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William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Fame (Design 93)
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
William Blake Illustrations of The Book of Job, in Twenty-one Plates
Print made by William Blake, 1757–1827
Illustrations of The Book of Job, in Twenty-one Plates
1825
John Michael Rysbrack Admiral Vernon's Monument in Westminster Abbey
John Michael Rysbrack, 1694–1770
Admiral Vernon's Monument in Westminster Abbey
ca. 1763
Hilary Paynter Wheelhouse, Jarlshof
Print made by Hilary Paynter, born 1943
Wheelhouse, Jarlshof
2005
Hilary Paynter St. Ives
Print made by Hilary Paynter, born 1943
St. Ives
2014
Jane Dixon Camouflage II (Second State)
Print made by Jane Dixon, born 1963
Camouflage II (Second State)
2004
John Emes The Lake, Hawkstone Park, Shropshire
John Emes, 1762–1810
The Lake, Hawkstone Park, Shropshire
1790
John Foster Columns in the Island of Aegina, Temple of Venus
John Foster, ca. 1787–1846
Columns in the Island of Aegina, Temple of Venus
1813
William E. Emes Garden Design for Northwick Park
William E. Emes, 1729/30–1803
Garden Design for Northwick Park
1778
unknown artist The Primrose Tavern, Corner of Primrose Street and Bishopsgate, London
unknown artist
The Primrose Tavern, Corner of Primrose Street and Bishopsgate, London
ca. 1895
John William North Forest Landscape
John William North, 1842–1924
Forest Landscape
ca. 1834
Herbert Clarke Simpson Landscape of Dayboro, Queensland
Herbert Clarke Simpson, 1879–1966
Landscape of Dayboro, Queensland
1947
Lewis Morley Model, Establishment Studio, London
Lewis Morley, 1925–2013
Model, Establishment Studio, London
1960s
Lewis Morley Lynn Redgrave and Maggie Smith in 'The Recruiting Officer' by George Farquhar
Lewis Morley, 1925–2013
Lynn Redgrave and Maggie Smith in 'The Recruiting Officer' by George Farquhar
1963
Lewis Morley Siân Phillips
Lewis Morley, 1925–2013
Siân Phillips
1960s
Edward Burne-Jones The Garden Court
After Edward Burne-Jones, 1833–1898
The Garden Court
1892
Edward Burne-Jones The Rose Bower
After Edward Burne-Jones, 1833–1898
The Rose Bower
1892
Roger Fenton Lieutenant General Sir J. L. Pennefather & Staff
Roger Fenton, 1819–1869
Lieutenant General Sir J. L. Pennefather & Staff
1855, printed 1856
unknown artist Flower-Garden Porch at Farnley
Print made by unknown artist
Flower-Garden Porch at Farnley
1814
unknown artist Bay Windows in the Flower Garden at Farnley
Print made by unknown artist
Bay Windows in the Flower Garden at Farnley
1814
Joseph Wood The View of One-Tree Hill in Greenwich Park
Print made by Joseph Wood, 1720–1763 or 1764
The View of One-Tree Hill in Greenwich Park
1740-1749
William Spencer Bagdatopolous Entry of the Rajah, Ogmor
Print made by William Spencer Bagdatopolous, 1888–1965
Entry of the Rajah, Ogmor
1935
John Goto Hunters
Print made by John Goto, born 1949
Hunters
2000 to 2001
John Goto Sporta
Print made by John Goto, born 1949
Sporta
2000 to 2001
John Goto Movie
Print made by John Goto, born 1949
Movie
2000 to 2001
John Goto Society
Print made by John Goto, born 1949
Society
2000 to 2001
John Goto Dancer
Print made by John Goto, born 1949
Dancer
2000 to 2001
John Goto Eco Warriors
Print made by John Goto, born 1949
Eco Warriors
2000 to 2001
John Goto Beach
Print made by John Goto, born 1949
Beach
2000 to 2001
John Goto Dreamers
Print made by John Goto, born 1949
Dreamers
2000 to 2001
John Goto Deluge
Print made by John Goto, born 1949
Deluge
2000 to 2001
John Goto Plinth
Print made by John Goto, born 1949
Plinth
2000 to 2001
John Goto High Ground
Print made by John Goto, born 1949
High Ground
2000 to 2001
John Goto Farmer
Print made by John Goto, born 1949
Farmer
2000 to 2001
John Goto Pasturelands
Print made by John Goto, born 1949
Pasturelands
2000 to 2001
John Goto Brigands
Print made by John Goto, born 1949
Brigands
2000 to 2001
John Goto Title Page
Print made by John Goto, born 1949
Title Page
2000 to 2001
John Goto Harvest
Print made by John Goto, born 1949
Harvest
2000 to 2001
Samuel Davis Madeira
Samuel Davis, 1760–1819
Madeira
1779
James Stephanoff The Supreme Court of Judicature on the Island of Ceylon
James Stephanoff, 1787–1874
The Supreme Court of Judicature on the Island of Ceylon
undated
Miles Edmund Cotman Marsham Ch. | Nov. 9th 1841.
Print made by Miles Edmund Cotman, 1810–1858
Marsham Ch. | Nov. 9th 1841
1847
Miles Edmund Cotman Mousehold Heath--The Lane to the Left above Col. Harveys House
Print made by Miles Edmund Cotman, 1810–1858
Mousehold Heath--The Lane to the Left above Col. Harveys House
1847
William Daniell Madras
William Daniell, 1769–1837
Madras
ca. 1792
Margaret Calkin James Royal Tournament – Olympia
Print made by Margaret Calkin James, active 1931
Royal Tournament – Olympia
1932
Constance Stuart Larrabee Afrikaner Couple in front of Dutch Reformed Church, Bronkhorstspruit, South Africa
Constance Stuart Larrabee, 1914–2000
Afrikaner Couple in front of Dutch Reformed Church, Bronkhorstspruit, South Africa
1947, printed 1993