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Flowers in a Lustre Pot
Creator:
Vanessa Bell, 1879–1961
Date:
ca. 1950
Materials & Techniques:
Oil on paper
Dimensions:
Frame: 18 1/4 x 21 3/4 inches (46.4 x 55.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:
Not on view
Cloud Study
Creator:
John Constable, 1776–1837
Date:
1821
Materials & Techniques:
Oil on paper laid on panel
Dimensions:
8 3/8 x 11 1/2 inches (21.3 x 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Cloud Study
Creator:
John Constable, 1776–1837
Date:
1821
Materials & Techniques:
Oil on paper laid on board
Dimensions:
9 3/4 x 11 7/8 inches (24.8 x 30.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Dedham Lock
Creator:
John Constable, 1776–1837
Date:
between 1819 and 1820
Materials & Techniques:
Oil on canvas laid on board
Dimensions:
13 1/4 x 19 5/8 inches (33.7 x 49.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Cloud Study
Creator:
John Constable, 1776–1837
Date:
ca. 1821
Materials & Techniques:
Oil on paper laid on card
Dimensions:
9 3/8 x 11 1/2 inches (23.8 x 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Butrinto, Albania
Creator:
Edward Lear, 1812–1888
Date:
1861
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:
Not on view
Corfu from Santa Decca
Creator:
Edward Lear, 1812–1888
Date:
1862
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:
Not on view
Corfu from Ascension
Creator:
Edward Lear, 1812–1888
Date:
ca. 1860
Materials & Techniques:
oil on canvas
Dimensions:
13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Sophie and Michael D. Coe, Yale MAH 1968
On View:
Not on view
Kinchinjunga
Creator:
Edward Lear, 1812–1888
Date:
1877
Materials & Techniques:
Oil on canvas
Dimensions:
9 1/2 x 14 1/2 inches (24.1 x 36.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
On View:
Not on view
Mount Athos and the Monastery of Stavronikétes
Creator:
Edward Lear, 1812–1888
Date:
1857
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Key to the Mint
Creator:
John R. Skeaping, 1901–1980
Date:
1971
Materials & Techniques:
Bronze
Dimensions:
Overall: 13 1/2 x 18 1/2 x 6 inches (34.3 x 47 x 15.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Design for Tiger Hunting Mural in the Cabaret Theatre Club
Creator:
Charles Ginner, 1878–1952
Date:
1912
Materials & Techniques:
Oil and pencil on card
Dimensions:
13 1/2 x 22 5/8 inches (34.3 x 57.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Seated Turk
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/4 x 16 1/4 inches (33.7 x 41.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
David, the Future King of Israel, While a Shepherd at Bethlehem
Creator:
John Rogers Herbert, 1810–1890
Date:
1877
Materials & Techniques:
Oil on millboard
Dimensions:
13 3/8 x 21 7/8 inches (34 x 55.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Portrait of the Artist
Creator:
unknown artist
Date:
1733 or after
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/2 x 11 1/2 inches (34.3 x 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Portrait of an Unknown Man
Creator:
Francis Wheatley, 1747–1801
Date:
ca. 1778
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/2 x 11 1/2 inches (34.3 x 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Studies for the Duke of Wellington
Creator:
Sir George Hayter, 1792–1871
Date:
ca. 1820
Materials & Techniques:
Oil on millboard
Dimensions:
13 1/4 x 16 3/4 inches (33.7 x 42.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Royal Grey in State Harness
Creator:
Sir Alfred J. Munnings, 1878–1959
Date:
ca. 1925
Materials & Techniques:
Oil on millboard
Dimensions:
13 1/4 x 16 inches (33.7 x 40.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
View on the River Thames at Richmond
Creator:
William Marlow, 1740–1813
Date:
ca. 1776
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/4 x 19 1/4 inches (33.7 x 48.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

20. Setters

Setters
Creator:
George Morland, 1763–1804
Date:
between 1798 and 1799
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/4 x 9 inches (33.7 x 22.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Still Life with a Prayer Book, Shawl, Vase of Flowers and Inkwell
Creator:
Gwen John, 1876–1939
Date:
late 1920s
Materials & Techniques:
Oil on canvas
Dimensions:
10 1/2 × 8 1/2 inches (26.7 × 21.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Brown Tea Pot
Creator:
Gwen John, 1876–1939
Date:
between 1915 and 1916
Materials & Techniques:
Oil on canvas
Dimensions:
13 3/16 × 9 1/8 inches (33.5 × 23.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Landscape at Hampstead, with Harrow in the Distance
Creator:
Lionel Constable, 1828–1887
Date:
between 1849 and 1855
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/2 × 17 inches (34.3 × 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Two Fishing Boats on the Banks of Inland Waters
Creator:
George Chambers, 1803–1840
Date:
1831
Materials & Techniques:
Oil on panel
Dimensions:
13 1/2 x 17 5/8 inches (34.3 x 44.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Portrait of Leon Kossoff
Creator:
Frank Auerbach, 1931-2024
Date:
ca. 1955
Materials & Techniques:
Oil on board
Dimensions:
8 × 8 inches (20.3 × 20.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Lent from a Private Collection
On View:
Not on view
An Enslaved African
Creator:
William James Muller, 1812–1845
Date:
1838
Materials & Techniques:
Oil on paper laid onto panel
Dimensions:
Overall: 13 1/4 × 10 inches (33.7 × 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Study of a Coat Belonging to John, 11th Earl of Westmorland
Creator:
Joseph Edgar Boehm, 1834–1890
Date:
mid-19th century
Materials & Techniques:
Oil on panel
Dimensions:
13 1/2 x 10 inches (34.3 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
On the Isis, Waterperry, Oxfordshire
Creator:
William Alfred Delamotte, 1775–1863
Date:
1805
Materials & Techniques:
Oil on artist's board mounted to panel
Dimensions:
13 1/2 x 17 inches (34.3 x 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Grand Canal, Venice
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Oil on millboard
Dimensions:
9 1/4 x 13 3/4 inches (23.5 x 34.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Rev. Samuel Uvedale
Creator:
Thomas Gainsborough, 1727–1788
Date:
1770 to 1774
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/2 x 11 1/2 inches (34.3 x 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
Creator:
William Hamilton, 1751–1801
Date:
ca. 1790
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/2 x 17 inches (34.3 x 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Gillingham on the Medway
Creator:
William James Muller, 1812–1845
Date:
1842
Materials & Techniques:
Oil on canvas
Dimensions:
13 1/2 × 26 1/4 inches (34.3 × 66.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Charlotte Turner (née Gavin)
Creator:
Alfred Turner, 1874–1940
Date:
ca. 1910 or ca. 1930, exhibited 1930
Materials & Techniques:
Terracotta
Dimensions:
Overall: 13 3/8 x 10 x 6in. (34 x 25.4 x 15.2cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Miss Jessica Turner through the National Art-Collections Fund
On View:
Not on view
Horse and Stable Lad
Creator:
Adrian Jones, 1845–1938
Date:
ca. 1890
Materials & Techniques:
Bronze
Dimensions:
Overall: 13 1/4 x 17 x 5 1/4 inches (33.7 x 43.2 x 13.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
Creator:
Staffordshire pottery
Date:
19th to mid-19th century
Materials & Techniques:
Staffordshire
Dimensions:
Sheet: 13 1/2in. (34.3cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
Creator:
Staffordshire pottery
Date:
19th-mid-19th century
Materials & Techniques:
Staffordshire
Dimensions:
Sheet: 13 1/2in. (34.3cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The White House (Gould's Farm Luppitt)
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1920
Materials & Techniques:
Black Chalk, white chalk, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 1/4 × 14 3/4 inches (33.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for Mare and Foal, Lytchetts, Clayhidon
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1917
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 17 inches (34.4 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Morning at Tattersalls (with further sketches in left margin folded over)
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Black chalk and colored washes on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bayhorse, Tattersall’s
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1921
Materials & Techniques:
Watercolor and charcoal on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/16 × 15 5/8 inches (53.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sussex Landscape
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Black chalk and watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 17 3/4 inches (34.3 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
A Recollection of the New R.A.
Creator:
John Constable, 1776–1837
Date:
1837
Materials & Techniques:
Pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 3/8 x 10 inches (34 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for "The Shearers"
Creator:
Samuel Palmer, 1805–1881
Date:
between 1833 and 1834
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Frame: 19 5/16 × 15 7/8 × 1 1/16 inches (49 × 40.3 × 2.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Horse Affrighted by a Lion
Creator:
Print made by George Stubbs, 1724–1806
Date:
1777
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 × 19 inches (37.5 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 5/8 inches (26.4 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Southwark Fair
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 7/16 × 17 3/4 inches (34.1 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Southwark Fair
Creator:
William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 1/4 × 24 3/4 inches (46.4 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
Chain of Alps from Grenoble to Chamberi
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Augustine's Gate, Canterbury
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1793
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
(Swindern's Parrakeet) (Plate 42)
Creator:
Edward Lear, 1812–1888
Date:
1832
Materials & Techniques:
Lithograph; proof on chine-collé
Dimensions:
Sheet: 13 1/2 x 10 1/2in. (34.3 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Turin, Italy
Creator:
Edward Lear, 1812–1888
Date:
after 1872
Materials & Techniques:
Pen in brown ink with brown wash over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Benares

Benares
Creator:
Edward Lear, 1812–1888
Date:
1873
Materials & Techniques:
Watercolor with pen in brown ink over graphite and gouache on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 13 1/2 x 20 inches (34.3 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Prison Scene
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

55. The Wave

The Wave
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Black ink and gray wash over graphite on medium slightly textured cream laid paper
Dimensions:
Sheet: 13 1/4 x 19 inches (33.7 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 8 1/8 inches (34 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899
Jerusalem, Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"His Children exil'd from his breast..." (Plate 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"But when they saw Albion fall'n..." (Plate 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"To the Jews..." (Plate 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"To the Public. After my three years slumber..." (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"And the Two that escaped..." (Plate 30)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"His face and bosom with petrific hardness..." (Plate 38)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"By Satan's Watch-fiends tho' they search..." (Plate 39)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Bath who is Legions..." (Plate 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Thus Albion sat, studious of others..." (Plate 42)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"They saw their Wheels rising up poisonous..." (Plate 43)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"With one accord in love sublime..." (Plate 44)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"When those who disregard all Mortal Things..." (Plate 55)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Repose on me till the morning of the Grave..." (Plate 62)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Jehovah stood among the Druids..." (Plate 63)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Of the Mundane Shell which froze..." (Plate 64)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"To decide Two Worlds with a great decision..." (Plate 65)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"O Skofield why art thou cruel?..." (Plate 68)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Such are Cathedrons golden Halls..." (Plate 73)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chapter 4 Frontispiece (Plate 76)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Encompass'd by the frozen Net..." (Plate 80)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Awake! Awake Jerusalem..." (Plate 97)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Then each an Arrow flaming from his Quiver..." (Plate 98)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Repelling weeping Enion blind & age-bent..." (Plate 87)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Highgates heights & Hampsteads..." (Plate 84)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Condens'd his Emanations..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Feminine separates from the Masculine..." (Plate 90)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"And this the form of mighty Hand..." (Plate 70)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection