Height [cm]: 40 - YCBA Collections Search Search Results

1. Hampstead Heath, Sunset

Creator:: Francis Danby, 1793–1861
Date:: ca. 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/4 × 15 1/4 inches (28.6 × 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Hampstead Heath looking towards Harrow

Creator:: John Constable, 1776–1837
Date:: 1821 to 1822
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 11 5/8 x 19 inches (29.5 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Partridge Shooting

Creator:: George Morland, 1763–1804
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 15 7/8 x 20 1/2 inches (40.3 x 52.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Old Walton Bridge

Creator:: Francis Towne, 1740–1816
Date:: 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 15 11/16 x 30 3/4 inches (39.8 x 78.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Pheasant Shooting

Creator:: George Morland, 1763–1804
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 15 7/8 x 20 1/2 inches (40.3 x 52.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats

Creator:: Sir John Lavery, 1856–1941
Date:: 1890
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/4 × 7 3/4 inches (40 × 19.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804

Creator:: unknown artist
Date:: ca. 1804
Materials & Techniques:: Oil on board laid down on panel
Dimensions:: 15 7/8 x 20 1/16 inches (40.3 x 51 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. A Man Carrying Faggots

Creator:: George Chinnery, 1774–1852
Date:: ca. 1799
Materials & Techniques:: Oil on paper on board
Dimensions:: 11 3/4 x 9 1/2 inches (29.8 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Portrait of Carolina dell'Acqua

Creator:: Walter Richard Sickert, 1860–1942
Date:: 1903
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/4 x 10 7/8 inches (40 x 27.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum
On View:: Not on view

10. Dancing on Ice

Creator:: Jules Clarke
Date:: 2011
Materials & Techniques:: oil on canvas
Dimensions:: Overall: 15 3/4 × 19 11/16 inches (40 × 50 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of the Priseman Seabrook Collection
On View:: Not on view

11. A View Supposedly Near Arundel, Sussex, with Figures in a Lane

Creator:: George Smith, 1714–1776
Date:: mid-18th century
Materials & Techniques:: Oil on canvas
Dimensions:: 15 7/8 x 19 3/4 inches (40.3 x 50.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Buckenham Ferry, on the River Yare, Norfolk

Creator:: Joseph Stannard, 1797–1830
Date:: 1826
Materials & Techniques:: Oil on panel
Dimensions:: 15 3/4 x 24 inches (40 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. A Scene from Don Quixote (Vol.II, Ch.XXIII)

Creator:: John Vanderbank, 1694–1739
Date:: between 1730 and 1736
Materials & Techniques:: Oil on panel
Dimensions:: 15 3/4 x 11 3/4 inches (40 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. "Stop"

Creator:: Glynn Williams, born 1939
Date:: 1988
Materials & Techniques:: Portland stone
Dimensions:: Overall: 15 3/4 x 6 1/2 x 6 3/4 inches (40 x 16.5 x 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Renee & David McKee
On View:: Not on view

15. Charles Beale

Creator:: Mary Beale, 1633–1699
Date:: ca. 1660
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/2 × 10 1/8 inches (29.2 × 25.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

16. Cornfield and Church by Moonlight

Creator:: Samuel Palmer, 1805–1881
Date:: early 1830s
Materials & Techniques:: Brush and black ink on very thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A Shepherd and his Flock under the Moon and Stars

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:: Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Study of Waves

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gray and brown washes with white gouache over graphite on thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 13/16 × 8 7/8 inches (14.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Tiger Body, Lateral View (Probably made as the basis for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink, with traces of red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 x 21 1/8 inches (39.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Tiger Skeleton, Lateral View (Finished Study for Table IV)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Tiger Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 21 inches (40.3 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 20 7/8 inches (40 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 21 1/8 inches (40.3 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 21 1/8 inches (40.3 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Self-portrait

Creator:: William Hogarth, 1697–1764
Date:: 1749
Materials & Techniques:: Etching and engraving on laid paper
Dimensions:: Sheet: 15 7/8 x 11in. (40.3 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

28. An Election Entertainment, Plate I

Creator:: William Hogarth, 1697–1764
Date:: 1755-58
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/4 x 21 1/4in. (40 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Chairing the Members, Plate IV

Creator:: William Hogarth, 1697–1764
Date:: 1758
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 5/8 x 21 1/4in. (39.7 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Bruiser

Creator:: William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Thomas S. Holman, New York, NY

31. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Siracusa, 12. June 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen in brown ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 11 9/16 inches (40.2 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'And vapid; sense and reason shew the door' (Page 72)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Night the Second. On Time, Death and Friendship; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. 'But for the blessing wrestle not with heaven' (Page 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Glade in a Forest

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 21 1/2 inches (40.3 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

66. River God

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 20 1/4 inches (40 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

67. Rustic Benevolence

Creator:: Niccoló Schiavonetti, 1771–1813
Date:: 1804
Materials & Techniques:: Stipple engraving, colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 19 3/8 inches (41.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Joannis Darius

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 10 5/8 inches (40.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

69. King Henry IV: Part I, Act III, Scene i, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower

Creator:: Peter Simon, 1750–1810
Date:: 1795
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/4 x 21 7/8in. (40 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

70. The Windsor Astronomers, making Observations and Calculations Respecting the Conjunction of the English and Russian Comets

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 15 5/8 x 13 1/8in. (39.7 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Mount: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The North Porch, Harfleur

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 7 1/4 inches (40 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

73. The Canongate Tollbooth

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1906
Materials & Techniques:: Etching and drypoint on Japanese paper
Dimensions:: Sheet: 15 7/8 × 7 inches (40.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

74. The Farm-Yard

Creator:: Print made by William Nutter, 1754–1802
Date:: 1790
Materials & Techniques:: Stipple, printed in colors
Dimensions:: Sheet: 15 5/8 x 11 1/2in. (39.7 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Ale-House Door, "Come my Dear! I'll pledge you!"

Creator:: William Nutter, 1754–1802
Date:: 1790
Materials & Techniques:: Stipple, printed in colors
Dimensions:: Sheet: 15 5/8 x 11 1/2in. (39.7 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Garden Door

Creator:: Print made by Francis Dodd, 1874–1949
Date:: 1909
Materials & Techniques:: Drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 11/16 x 10 3/8 inches (39.9 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

77. Thomas Shadwell, Esquire, Poet Laureat & Historiographer

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1690 and 1703
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 13/16 x 11 1/8 inches (40.1 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

78. Pottery, Rouen

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1919
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 8 5/8 × 4 3/4 inches (21.9 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Ingraham, Yale BA 1910, in memory of Carl A. Lohmann, Yale BA 1910, transfer from the Yale University Art Gallery

79. The Source

Creator:: William Evan Charles Morgan, 1903–1979
Date:: 1927
Materials & Techniques:: Engraving on laid paper
Dimensions:: Sheet: 15 5/8 x 9 1/2in. (39.7 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Emerson Tuttle

80. The Duchess's First Levee

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 15 3/4 x 23in. (40 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Right Honorable Charles Townsend, Esquire, Late Chancellor of the Exchequer

Creator:: John Dixon, ca. 1740–1811
Date:: 1770
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 9/16 × 10 7/8 inches (39.5 × 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Mr. Garrick in "The Farmer's Return"

Creator:: Johann Jacobus Haid, 1704–1767
Date:: 1766
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 x 19 7/8 inches (43.2 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth

Creator:: R. F. Tringham
Date:: ca.1762
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 23 7/8 inches (47.6 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

Creator:: Print made by William Daniell, 1769–1837
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 32 3/4 inches (49.5 × 83.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Inside of a Smelting House at Broseley, Shopshire

Creator:: Wilson Lowry, 1762–1824
Date:: 1788
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 7/8 x 22in. (40.3 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. A View of the Mouth of a Coal Pit near Broseley in Shropshire

Creator:: Francis Chesham, 1749–1806
Date:: 1788
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 7/8 x 21 1/2in. (40.3 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A View of the Iron Bridge, in Coalbrook Dale, Shropshire

Creator:: Francis Chesham, 1749–1806
Date:: 1788
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 7/8 x 21 1/2in. (40.3 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A View of the Iron Bridge

Creator:: James Fittler, 1758–1835
Date:: 1788
Materials & Techniques:: Engraving
Dimensions:: Image: 13 7/8 x 20 5/8in. (35.2 x 52.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Cool Arguments!!!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1794
Materials & Techniques:: Etching with watercolor on wove paper
Dimensions:: Sheet: 15 9/16 x 11 5/8in. (39.5 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Napoleon's Logemont, Quai Conti

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A View of Hopping Mill, Ware

Creator:: Francois Vivares, 1709–1780
Date:: 1745
Materials & Techniques:: Colored engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 × 21 3/4 inches (39.5 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Matlock High-Torr

Creator:: James Mason, 1710–1783
Date:: 1766
Materials & Techniques:: Hand-colored engraving and etching
Dimensions:: Sheet: 15 5/8 x 22 3/8in. (39.7 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Errand Boy

Creator:: Abraham Raimbach, 1784–1868
Date:: 1825
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 22 3/8 × 30 inches (56.8 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Cut Finger

Creator:: Abraham Raimbach, 1784–1868
Date:: 1819
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 21 5/16 × 30 1/4 inches (54.1 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Summit of Cader Idris Mountain

Creator:: Edward Rooker, 1724–1774
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 24 inches (44.8 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Carnarvon Castle

Creator:: William Byrne, 1743–1805
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 24 1/4 inches (44.5 x 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Interior of Westminster Hall as Prepared for the Banquet

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Plate X: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. New East Front, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1801
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 6 1/2 inches (39.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Height [cm] 40

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1. Hampstead Heath, Sunset

2. Hampstead Heath looking towards Harrow

3. Partridge Shooting

4. Old Walton Bridge

5. Pheasant Shooting

6. On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats

7. A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804

8. A Man Carrying Faggots

9. Portrait of Carolina dell'Acqua

10. Dancing on Ice

11. A View Supposedly Near Arundel, Sussex, with Figures in a Lane

12. Buckenham Ferry, on the River Yare, Norfolk

13. A Scene from Don Quixote (Vol.II, Ch.XXIII)

14. "Stop"

15. Charles Beale

16. Cornfield and Church by Moonlight

17. A Shepherd and his Flock under the Moon and Stars

18. Study of Waves

19. Tiger Body, Lateral View

20. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

21. Tiger Body, Lateral View (Probably made as the basis for a key figure)

22. Tiger Skeleton, Lateral View (Finished Study for Table IV)

23. Tiger Skeleton, Lateral View

24. Tiger Body, Lateral View

25. Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)

26. Tiger Body, Lateral View

27. Self-portrait

28. An Election Entertainment, Plate I

29. Chairing the Members, Plate IV

30. The Bruiser

31. Hogarth Painting the Comic Muse

32. Siracusa, 12. June 1847

33. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

34. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

35. 'Is lost in love! thou great Philanthropist' (Page 87)

36. 'When faith is virtue, reason makes it so' (Page 92)

37. 'We censure nature for a span too short' (Page 23)

38. 'Behold him, when past by; what then is seen' (Page 25)

39. 'Like that, the dial speaks; and points to thee' (Page 33)

40. 'And vapid; sense and reason shew the door' (Page 72)

41. 'The Sun beheld it – No, the shocking scene' (Page 75)

42. 'Is lost in love! thou great Philanthropist' (Page 87)

43. 'When faith is virtue, reason makes it so' (Page 92)

44. 'The vale of death! that hush'd cimmerian vale' (Page 54)

45. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

46. 'That touch, with charm celestial heals the soul' (Page 90)

47. 'The goddess bursts in thunder and in flame' (Page 95)

48. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

49. 'What, though my soul fantastick measures trod' (Page 4)

50. Night the Second. On Time, Death and Friendship; Title Page

51. Night the First. On Life, Death and Immortality; Title Page

52. 'Its favours here are trials, not rewards' (Page 12)

53. 'Time, in advance, behind him hides his wings' (Page 24)

54. 'Swift on his downy pinion flies from woe' (Page 1)

55. 'That touch, with charm celestial heals the soul' (Page 90)

56. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

57. 'Measuring his motions by revolving spheres' (Page 26)

58. 'What, though my soul fantastick measures trod' (Page 4)

59. The Christian Triumph; Title Page

60. 'The Sun beheld it – No, the shocking scene' (Page 75)

61. 'But for the blessing wrestle not with heaven' (Page 88)

62. 'If angels tremble, 'tis at such a sight' (Page 93)

63. 'The goddess bursts in thunder and in flame' (Page 95)

64. 'Its favours here are trials, not rewards' (Page 12)

65. Glade in a Forest

66. River God

67. Rustic Benevolence

68. Joannis Darius

69. King Henry IV: Part I, Act III, Scene i, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower

70. The Windsor Astronomers, making Observations and Calculations Respecting the Conjunction of the English and Russian Comets

71. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

72. The North Porch, Harfleur

73. The Canongate Tollbooth

74. The Farm-Yard

75. The Ale-House Door, "Come my Dear! I'll pledge you!"