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Interior of the British Institution (Old Master Exhibition, Summer 1832)
Creator:
Alfred Joseph Woolmer, 1805–1892
Date:
1833
Materials & Techniques:
Oil on canvas
Dimensions:
28 1/4 x 36 1/4 inches (71.8 x 92.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Self-Portrait with His Daughter Maria Theresa, James Cervetto, and Giacobbe Cervetto
Creator:
Johan Joseph Zoffany, 1733–1810
Date:
ca. 1780
Materials & Techniques:
Oil on canvas
Dimensions:
76 x 64 3/4 inches (193 x 164.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Cristiano Giuseppe Lidarti and Giovanni Battista Tempesti
Creator:
Nathaniel Dance, 1735–1811
Date:
between 1759 and 1760
Materials & Techniques:
Oil on canvas
Dimensions:
28 1/2 x 24 1/2 inches (72.4 x 62.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Spoiled Child, Scene III
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Spoiled Child, Scene VI
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
George Stubbs: A Sketch
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 5 9/16 inches (19.4 × 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Smock Exposed
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Reconcilation
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hamlet Winstanley
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1731
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 × 9 15/16 inches (34.6 × 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Artist at his Easel
Creator:
Sir Alfred J. Munnings, 1878–1959
Date:
undated
Materials & Techniques:
Pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Artist From the Horse's Point of View
Creator:
Gilbert Joseph Holiday, 1879 –1937
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 9 3/4 inches (18.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Philippe Mercier
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1735
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, yellow-cream laid paper
Dimensions:
Sheet: 12 1/4 × 9 7/8 inches (31.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
James Barry, Esq.
Creator:
Print made by James Heath, 1757–1834
Date:
after 1806
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 15/16 × 4 7/16 inches (17.7 × 11.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Picasso's Meninas
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1973
Materials & Techniques:
Etching, soft-ground etching, stipple engraving, open-bite, lift-ground, aquatint, line engraving, drypoint, and burnishing; artist's proof on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 29 13/16 x 22 3/8 inches (75.8 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell
Antonius Morus Ultraiectinus Pictor
Creator:
Print made by Esme de Boulonois, active 1645–1681
Date:
between 1645 and 1681
Materials & Techniques:
Line engraving and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 11/16 x 5 7/8 inches (19.5 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection