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William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake A Circular Dance (Design 23)
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
William Blake "Up stairs in a whirlwind rattle..." (Design 29)
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake "Midst the tide, Two angel forms were seen to glide..." (Design 7)
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake Illustrations of The Book of Job, in Twenty-one Plates
Print made by William Blake, 1757–1827
Illustrations of The Book of Job, in Twenty-one Plates
1825
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
James Wilcox Buckingham Palace from St. James's Park
James Wilcox, active 1830
Buckingham Palace from St. James's Park
1830
Samuel Prout The Porch, Reims Cathedral
Samuel Prout, 1783–1852
The Porch, Reims Cathedral
ca. 1840
Allan Ramsay Study for a Portrait of a Seated Gentleman
Allan Ramsay, 1713–1784
Study for a Portrait of a Seated Gentleman
undated
Paul Sandby Italianate Landscape with Castle, Cascade and Anglers
Paul Sandby, 1731–1809
Italianate Landscape with Castle, Cascade and Anglers
between 1780 and 1790
Cornelius Varley Study of Boats on Shore
Cornelius Varley, 1781–1873
Study of Boats on Shore
1829
Edward Francis Burney The Elegant Establishment for Young Ladies (study for)
Edward Francis Burney, 1760–1848
The Elegant Establishment for Young Ladies (study for)
undated
John James Chalon Music: Composition in a Garden
John James Chalon, 1778–1854
Music: Composition in a Garden
ca. 1832
Paul Sandby Romantic Landscape - Peasants at the Foot of a Castle on a Crag
Paul Sandby, 1731–1809
Romantic Landscape - Peasants at the Foot of a Castle on a Crag
undated
unknown artist Townhead and Drummore
unknown artist
Townhead and Drummore
undated
James Wyatt Design for the Staircase at Stratford Place
James Wyatt, 1746–1813
Design for the Staircase at Stratford Place
undated
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
James Wyatt Cobham Hall, Kent: Vestibule
James Wyatt, 1746–1813
Cobham Hall, Kent: Vestibule
ca. 1790
Charles Howard Hodges Lavinia Countess Spencer
Print made by Charles Howard Hodges, 1764–1837
Lavinia Countess Spencer
1784
William Dickinson Emilia, Duchess of Leinster
Print made by William Dickinson, 1746–1823
Emilia, Duchess of Leinster
1796
Valentine Green Mrs. Cosway
Print made by Valentine Green, 1739–1813
Mrs. Cosway
1787
unknown artist Archery
Print made by unknown artist
Archery
1794
unknown artist Lady Time Present and Lady Time Past
Print made by unknown artist
Lady Time Present and Lady Time Past
1773
Edward Goodall Venice
Print made by Edward Goodall, 1795–1870
Venice
1830
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827-1838
W. R. Smith Dartmouth Cove
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827-1838
Edward Goodall Cologne on the Rhine
Print made by Edward Goodall, 1795–1870
Cologne on the Rhine
1824
Edward Goodall Cologne on the Rhine
Print made by Edward Goodall, 1795–1870
Cologne on the Rhine
1824
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827-1838
Robert Wallis Lancaster from the Aqueduct Bridge
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
Jonathan Richardson the Elder Self-Portrait
Jonathan Richardson the Elder, 1667–1745
Self-Portrait
undated
Benjamin West A Mother and Two Children
Benjamin West, 1738–1820
A Mother and Two Children
1786
Edward Goodall Prudoe Castle, Northumberland
Print made by Edward Goodall, 1795–1870
Prudoe Castle, Northumberland
1827-1838
Robert Brandard Lancaster Sands
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
James Tibbits Willmore Okehampton, Devonshire
Print made by James Tibbits Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
J. C. Varrall Malmsbury Abbey, Wiltshire
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827-1838
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
Charles Westwood Hampton Court Palace
Print made by Charles Westwood, active 1819–1838
Hampton Court Palace
1827-1838
James Sowerby A Chicken Eating?
James Sowerby, 1756–1822
A Chicken Eating?
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
James Sowerby Eurasian Sparrowhawk
James Sowerby, 1756–1822
Eurasian Sparrowhawk
undated
John Frederick Lewis Figures and Animals in a Vineyard
John Frederick Lewis, 1804–1876
Figures and Animals in a Vineyard
ca. 1829
William Henry Hunt Portrait of a Gentleman
William Henry Hunt, 1790–1864
Portrait of a Gentleman
undated
William Hamilton Hero and Leander
William Hamilton, 1751–1801
Hero and Leander
1801