pigmentos azules para las obras de Felipe II: comercio europeo y americano
- Patents as a source of documentation for studying art technology
- Nineteenth-century English artists' colourmen's archives as a source of technical information
- Las técnicas de policromía barroca del noroeste de Portugal en los contratos y los tratados pictóricos
- El retoque a seco: evolución a traves de la historia de la pintura mural al fesco
- Seventeenth-century machines for drawing celestial spheres
- La mesa de trabajo de Fortuny
- The painter's studio as a documentary source: a study of the final decades of Joan Miró
- Marks engraved on gilded surfaces of paintings on wood: types and methodology
- New technologies: new protocols
- Islamic gilding technology: written sources and scientific analyses
- Analyses of dyes on the map collection of the Real Chancillería of Granda
- Analysis of pigments for miniatures
- A micro-Raman spectroscopy study of the formation of lead dioxide from lead white
- Cinnabar or vermilion?
- Identification of pigments in a 17th-century coloured map using mico-Raman spectroscopy and PIXE
- Sizing layers for oil painting in western European sources (1500-1900): historical recipes and reconstructions
- Reconstruction of tempera painting techniques: some examples, including gesso sottile
- Chararacterisation of purified verdigris obtained according to Recipe 101 of the Manoscritto Bolognese
- Reconstruction of documented preparation methods of gesso grosso and gesso sottile in Spanish School panel paintings
- Cochineal use in pre-Columbian paintings.