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Francis Danby Hampstead Heath, Sunset
Francis Danby, 1793–1861
Hampstead Heath, Sunset
ca. 1845
Not on view
John Constable Hampstead Heath looking towards Harrow
John Constable, 1776–1837
Hampstead Heath looking towards Harrow
1821 to 1822
Not on view
Joseph Stannard Buckenham Ferry, on the River Yare, Norfolk
Joseph Stannard, 1797–1830
Buckenham Ferry, on the River Yare, Norfolk
1826
Not on view
George Smith of Chichester A View Supposedly Near Arundel, Sussex, with Figures in a Lane
George Smith of Chichester, 1714–1776
A View Supposedly Near Arundel, Sussex, with Figures in a Lane
mid-18th century
Not on view
John Vanderbank A Scene from Don Quixote (Vol.II, Ch.XXIII)
John Vanderbank, 1694–1739
A Scene from Don Quixote (Vol.II, Ch.XXIII)
between 1730 and 1736
Not on view
Francis Towne Old Walton Bridge
Francis Towne, 1740–1816
Old Walton Bridge
1785
Not on view
unknown artist A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804
unknown artist
A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804
ca. 1804
Not on view
Walter Richard Sickert Portrait of Carolina dell'Acqua
Walter Richard Sickert, 1860–1942
Portrait of Carolina dell'Acqua
1903
Not on view
George Chinnery A Man Carrying Faggots
George Chinnery, 1774–1852
A Man Carrying Faggots
ca. 1799
Not on view
Mary Beale Charles Beale
Mary Beale, 1633–1699
Charles Beale
ca. 1660
On view
George Morland Partridge Shooting
George Morland, 1763–1804
Partridge Shooting
ca. 1790
Not on view
George Morland Pheasant Shooting
George Morland, 1763–1804
Pheasant Shooting
ca. 1790
Not on view
Sir John Lavery On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
Sir John Lavery, 1856–1941
On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
1890
On view
Jules Clarke Dancing on Ice
Jules Clarke
Dancing on Ice
2011
Not on view
Glynn Williams "Stop"
Glynn Williams, born 1939
"Stop"
1988
Not on view
Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Probably made as the basis for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Skeleton, Lateral View (Finished Study for Table IV)
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Finished Study for Table IV)
between 1795 and 1806
George Stubbs Tiger Skeleton, Lateral View
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
1795 to 1806
William Hogarth Self-portrait
William Hogarth, 1697–1764
Self-portrait
1749
William Hogarth The Bruiser
William Hogarth, 1697–1764
The Bruiser
1763
William Hogarth An Election Entertainment, Plate I
William Hogarth, 1697–1764
An Election Entertainment, Plate I
1755-58
William Hogarth Chairing the Members, Plate IV
William Hogarth, 1697–1764
Chairing the Members, Plate IV
1758
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake When the Morning Stars Sang Together
Print made by William Blake, 1757–1827
When the Morning Stars Sang Together
1826
William Blake Job's Evil Dreams
Print made by William Blake, 1757–1827
Job's Evil Dreams
1826
William Blake The Vision of Christ
Print made by William Blake, 1757–1827
The Vision of Christ
1826
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Edward Lear Siracusa, 12. June 1847
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
George Romney Glade in a Forest
George Romney, 1734–1802
Glade in a Forest
undated
George Romney River God
George Romney, 1734–1802
River God
undated
unknown artist Tintern Abbey
unknown artist
Tintern Abbey
undated
Thomas Girtin View of the City with the Louvre & Taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
Thomas Girtin A General View of Paris, taken from Chaillot 1803.
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
James Bruce Back view of the same circular temple in its present state
James Bruce, 1730–1794
Back view of the same circular temple in its present state
undated
James Bruce Plan of the circular temple at Baalbec
James Bruce, 1730–1794
Plan of the circular temple at Baalbec
undated
James C. Allen Ivy Bridge, Devonshire
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
Daniel Lysons The Environs of London: Brass plate for Unidentified Infant from East Ham Church
Daniel Lysons, 1762–1834
The Environs of London: Brass plate for Unidentified Infant from East Ham Church
between 1796 and 1811
Domenico Cunego Andromache Bewailing the Death of Hector
Domenico Cunego, 1726–1803
Andromache Bewailing the Death of Hector
1764
Walter Richard Sickert Study of a Pianist and Bass Player
Walter Richard Sickert, 1860–1942
Study of a Pianist and Bass Player
undated
James McArdell The Tribute Money
Print made by James McArdell, ca. 1729–1765
The Tribute Money
undated
James McArdell The Tribute Money
Print made by James McArdell, ca. 1729–1765
The Tribute Money
undated
James Watson Lady Beauchamp Proctor
Print made by James Watson, 1740–1790
Lady Beauchamp Proctor
1779
unknown artist Compliance
Print made by unknown artist
Compliance
1796
unknown artist The Country Ballad Singers
Print made by unknown artist
The Country Ballad Singers
1794
unknown artist The Holy Family
Print made by unknown artist
The Holy Family
undated
Abraham Blooteling St. Paulus
Print made by Abraham Blooteling, 1640–1690
St. Paulus
between 1680 and 1690
John Faber the Younger Cupid in the Character of Bacchus
Print made by John Faber the Younger, ca. 1695–1756
Cupid in the Character of Bacchus
1739
John Greenwood The Social Friends
Print made by John Greenwood, 1727–1792
The Social Friends
1768
William Humphrey A Vestal Virgin
Print made by William Humphrey, 1745–1810
A Vestal Virgin
1770
James McArdell Employment
Print made by James McArdell, ca. 1729–1765
Employment
undated
Andrew Miller The Magnificent Lover
Print made by Andrew Miller, Died 1763
The Magnificent Lover
undated
Giuseppe Maria Mitelli Mssier Lilon
Print made by Giuseppe Maria Mitelli, 1634–1718
Mssier Lilon
undated
Johann Lorenz Haid Portrait of a Man wearing a Cap
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Man wearing a Cap
early 1750s
Johann Jacobus Haid La bonheur du Mariage
Print made by Johann Jacobus Haid, 1704–1767
La bonheur du Mariage
undated