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1
- Colonel Alexander Popham, of Littlecote, Wiltshire
- between 1660 and 1665
- Not on view
2
- Vegetable Seller, Covent Garden
- ca. 1726
- Not on view
3
- Elizabeth Bridgman (née Walton)
- between 1771 and 1775
- Not on view
4
- The Governess
- 1860
- Not on view
5
- Fanny Eaton
- 1861
- Not on view
6
- Landscape study at sunset
- ca. 1835
- Not on view
7
- Guisborough Priory
- between 1800 and 1802
- Not on view
8
- The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington
- 1835
- Not on view
9
- A Barge with a Wounded Soldier
- early 19th century
- Not on view
10
- Indian Landscape with Temple Ruins
- 1820
- Not on view
11
- Hilly Landscape in India
- ca. 1820
- Not on view
12
- The Liberation of St Peter
- 1617
- Not on view
13
- Augustus Wall Callcott, R.A
- 1847
- Not on view
14
- Horse Studies in Relief, after George Stubbs
- modeled 1788–1789
- Not on view
15
- Timber Hauling
- ca. 1917
16
- Sale at Ward's Repository, No. 2
- ca. 1918
17
- The Horse Mart
- ca. 1917
18
- The Horse Mart (with further sketches in the margin)
- ca. 1918
19
- Woman Ironing
- ca. 1895
20
- A Cottage
- undated
21
- Study of a Woman Sewing
- undated
22
- A Sussex Barn
- undated
23
- Ivy Cottage, Shoreham
- undated
24
- Wooded Slope with a Receding Road
- ca. 1805
25
- Tygers at Play
- 1780
26
- Tiger Body, Lateral View
- 1795 to 1806
27
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
28
- Frontispiece (Plate 1)
- 1793
29
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
30
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
31
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
32
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
33
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
34
- Air (Plate 6)
- 1826
35
- Earth (Plate 5)
- 1826
36
- Fire (Plate 7)
- 1826
37
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
38
- Alas! (Plate 9)
- 1826
39
- "Fear & hope are -- Vision" (Plate 15)
- 1826
40
- Death's Door (Plate 17)
- 1826
41
- "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
- 1826
42
- "To The Accuser who is The God of This World..." (Plate 19)
- 1826
43
- "He meets his Saviour in the Grave..." (Plate 20)
- 1826
44
- "I found him beneath a Tree" (Plate 3)
- 1826
45
- Water (Plate 4)
- 1826
46
- Aged Ignorance (Plate 13)
- 1826
47
- "Does thy God O Priest take such vengeance as this?" (Plate 14)
- 1826
48
- Frontispiece, "What is Man!" (Plate 2)
- 1826
49
- For the Sexes: The Gates of Paradise, Title Page (Plate 1)
- 1826
50
- "I want! I want!" (Plate 11)
- 1826
51
- "Help! Help!" (Plate 12)
- 1826
52
- "My son! my Son!" (Plate 10)
- 1826
53
- "The Traveller hasteth in the Evening" (Plate 16)
- 1826
54
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
55
- For the Sexes: The Gates of Paradise, London, 1826
- 1826
56
- Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
- 1793
57
- Corfu
- 1857
58
- La Cava, 19 July 1838
- 1838
59
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
60
- Three Young Witches
- undated
61
- Head of a Young Woman
- between 1838 and 1840
62
- Sepolcro di Absalon
- ca. 1750
63
- Cluny Castle, Aberdeenshire, Scotland: Elevation
- ca. 1816
64
- Cluny Castle, Aberdeenshire, Scotland: Elevation
- ca. 1816
65
- Cluny Castle, Aberdeenshire, Scotland: Elevation
- ca. 1816
66
- Cluny Castle, Aberdeenshire, Scotland: Elevation
- ca. 1816
67
- Cluny Castle, Aberdeenshire, Scotland: Ground Floor Plan with Proposed Alterations
- ca. 1816
68
- Castle Fraser, Aberdeenshire, Scotland: West Elevation
- 1819
69
- Castle Fraser, Aberdeenshire, Scotland: South Elevation
- 1819
70
- Kenelmus Digbi
- ca. 1635
71
- Villa of Macenas at Tivoli
- 1786 to 1819
72
- The Opening of the Carnival at Rome
- ca. 1781
73
- Bob Blunt in Amaze, or Female Fashionable Fallies
74
- Man Seated while Speaking to a Soldier Who is Standing
- undated
75
- Philip Affleck, Esq
- 1792
76
- Sweet China Oranges, Sweet China
- 1794
77
- Do You Want Any Matches?
- 1794
78
- Mrs. Baddely
- 1772
79
- Mrs. Banks
- 1772
80
- Maria, Lady Bronghton (d. 1785)
- 1772
81
- Miss Carpenters
- 1773
82
- Lady Cartteret
83
- Jemima, Countess Cornwallis
84
- Lady Fenoulhet (Miss Day)
85
- The Right Honorable the Countess of Jersey
86
- Templi Ignoti, Sed ex eius Fragmentis
- 1546-1590
87
- George Anson, 1st Baron Anson
- ca.1755
88
- Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
- 1824
89
- View of Bombay
- 1734
90
- The Fall of Agandecca
- 1783
91
- John Campbell, 2nd Duke of Argyll, 1st Duke of Greenwich
- 1700
92
- Mademoiselle Baccelli
- 1783
93
- Studies for Armour
- undated
94
- The Birth of Venus
- ca. 1778
95
- Cæsar Alexander Scaglia
- ca. 1635
96
- Gerardus Segers
- ca. 1635
97
- Whitby
- 1826
98
- Celebration of the 4th June at Eton
- 1837
99
- Loranthus Heteromorphus
- undated
100
- Richard Cosway, R. A
- 1811