Tomb With Seated Lady, Supporting Herself on an Urn
undated
703
Nicholas Pocock, 1740–1821
Man Drinking from a Spout
undated
704
Nicholas Pocock, 1740–1821
Two Men in a Boat Clinking Tankards (?)
undated
705
Nicholas Pocock, 1740–1821
Figure Studies: Boy Standing
undated
706
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
707
William Henry Pyne, 1769–1843
Poulterer's Shop
undated
708
Samuel Prout, 1783–1852
Mechanical Grinder with Figures
undated
709
John Nixon, ca. 1760–1818
Study for, In Mr. Barnard's Boat, Kingston
undated
710
unknown artist
Lea Marshes
undated
711
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
712
Edward Francis Burney, 1760–1848
Design in Color for a Bookplate
undated
713
John Wilson Carmichael, 1799–1868
A Fireworks Display
undated
714
Sir David Wilkie, 1785–1841
Sketch for "Reading the Will"
before 1820
715
Francis Wheatley, 1747–1801
An Old Fisherwoman with Two Women Digging for Bait
undated
716
Samuel Scott, 1701/2–1772
The Gossips
undated
717
John Frederick Tayler, 1802–1889
A Fruit Stall in a Market
undated
718
Johann Heinrich Ramberg, 1763–1840
The Assignation
undated
719
William Alexander, 1767–1816
City of Lin Tsin, Shantung, with a View of the Grand Canal
1795
720
Cornelius Varley, 1781–1873
Girl Reading a Book
1814
721
Henry William Bunbury, 1750–1811
Carter Filling his Pipe
undated
722
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
723
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
724
unknown artist
Ships and Hulks Moored in an Estuary
undated
725
Charles Williams, active 1796–1830
The Union Club
undated
726
unknown artist
Lake Maggiore
ca. 1850
727
attributed to Michael "Angelo" Rooker, 1746–1801
Carisbrooke Castle, Isle of Wight
undated
728
Paul Sandby, 1731–1809
The Queen Elizabeth Gate
1767
729
Paul Sandby, 1731–1809
A Lady Copying at a Drawing Table
ca. 1765
730
Peter La Cave, active 1769–1810
Rustic Scene: man fishing, left; cottage with water-mill and horses right
undated
731
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
732
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
733
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
734
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
735
Nicholas Pocock, 1740–1821
Landscape with Gypsies
undated
736
George Barret Jr., 1767–1842
Figures on the Bank of a Wooded Lane, with Sea in Distance Left
undated
737
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
738
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
739
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
740
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
741
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
742
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
743
Francis Wheatley, 1747–1801
Olivia Returns to Her Family
undated
744
Paul Sandby, 1731–1809
London Cries: "Any Kitchen Stuff"
ca. 1759
745
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
746
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
747
Paul Sandby, 1731–1809
London Cries: "Black Heart Cherries..."
ca. 1759
748
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
749
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
750
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
751
Paul Sandby, 1731–1809
London Cries: A Man with a Bundle, Old Clothes
undated
752
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
753
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
754
Godfrey Thomas Vigne, 1801–1863
Greytown
undated
755
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
756
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
757
Paul Sandby, 1731–1809
London Cries: A Man with a Bottle
ca. 1759
758
Paul Sandby, 1731–1809
London Cries: A Tinker and His Wife
ca. 1759
759
Paul Sandby, 1731–1809
London Cries: Last Dying Speech and Confession
ca. 1759
760
William Simpson, 1823–1899
The River Chenab, Punjab
1865
761
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
762
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
763
Paul Sandby, 1731–1809
London Cries: A Milkmaid
ca. 1759
764
Paul Sandby, 1731–1809
London Cries: A Fishmonger
ca. 1759
765
Paul Sandby, 1731–1809
London Cries: Small Coal or Brushes
ca. 1759
766
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
767
Paul Sandby, 1731–1809
London Cries: Flowers
undated
768
Paul Sandby, 1731–1809
London Cries: Boy with a Donkey
ca. 1759
769
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket of Oranges
ca. 1759
770
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
771
William Simpson, 1823–1899
Allahabad, from the Right Bank of the Jumna
1865
772
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
773
William Simpson, 1823–1899
Thugs in the School of Industry, Jubblepoor
undated
774
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
775
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
776
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
777
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
778
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
779
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
780
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
781
Thomas Shotter Boys, 1803–1874
A Christening
undated
782
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
783
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
784
John Thomas Smith, 1766–1833
The Smock Exposed
1817
785
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
786
John Thomas Smith, 1766–1833
The Reconcilation
1817
787
Thomas Shotter Boys, 1803–1874
Fountain in the Gardens, Paris: Evening
undated
788
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
789
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
790
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont