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John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
1821
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
1821
Not on view
John Constable Dedham Lock
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
Edward Lear Butrinto, Albania
Edward Lear, 1812–1888
Butrinto, Albania
1861
Not on view
Edward Lear Corfu from Santa Decca
Edward Lear, 1812–1888
Corfu from Santa Decca
1862
Not on view
Edward Lear Corfu from Ascension
Edward Lear, 1812–1888
Corfu from Ascension
ca. 1860
Not on view
Edward Lear Kinchinjunga
Edward Lear, 1812–1888
Kinchinjunga
1877
Not on view
Edward Lear Mount Athos and the Monastery of Stavronikétes
Edward Lear, 1812–1888
Mount Athos and the Monastery of Stavronikétes
1857
Not on view
Charles Ginner Design for Tiger Hunting Mural in the Cabaret Theatre Club
Charles Ginner, 1878–1952
Design for Tiger Hunting Mural in the Cabaret Theatre Club
1912
Not on view
Richard Parkes Bonington Seated Turk
Richard Parkes Bonington, 1802–1828
Seated Turk
1826
Not on view
John Rogers Herbert David, the Future King of Israel, While a Shepherd at Bethlehem
John Rogers Herbert, 1810–1890
David, the Future King of Israel, While a Shepherd at Bethlehem
1877
Not on view
unknown artist Portrait of the Artist
unknown artist
Portrait of the Artist
1733 or after
Not on view
Francis Wheatley Portrait of an Unknown Man
Francis Wheatley, 1747–1801
Portrait of an Unknown Man
ca. 1778
Not on view
Sir George Hayter Studies for the Duke of Wellington
Sir George Hayter, 1792–1871
Studies for the Duke of Wellington
ca. 1820
Not on view
William Marlow View on the River Thames at Richmond
William Marlow, 1740–1813
View on the River Thames at Richmond
ca. 1776
Not on view
George Morland Setters
George Morland, 1763–1804
Setters
between 1798 and 1799
Not on view
Lionel Constable Landscape at Hampstead, with Harrow in the Distance
Lionel Constable, 1828–1887
Landscape at Hampstead, with Harrow in the Distance
between 1849 and 1855
Not on view
George Chambers Two Fishing Boats on the Banks of Inland Waters
George Chambers, 1803–1840
Two Fishing Boats on the Banks of Inland Waters
1831
Not on view
William James Muller An Enslaved African
William James Muller, 1812–1845
An Enslaved African
1838
Not on view
Joseph Edgar Boehm Study of a Coat Belonging to John, 11th Earl of Westmorland
Joseph Edgar Boehm, 1834–1890
Study of a Coat Belonging to John, 11th Earl of Westmorland
mid-19th century
Not on view
William Alfred Delamotte On the Isis, Waterperry, Oxfordshire
William Alfred Delamotte, 1775–1863
On the Isis, Waterperry, Oxfordshire
1805
Not on view
Richard Parkes Bonington Grand Canal, Venice
Richard Parkes Bonington, 1802–1828
Grand Canal, Venice
1826
Not on view
Thomas Gainsborough The Rev. Samuel Uvedale
Thomas Gainsborough, 1727–1788
The Rev. Samuel Uvedale
1770 to 1774
Not on view
William Hamilton The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
William Hamilton, 1751–1801
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
ca. 1790
Not on view
William James Muller Gillingham on the Medway
William James Muller, 1812–1845
Gillingham on the Medway
1842
Not on view
Adrian Jones Horse and Stable Lad
Adrian Jones, 1845–1938
Horse and Stable Lad
ca. 1890
Not on view
Staffordshire pottery Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
Staffordshire pottery
Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
19th to mid-19th century
Not on view
Staffordshire pottery Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
Staffordshire pottery
Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
19th-mid-19th century
Not on view
Robert Polhill Bevan The White House (Gould's Farm Luppitt)
Robert Polhill Bevan, 1865–1925
The White House (Gould's Farm Luppitt)
ca. 1920
Robert Polhill Bevan Study for Mare and Foal, Lytchetts, Clayhidon
Robert Polhill Bevan, 1865–1925
Study for Mare and Foal, Lytchetts, Clayhidon
1917
Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Robert Polhill Bevan The Bayhorse, Tattersall’s
Robert Polhill Bevan, 1865–1925
The Bayhorse, Tattersall’s
1921
Robert Polhill Bevan Sussex Landscape
Robert Polhill Bevan, 1865–1925
Sussex Landscape
undated
John Constable A Recollection of the New R.A.
John Constable, 1776–1837
A Recollection of the New R.A
1837
Samuel Palmer Study for "The Shearers"
Samuel Palmer, 1805–1881
Study for "The Shearers"
between 1833 and 1834
George Stubbs A Horse Affrighted by a Lion
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1777
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
William Hogarth Southwark Fair
Print made by William Hogarth, 1697–1764
Southwark Fair
1733
William Hogarth Southwark Fair
William Hogarth, 1697–1764
Southwark Fair
1733
Joseph Mallord William Turner Chain of Alps from Grenoble to Chamberi
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
ca. 1793
Edward Lear (Swindern's Parrakeet) (Plate 42)
Edward Lear, 1812–1888
(Swindern's Parrakeet) (Plate 42)
1832
Edward Lear Turin, Italy
Edward Lear, 1812–1888
Turin, Italy
after 1872
Edward Lear Benares
Edward Lear, 1812–1888
Benares
1873
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney The Wave
George Romney, 1734–1802
The Wave
undated
George Romney Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
Print made by William Blake, 1757–1827
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
Print made by William Blake, 1757–1827
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Her voice pierc'd Albions clay cold ear..." (Plate 95)
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820