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Francis Danby Study for 'Calypso's Grotto'
Francis Danby, 1793–1861
Study for 'Calypso's Grotto'
ca. 1843
Not on view
Sir Godfrey Kneller Lucretia
Sir Godfrey Kneller, 1646–1723
Lucretia
between 1672 and 1675
Not on view
William Hilton Cupid Armed
William Hilton, 1786–1839
Cupid Armed
ca. 1833
Not on view
Thomas Stothard An Unfinished Study of Venus and Adonis
Thomas Stothard, 1755–1834
An Unfinished Study of Venus and Adonis
between 1800 and 1820
Not on view
William Edward Frost The Three Graces
William Edward Frost, 1810–1877
The Three Graces
1856
Not on view
Henry Howard Venus and Cupid
Henry Howard, 1769–1847
Venus and Cupid
1809
Not on view
Henry Fuseli Tekemessa and Eurysakes
Henry Fuseli, 1741–1825
Tekemessa and Eurysakes
between 1800 and 1810
Not on view
James Ward Venus Rising from her Couch
James Ward, 1769–1859
Venus Rising from her Couch
1828
Not on view
James Ward Diana at the Bath
James Ward, 1769–1859
Diana at the Bath
1830
Not on view
Henry Fuseli Dido
Henry Fuseli, 1741–1825
Dido
1781
Not on view
Samuel Scott Arches of Westminster Bridge
Samuel Scott, 1701/2–1772
Arches of Westminster Bridge
ca. 1750
Not on view
Balthazar Nebot Allegory of Fortune
Balthazar Nebot, active 1730–1762
Allegory of Fortune
ca. 1730
Not on view
unknown artist Ely Cathedral
unknown artist
Ely Cathedral
ca. 1800
Not on view
Benjamin West The Bathing Place at Ramsgate
Benjamin West, 1738–1820
The Bathing Place at Ramsgate
ca. 1788
Not on view
Francis Wheatley The Salmon Leap, Leixlip
Francis Wheatley, 1747–1801
The Salmon Leap, Leixlip
1783
Not on view
Francis Hayman The Good Samaritan
Francis Hayman, 1707/8–1776
The Good Samaritan
between 1751 and 1752
Not on view
Agostino Brunias West Indian Man of Color, Directing Two Carib Women with a Child
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
Agostino Brunias A Leeward Islands Carib family outside a Hut
Agostino Brunias, 1728–1796
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
Sir James Thornhill Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach
Attributed to Sir James Thornhill, 1675–1734
Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach
ca. 1720
Not on view
William Etty Male Nude, Kneeling, from the Back
Attributed to William Etty, 1787–1849
Male Nude, Kneeling, from the Back
ca. 1840
Not on view
Benjamin West Cymon and Iphigenia
Benjamin West, 1738–1820
Cymon and Iphigenia
ca. 1766
Not on view
Sir James Thornhill Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
Attributed to Sir James Thornhill, 1675–1734
Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
ca. 1718
Not on view
Benedetto Gennari Cleopatra
Benedetto Gennari, 1633–1715
Cleopatra
between 1674 and 1675
Not on view
Jacques-Laurent Agasse The Wellesley Grey Arabian Led through the Desert
Jacques-Laurent Agasse, 1767–1849
The Wellesley Grey Arabian Led through the Desert
ca. 1810
Not on view
Sir Peter Lely Diana Kirke, later Countess of Oxford
Sir Peter Lely, 1618–1680
Diana Kirke, later Countess of Oxford
ca. 1665
Not on view
Harold Gilman Nude in an Interior
Harold Gilman, 1876–1919
Nude in an Interior
ca. 1911
Not on view
Joseph Wilton Omphale
Joseph Wilton, 1722–1803
Omphale
1770s
Not on view
John Gibson Aurora
John Gibson, 1790–1866
Aurora
between 1843 and 1845
Not on view
Joseph Gott A Greek Boxer Waiting His Turn
Joseph Gott, 1786–1860
A Greek Boxer Waiting His Turn
ca. 1838
Not on view
Frederic Leighton The Sluggard
Frederic Leighton, 1830–1896
The Sluggard
ca. 1895
Not on view
Joseph Nollekens Venus
Joseph Nollekens, 1737–1823
Venus
1770s
Not on view
Joseph Nollekens Adonis
Joseph Nollekens, 1737–1823
Adonis
1770s
Not on view
Laurent Delvaux Ariadne
Laurent Delvaux, 1696–1778
Ariadne
ca. 1723
Not on view
Peter Gaspar Scheemakers Cleopatra
Peter Gaspar Scheemakers, 1691–1781
Cleopatra
ca. 1723
Not on view
Michael Chuke The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
ca. 1715
Not on view
Joseph Gott Sylvia and the Wounded Stag
Joseph Gott, 1786–1860
Sylvia and the Wounded Stag
1824
Not on view
Gaspar van der Hagen Sacrifice to Hercules
Gaspar van der Hagen, active 1747–died 1769
Sacrifice to Hercules
ca. 1766
Not on view
Samuel Palmer Study of a Pilgrim
attributed to Samuel Palmer, 1805–1881
Study of a Pilgrim
undated
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
George Stubbs, 1724–1806
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (For the key figure to Table XIII)
George Stubbs, 1724–1806
Human Figure, Lateral View (For the key figure to Table XIII)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)
Between 1795 and 1806
George Stubbs Human Skeleton, Posterior View
George Stubbs, 1724–1806
Human Skeleton, Posterior View
1795 to 1806
George Stubbs Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
George Stubbs, 1724–1806
Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
1795 to 1806
George Stubbs Human Figure, Posterior View, Undissected (Finished Study for Table VII)
George Stubbs, 1724–1806
Human Figure, Posterior View, Undissected (Finished Study for Table VII)
1795 to 1806
George Stubbs Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
George Stubbs, 1724–1806
Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
1795 to 1806
George Stubbs Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Anterior View
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Plate VI, Human Body, Frontal View
Print made after George Stubbs, 1724–1806
Plate VI, Human Body, Frontal View
1804
George Stubbs Plate VII, Human Body, Lateral View
Print made after George Stubbs, 1724–1806
Plate VII, Human Body, Lateral View
1804
George Stubbs Plate VIII, Human Body, Posterior View
Print made after George Stubbs, 1724–1806
Plate VIII, Human Body, Posterior View
1804
John Constable Male Nude
John Constable, 1776–1837
Male Nude
1808
William Hogarth Study of a Female Nude
William Hogarth, 1697–1764
Study of a Female Nude
undated
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Korti
Edward Lear, 1812–1888
Korti
1867
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794