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John Constable Golding Constable's House, East Bergholt: the Artist's birthplace
John Constable, 1776–1837
Golding Constable's House, East Bergholt: the Artist's birthplace
ca. 1809
Not on view
John Constable A View on Hampstead Heath, Early Morning
Attributed to John Constable, 1776–1837
A View on Hampstead Heath, Early Morning
ca. 1821
Not on view
James Smetham Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
James Smetham, 1821–1889
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
John Linnell Landscape with Figures
John Linnell, 1792–1882
Landscape with Figures
1816
Not on view
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851
Andernach
1817
Edward Lear Mqabba, Qrendi
Edward Lear, 1812–1888
Mqabba, Qrendi
1866
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
J. Hadley The Severn-Henbury Village and Blaize Castle from the road in the Mill
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
William Henry Hunt Bushey Church from the South West
William Henry Hunt, 1790–1864
Bushey Church from the South West
ca. 1820
Francis Place City of Bath
Francis Place, 1647–1728
City of Bath
1678
John Glover Hilly Landscape with River and Cattle
John Glover, 1767–1849
Hilly Landscape with River and Cattle
ca. 1810
Benjamin West Greenwich from the Park
Benjamin West, 1738–1820
Greenwich from the Park
undated
Thomas Peploe Wood Roslyn Castle - a wooded river landscape
Thomas Peploe Wood, 1817–1845
Roslyn Castle - a wooded river landscape
1839
Peter DeWint Malmesbury Abbey
attributed to Peter DeWint, 1784–1849
Malmesbury Abbey
undated
Edward Francis Burney The Bridge
Edward Francis Burney, 1760–1848
The Bridge
undated
James Ward Study of Trees
James Ward, 1769–1859
Study of Trees
undated
Edward Francis Burney Hilly Landscape with House
Edward Francis Burney, 1760–1848
Hilly Landscape with House
undated
Edward Francis Burney Thatched-roof Barn
Edward Francis Burney, 1760–1848
Thatched-roof Barn
undated
Giovanni Battista Borra View of the Modern City of Pergamon
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
Giovanni Battista Borra Aquedotto Angolare
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
William Faithorne the Younger Sylvio and Dorinda
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1680 and 1703
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
Bernard Lens III London: a View toward the City and St. Paul's from the North West
Bernard Lens III, 1682–1740
London: a View toward the City and St. Paul's from the North West
undated
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Louis Haghe Thornbury Castle, Gloucestershire
Louis Haghe, 1806–1885
Thornbury Castle, Gloucestershire
between 1823 and 1835
unknown artist The Battle of Taniers, Part Second
Print made by unknown artist
The Battle of Taniers, Part Second
undated
Thomas Gainsborough Wooded Upland Landscape with Riders and Packhorse
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
Henry Thomas Alken Foxhunting: Drawing a Cover
Henry Thomas Alken, 1785–1851
Foxhunting: Drawing a Cover
undated
Henry Thomas Alken Foxhunting: The Leap
Henry Thomas Alken, 1785–1851
Foxhunting: The Leap
undated
Thomas Rowlandson A Stage Coach Outside of the Entrance of an Inn
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
James Miller The Swan Inn at Twickenham
James Miller, active 1773–1814
The Swan Inn at Twickenham
1770s
James Miller Church at Marlylebone
James Miller, active 1773–1814
Church at Marlylebone
1770s
Henry Thomas Alken Wild Duck Shooting
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
Heinrich W. Schweickhardt Haymaking
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
Henry Thomas Alken The Huntsman, Galloping to Left and Encouraging Hounds
Henry Thomas Alken, 1785–1851
The Huntsman, Galloping to Left and Encouraging Hounds
undated
Henry Thomas Alken "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
Henry William Bunbury Patience in a Punt
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
Henry Thomas Alken Rider on a Brown Horse Going at a Wall
Henry Thomas Alken, 1785–1851
Rider on a Brown Horse Going at a Wall
undated
John Ferneley The Duke of Cumberland Riding With Mr. de Burgh's Hunt
John Ferneley, 1782–1860
The Duke of Cumberland Riding With Mr. de Burgh's Hunt
undated
George Bickham the Younger Architectural Designs incorporating Chinoiserie Motifs: Rails
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs incorporating Chinoiserie Motifs: Rails
1751
James Miller Near Putney
James Miller, active 1773–1814
Near Putney
1770s
Michael "Angelo" Rooker Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"
Michael "Angelo" Rooker, 1746–1801
Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"
undated
James McNeill Whistler Chelsea
James McNeill Whistler, 1834–1903
Chelsea
undated
Agostino Brunias A Cudgelling Match between English and French Negroes in the Island of Dominica
Print made by Agostino Brunias, 1728–1796
A Cudgelling Match between English and French Negroes in the Island of Dominica
1779
George Bickham the Younger Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing.
1751
James Miller Asgill House
James Miller, active 1773–1814
Asgill House
1770s
James Miller Gentlemen Punting near a Country Villa/ Heathan House, Twickenham
James Miller, active 1773–1814
Gentlemen Punting near a Country Villa/ Heathan House, Twickenham
1770s
James Miller Gentlemen Punting
James Miller, active 1773–1814
Gentlemen Punting
1770s
unknown artist Hawes Bridge near Kendal
Print made by unknown artist
Hawes Bridge near Kendal
undated
Alfred East View of Arched Doorway
Print made by Alfred East, 1849–1913
View of Arched Doorway
undated
Henry William Bunbury Pistol eating Fluellen's Leak - "Henry V"
Print made by Henry William Bunbury, 1750–1811
Pistol eating Fluellen's Leak - "Henry V"
between 1811 and 1815
Edward Calvert Ideal Pastoral Life
Print made by Edward Calvert, 1799–1883
Ideal Pastoral Life
1829
Henry William Bunbury Overthrow of Dr. Slop
Print made by Henry William Bunbury, 1750–1811
Overthrow of Dr. Slop
between 1773 and 1817
Henry William Bunbury The Siege of Namur
Print made by Henry William Bunbury, 1750–1811
The Siege of Namur
between 1773 and 1817
John Robert Cozens Fountain of Vaucluse, behind the Perpendicular Rock
John Robert Cozens, 1752–1797
Fountain of Vaucluse, behind the Perpendicular Rock
undated
George Baxter The Great Exhibition: Exterior View from the Southwest
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
Giovanni Battista Borra View of Maglova Aqueduct
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
Richard Corbould Old Trees with Old Man, a Girl and a Dog
Print made by Richard Corbould, 1757–1831
Old Trees with Old Man, a Girl and a Dog
1802, published 1806
David Lucas River Stour, Suffolk
Print made by David Lucas, 1802–1881
River Stour, Suffolk
1831
Edward Calvert The Flood
Print made by Edward Calvert, 1799–1883
The Flood
1829
William Faithorne the Younger Sylvio and Dorinda
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1752 and 1768
Sir Francis Seymour Haden Kensington Gardens, no. 2 (large plate)
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 2 (large plate)
1860
Sir Francis Seymour Haden Combe Bottom
Sir Francis Seymour Haden, 1818–1910
Combe Bottom
1860
John Doyle ('H.B.') A Great Actor between Tragedy and Comedy
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
George Bickham the Younger Architectural Designs Incorporating Chinoiserie motifs: China Railing
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs Incorporating Chinoiserie motifs: China Railing
1751
Rowney & Forster Punch
Print made by Rowney & Forster, active 1820–1822
Punch
after 1821
James Miller A Country Lane
James Miller, active 1773–1814
A Country Lane
1770s
James Miller House & Trees
James Miller, active 1773–1814
House & Trees
1770s
James Miller Miller Lane & Trees by River
James Miller, active 1773–1814
Miller Lane & Trees by River
1770s
Paul Sandby Munn Landscape with Farmhouse, Figures and Pond
Paul Sandby Munn, 1773–1845
Landscape with Farmhouse, Figures and Pond
undated
Giovanni Battista Borra The Basilica at Pergamon
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
William Henry Pyne Old London, View from St. James Park Looking East
William Henry Pyne, 1769–1843
Old London, View from St. James Park Looking East
undated
Robert Hills In Knole Park
Robert Hills, 1769–1844
In Knole Park
undated
John Varley On the Thames
pupil of John Varley, 1778–1842
On the Thames
undated