Peacham, Henry, approximately 1576–approximately 1643
The art of dravving vvith the pen,
1607
7
The principles of drawing and painting
1811
8
Browne, Alexander, active 1660–1677
Ars pictoria, or, An academy treating of drawing, limning, painting, etching
1675
9
A book of drawing, limning, washing or colouring of maps and prints,
1647
10
[Claude glass]
[ca. 1780?]
11
[Claude glass]
[ca. 1860-1870?]
12
Hayter, Charles, 1761–1835
Perspective explained in a series of dialogues between the author's children George, Ann, Eliza and John
circa 1820
13
Hayter, Charles, 1761–1835
An introduction to perspective, adapted to the capacities of youth, in a series of pleasing and familiar dialogues, between the author's children
1813
14
Williams, W
Transparency painting on linen
1856
15
[Claude glass]
[ca. 1880?]
16
Chapman, J. G. (John Gadsby), 1808–1889
The American drawing-book
1847
17
Charles Roberson & Co
[Claude glass]
[ca. 1850?]
18
Daniell, William, 1769–1837
A familiar treatise on perspective
1807
19
The young artist's complete magazine, for the instruction of the young of both sexes, or, A complete body of the polite and useful arts
[1785?]
20
A new drawing book engrav'd from the curious designs of that great master M. Poilly
[approximately 1730]
21
Letter to Anthony Abbott on the mixing and use of paint colors
1838 October 4
22
Pinnock, William, 1782–1843
A catechism on the practice of painting in oil
1821 [i.e. 1823]
23
Shuttleworth, M. H
Remarks on landscape painting in water colours
1845
24
Smith, John, fl. 1673–1680.
The art of painting in oil
1788
25
[Claude glass]
[ca. 1850?]
26
Peacham, Henry, approximately 1576–approximately 1643
The first booke of drawing & limning
circa 1700?
27
Perkins, Elizabeth Steele
Elements of drawing and flower painting
1834
28
Claude glass
ca. [1900?]
29
La Cave, P. (Peter)
Fores's new chalk drawing-book of studies of trees, landscape, animals, figures, buildings, &c.
[1801]
30
Sowerby, James, 1757–1822
A new elucidation of colours, original, prismatic, and material
MDCCCIX [1809]
31
Williams, W.
Transparency painting on linen
1855
32
Hareux, Ernest, 1847–1909
Practical manual of painting in oil colours
[between 1880 and 1895]
33
Instructions in the art of drawing and painting
[between 1782 and 1807]
34
[Claude Lorrain filters]
[mid-19th century?]
35
Bardwell, Thomas, 1704–1767
The practice of painting and perspective made easy
1756
36
Art's master-piece
[171-?]
37
Gilbert, B. W
A treatise on the art of mezzotinto pencilling
[183-?]
38
Phillips, G. F. (Giles Firman), 1780–1867
Principles of effect and colour
[ca. 1840]
39
Field, George, 1777?-1854
Chromatography
[ca. 1840]
40
Field, George, 1777?-1854
Rudiments of the painters' art;
1850
41
The bee, or, The exhibition exhibited in a new light
1788
42
Burnet, John, 1784–1868
Practical hints on composition in painting
1845
43
Arts companion, or A new assistant for the ingenious,
1749
44
Cawse, John, 1779–1862
The art of painting portraits, landscapes, animals, draperies, satins, &c. in oil colours
1840
45
Fielding, T. H. (Theodore Henry), 1781–1851
On painting in oil and water colours, for landscape and portraits
1839
46
Roberts, James, 1753–approximately 1809
Introductory lessons with familiar examples in landscape
1800
47
A book of drawing, limning, washing or colouring of maps and prints
1660
48
Gandee, B. F
The artist, or, Young ladies' instructor in ornamental painting,
1835
49
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1822
50
The artist's assistant in drawing, perspective, etching in copper and steel, engraving, metzotinto scraping, painting on glass, in crayons, in water-colours, and on silks and satins ...
1825
51
Burnet, John, 1784–1868
Practical hints on colour in painting
1827
52
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... also the art of etching, and that of japanning ... to which is added, a method of casting amber in any form whatever