Search Constraints
Search Results
1
- Horse and Cart
- ca. 1814
- Not on view
2
- Golding Constable's House, East Bergholt: the Artist's birthplace
- ca. 1809
- Not on view
3
- Hampstead Heath, with a Bonfire
- ca. 1822
- Not on view
4
- A View on Hampstead Heath, Early Morning
- ca. 1821
- Not on view
5
- Cloud Study, Early Morning, Looking East from Hampstead
- 1821
- Not on view
6
- The Marble Rocks — Nerbudda Jubbolpore
- 1882
- Not on view
7
- A Young Gentleman Riding a Schooled Horse
- between 1728 and 1729
- Not on view
8
- Dieppe Races
- 1885
- Not on view
9
- The Duchess of York's Spaniel
- 1804
- Not on view
10
- London Bridge, with St. Paul's Cathedral in the distance
- 1815
- Not on view
11
- A View of Westminster Bridge and the Abbey from the South Side
- 1818
- Not on view
12
- Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
- ca. 1874
- Not on view
13
- The Moelwyns from Llan Ffestiniog
- between 1912 and 1913
- Not on view
14
- Fanny Eaton (née Antwistle or Entwistle)
- 1861
- Not on view
15
- Dutch Shipping off the Low Countries
- 18th century
- Not on view
16
- Street in Patna
- ca. 1825
- Not on view
17
- East Gateway, Patna
- 1825
- Not on view
18
- Bologna
- ca. 1826
- Not on view
19
- The Vale of Pencerrig
- 1776
- Not on view
20
- Gentleman with a Cannon
- 1741
- Not on view
21
- Landscape with Figures
- 1816
- Not on view
22
- Self portrait
- ca. 1815
- Not on view
23
- Sudborne Premier, Suffolk Punch Stallion
- 1964-1965
- Not on view
24
- George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
- 1801
- Not on view
25
- Polo Pony: Perfection
- cast 1963 (original model 1933)
- Not on view
26
- Ploughing the Hillside
- ca. 1905
27
- Italian Hill Town
- after 1838
28
- At Hailsham, Sussex: a Storm Approaching
- 1821
29
- Four East Indiamen at Archor
- 1803
30
- A Tiger and a Sleeping Leopard
- 1788
31
- Human Body, Posterior View (Outline Drawing for Table VII)
- 1795 to 1806
32
- Human Skeleton, Posterior View (Relates to Table II)
- 1795 to 1806
33
- Human Skeleton, Anterior View
- 1795 to 1806
34
- Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
- 1795 to 1806
35
- Dorking Hen Body, Lateral View (Outline drawing of the muscles)
- 1795 to 1806
36
- Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
- 1795 to 1806
37
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
38
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
39
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
40
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
41
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
42
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
43
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
44
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
45
- Marine Dabblers
- 1811
46
- Stonehenge at Daybreak
- 1815 to 1819
47
- London from Greenwich
- 1811
48
- A View of Boppart, with Figures on the River Bank
- 1817
49
- Dartmoor: The Source of the Tamar and the Torridge
- ca. 1813
50
- Andernach
- 1817
51
- Rheinfels Looking to Katz and Goarhausen
- 1817
52
- Lost to All Hope the Brig
- between 1845 and 1850
53
- Venice, The Mouth of the Grand Canal
- ca. 1840
54
- Paestum
- between 1820 and 1826
55
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
56
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
57
- "Midst the tide, Two angel forms were seen to glide..." (Design 7)
- between 1797 and 1798
58
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
59
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
60
- Fame (Design 93)
- between 1797 and 1798
61
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
62
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
63
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
64
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
65
- The Author Writing (Design 105)
- between 1797 and 1798
66
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
67
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
68
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
69
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
70
- A Circular Dance (Design 23)
- between 1797 and 1798
71
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
72
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
73
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
74
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
75
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
76
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
77
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
78
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
79
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
80
- A Welch Bard (Design 53)
- between 1797 and 1798
81
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
82
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
83
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
84
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
85
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
86
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
87
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
88
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
89
- The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
90
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
91
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
92
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
93
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
94
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
95
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
96
- A Standard Bearer Fainting in the Routed Battle (Design 87)
- between 1797 and 1798
97
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
98
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
99
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
100
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797