Yale Center for British Art

Creator:
Art Technological Source Research (Study group). Symposium (2nd : 2006 : Museo Nacional Centro de Arte Reina Sofía)
Title:
Art technology : sources and methods : proceedings of the second Symposium of the Art Technological Source Research working group / edited by Stefanos Kroustallis ... [et al.].
Alternate Title(s):
Proceedings of the Second Symposium of the Art Technological Source Research working group
Published / Created:
London : Archetype Publications, 2008.
Physical Description:
xiv, 183 pages : illustrations (some color), portraits ; 30 cm
Collection:
Reference Library
Copyright Status:
Copyright Not Evaluated
Classification:
Books
Notes:
Symposium held at Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain, 5-6 October 2006.
Contents:
Materials for art technological source research: theoretical issues -- Towards a new discipline? -- Asymptotically approaching the past: historiography and critical use of sources in art technological source research -- Reading the past: methodological considerations for future research in art technology -- Las dificultades especificas de la terminologia: a propósito de la traduccion comentada al alemán de lost capítulos sobre las técnicas pictóricas de tres tratados barrocos españoles -- Los recetarios medievales de tecnología artistíca -- Llaves y secretos para el estudio de los materiales del color -- La revista como fuente de información para la tecnología artística: Carlos de Haes y su artículo 'Dibujo al carbón (aplicado al paisaje)' -- La obtención de pigmentos azules para las obras de Felipe II: comercio europeo y americano -- Patents as a source of documentation for studying art technology -- Nineteenth-century English artists' colourmen's archives as a source of technical information -- Las técnicas de policromía barroca del noroeste de Portugal en los contratos y los tratados pictóricos -- El retoque a seco: evolución a traves de la historia de la pintura mural al fesco -- Seventeenth-century machines for drawing celestial spheres -- La mesa de trabajo de Fortuny -- The painter's studio as a documentary source: a study of the final decades of Joan Miró -- Marks engraved on gilded surfaces of paintings on wood: types and methodology -- New technologies: new protocols -- Islamic gilding technology: written sources and scientific analyses -- Analyses of dyes on the map collection of the Real Chancillería of Granda -- Analysis of pigments for miniatures -- A micro-Raman spectroscopy study of the formation of lead dioxide from lead white -- Cinnabar or vermilion? -- Identification of pigments in a 17th-century coloured map using mico-Raman spectroscopy and PIXE -- Sizing layers for oil painting in western European sources (1500-1900): historical recipes and reconstructions -- Reconstruction of tempera painting techniques: some examples, including gesso sottile -- Chararacterisation of purified verdigris obtained according to Recipe 101 of the Manoscritto Bolognese -- Reconstruction of documented preparation methods of gesso grosso and gesso sottile in Spanish School panel paintings -- Cochineal use in pre-Columbian paintings.
Subject Terms:
Art -- Technique -- Congresses. | Art and technology -- Congresses.
Contributors:
Kroustallis, Stefanos. | Ballestrem, Agnès. | Museo Nacional Centro de Arte Reina Sofía.